2024年3月25日发(作者:感恩是什么)
【英文文学】茵梦湖 Immene
Introduction
Theodor W. Storm, poet and short-story writer (1817-1888), was born in
Schleswig. He was called to the Bar in his native town, Husum, in 1842, but had his
licence to practi cancelled in 1853 for 'Germanophilism,' and had to remove to
Germany. It was only in 1864 that he was able to return to Husum, where in 1874
he became a judge of the Court of Appeals.
As early as 1843 he had made himlf known as a lyrical poet of the Romantic
School, but it was as a short-story writer that he first took a prominent place in
literature, making a most happy début with the story entitled Immene.
There followed a long ries of tales, rich in fancy and in humour, although
their inspiration is generally derived from the humble town and country life which
formed his immediate environment; but he wrote nothing that excels, in depth and
tenderness of feeling, the charming story of Immene; and taking his work all in
all, Storm still ranks to-day as a master of the short story in German literature, rich
though it is in this form of pro-fiction.
The Old Man
0ne afternoon in the late autumn a well-dresd old man was walking slowly
down the street. He appeared to be returning home from a walk, for his
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buckle-shoes, which followed a fashion long since out of date, were covered with
dust.
Under his arm he carried a long, gold-headed cane; his dark eyes, in which the
whole of his long-lost youth emed to have centred, and which contrasted
strangely with his snow-white hair, gazed calmly on the sights around him or
peered into the town below as it lay before him, bathed in the haze of sunt. He
appeared to be almost a stranger, for of the pasrs-by only a few greeted him,
although many a one involuntarily was compelled to gaze into tho grave eyes.
At last he halted before a high, gabled hou, cast one more glance out
toward the town, and then pasd into the hall. At the sound of the door-bell some
one in the room within drew aside the green curtain from a small window that
looked out on to the hall, and the face of an old woman was en behind it. The
man made a sign to her with his cane.
"No light yet!" he said in a slightly southern accent, and the houkeeper let
the curtain fall again.
The old man now pasd through the broad hall, through an inner hall,
wherein against the walls stood huge oaken chests bearing porcelain vas; then
through the door opposite he entered a small lobby, from which a narrow stairca
led to the upper rooms at the back of the hou. He climbed the stairs slowly,
unlocked a door at the top, and landed in a room of medium size.
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