蓝色迷情

JAZZ

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Briefintroduation

Jazz，whichisoriginatedintheUnitedStatesinthelate19thandearly20th

centuries,wasborninthesouthernportcityofNewOrleanswithitsmusicroots

improvisational,badontheswingrhythm.

It’saproductionofthecombinationoftheAfricanblackcultureandthewhite

slargelyconcentratedinNewOrleansintheearlydecades

ofthe20thcentury,thenmovedtoChicagoin1917,andthenmovedtoNewYorkin

the1930'nstylesofjazzare:

NewOrleansjazz,swing,bebop,coldjazz,freejazz,Latinjazz,fusionjazz,etc.

History.

Duringthe19thcentury,musicwasanimportantmeansofexpressinglf-lifeand

e

theendofthe19thcentury,jazzhasbeenbadontheBritishandAmerican

traditionmusic,mixingblues,’saproductof

"hybrid".AfricanAmericanblackmusichasprervedalargenumberofAfrican

hefeatureofdistinctrhythmandretainedthecharacteristicsof

aditionandthenewhomeofmusic--mostlyvocal

music--wascombinedtoproduceanewsound,notjustanewvoice,butanew

formofmusic.

ovingsongsarealso

heardbywhites,butithasmoresocialtastetohavethesongssunginthevillage

music,asitisknowntoday,moreaccuratelyreflectsthe

emotionalpowerandmelodyofearlyAfrican-Americansratherthanreligiouslyin

themusicofFiskJubileeSingers,famousduringthefirstdecadesofthetwentieth

centuryInheritance.

Otherearlyformsofmusicincludedworkingsongssuchaschildren'ssongsand

dancemusicdatingbacktoslaverytimes,allofwhichbecameimportantmusical

heritageespeciallygiventheratherrestrictiverestrictionsonmusicalactivityunder

thecurrentsystem.

ThebirthofBlues.

Whenslaverywasabolishedandtheslaveswerefreed,Africa,music,developed

icalIn消防技能培训 strumentsabandonedbythebandcombinedwithnewly

acquiredfreedomformedtherootsofjazz:brass,dance,saform

ofmusicemssimple,actuallycanhaveisalmostinfinitechanges,hasalwaysbeen

animportantpartofanykindofjazz,anditsuccessfullymaintaineditsown

dbeimpossibletohavetoday'srockmusicwithout

instructionsgeneralfeatures:Bruceittoeveryeightortwelvection

forapassageofmusic,lyrics,it'sthecausof"depression"(blue)characteristicis

thescaleofthe"mi"and"si",Bruceisa

cularmusicthatcorrespondstothereligiousmusic.

Thebrassband.

Bythelate1980s,blackbrassbands,dancebandsandconcertbandshadappeared

ametime,theblackmusicinthe虎皮肉的做法大全 northoftheUnited

period,agtime

wasmainlyplayingonthepiano,denageof

ragtimewasroughlybetween1898and1908,butitstimespanwassubstantialand

2000,itwasdiscoveredagain,andthenew"ragtime"

featurewasacharmingmelodythatudsyncopationinlargeNumbers,butitsblues

eisassociatedwithearlyjazz,butitiscertainthat

ragtimeismorestable.

ThemostfamouscomporofragtimeisScottJoplin(1868-1917).Otherfamous

ragtimemastersincludeJamesScott,LouisChauvinkEubieBlake(1883-1983),Joph

Lamb,etc.,whilethelatteriswhite,buthefullyabsorbedtheconnotationofthe

musicform.

Thejazzage.

Ragtime,inparticular,downplaysthejazz'spopularstyleofentertainment,whichis

middle-class,zfirstappearedinthe

late19thcentury,butitwa白驹过隙 snotcalled"虹鳟 jazz"riginallycalledJass

andfirstappearedinthesouthernAmericanurbanblackworkers'

ragtime,stcitytobecomeasynonymfor

earlyjazzwasNewOrleans,whichissomewhattrue,butsomewhatexaggerated.

Thecradleofjazz.

,the

historicalrearchandrecordofearlyjazzhasgonedeeperthananywhereel.

From1895to1917thisperiodoftime,theNewOrleansjazzmoreandbetterthan

otherplacesmaybesort,butnoneofthismeansNewOrleansistheonlyoneplace

icproducedineverysouthernAmericancitywithasizableblack

populationshouldbeconsideredaformofearlyjazz.

NewOrleansatthattimeappearedtobetheresultofaveryopenandfreesocial

ofdifferentfaithsandRACEScancommunicatewitheachother,

sothemusictraditioninthiasy-to-communicateenvironmentisveryrich,with

French,Spanish,prisingly,NewOrleansbecamethefertile

groundforjazz.

Earlymusician.

ThefirstNewOrleansmusicianwasthefirstjazzmusicianBuddyBolden(1877-1931),

bethefirstpersontocombinetheroots,theroughbluesandthetraditionalband

music,wasadmittedtothe

MardiGrasparadeforamentalillnessandspenttherestofhislifeinamental

aidtohaverecordedarecordbut

hasnotbeenabletoconfirmit.

TherewasarenewedinterestinNewOrleans'classicaljazz,

lownacondshortin

Bolden'slastband.

Manypeople,includingsomeveteranjazzfans,believethatearlyjazzmusicians

werelf-taughtgeniuswhothoughttheycouldnotreadmusicandhadadayof

'alloftheearlyjazzfiguresaresolid,at

leastonthebasisoforthodoxmusic,heless,

tnotable

exampleisJophOliver(1885-1938)(nicknamed"theking"),whoisashort-hand

de开往早晨的午夜 verythinghecanfind,includingdrinkingcups,buckets

ofsand,andplasticwaterplugstomakehisshortNumbersgothroughavarietyof

eKeppard(1889-1933)isOliver'smaincompetitor,Keppard'suof

weakvoiceequipment,whichallowshimtotakeprideinbeingthemostprominent

dwasalsothefirstNewOrleansnativetobring

1915,heteamedupwiththeOriginalCreole

orchestratoperformalightshowinNewYork.

Jazzgoesnorth.

By1917,manyimportantjazzmusicianshadleftNewOrleansforthenorth,which

becauofeconomicreasons,theEuropeanwar

madeAmerica'sindustrialarethriving,themusiciansandthemillionsofworkers

flocktothenorth,wheretherewasacuritycanfindabetterjob.

JazzinChina.

aiinthe'30s

and'40swasthehabitatofjazzinChina,andtherehadbeenaconsiderablenumber

zat

ecadesofvicissitudes,jazzhas

almostdisappearedinChina,

dtogetridofthesolidformofdance

music,ablendofrichmusicstyleandculturaltraitsandplayingskill,hasthecharm

ofmu天蝎和摩羯 sicitlf,mostexpressiveforceandappeal,alreadyinhighart.

Inthe1950sand1960s,therewerescatteredsmalljazzbandsandthefirstChine

jazzfansinTaiwanduetotheinfluenceofAmericangarrisonandAmericanoveras

ndofTaiwanintheventysandeightys,jazzstartingforsome

pioneermusicianinvolved,graduallytothepopularperception,andappearedmore

than18peopleinTaiwanpreparelargejazzband,andsomeofthecreatorand

musiciansalsodabbledinjazz,suchasthemainlandofliusola,liuyuan,cuijian,

Taiwan'szhaiMontenegro,zhongsanjiu,luodayou,1990s,therewere

localmusicianswhospecializeinjazz,andthemaindirectionisjazz.

Asthe21stcentury,thejazzhavelocalmodernmusiciansofthecompulsorycour,

grad东北的风俗 uallyintothevariousfieldsofChinemusic,professionaljazzmusiciansbegan

toformacertainscale,andevensomepopularpopmusicianisthatfamousjazzstyle

works,suchastao,wangKarenmok,etc.

Artisticfeatures.

Jazzhasalotofuniquefeaturescomparedtoothermusic.

1)Improvisation

2)Bluesscaleapplication

3)Complexrhythm

4)Uniquejazzchord

5)Uniquetimbreapplication

uwill

likethem.

(CarmenMcRaeandtheShirleyHornTrio)

伤感(卡门麦卡雷和赦莉霍恩)

Blue(ChetBaker)

蓝色迷情(查特贝克)

3.I′mjustaluckysoandso(DukeEllingtonandhisOrchestra)

幸运儿(艾灵顿公爵和他的乐队)

yandcoltrane(GilScottHeron)

生活(吉尔史考特海伦)

time(ArtieShawandhisOrchestrawithBillieHoliday)

旧时光(阿蒂萧、他的乐队和比莉哈乐黛)

foryou(JohnPizzarelli)

为你哭泣(约翰披萨瑞里)

7.I′mgonnasitrightdownandwritemylfaletter(FatsWaller)

写给自己的信(胖子沃勒)

screepers(EthelWaterswithEdwardMalloryandhisOrchestra)

神圣的爬行族(伊瑟．华特斯和他的乐队)

9.I′vegottheworldonastring(LouisArmstrongandhisOrchestra)

享有世界(路易丝阿姆斯特朗和他的乐队)

unnysideofthestreet(LionelHampton)

阳光大道(莱尼尔o汉普顿)

veofmine(TommyDoryandFrankSinatra)

阳光爱情(汤米道尔西和法兰克幸那屈)

aonmymind(HoagyCarmichael)

我的乔治娅(豪奇卡迈克)

ghasthisbeengoin年贵妃 gon(LenaHorne)

有多久(莉娜霍恩)