新GRE阅读理解模拟练习题六
新GRE阅读理解模拟练习题如下，后面附有答案，同学们能够限
exactly
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Extraordinary creative activity has been characterized as revolutionary, flying in the face of what is established and producing not what is acceptable but what will become accepted. According to this formulation, highly creative activity transcends the limits of an existing form and establishes a new principle of organization. However, the
jeans什么意思idea that extraordinary creativity transcends established
limits is misleading when it is applied to the arts, even though it may be valid for the sciences. Differences between highly creative art and highly creative science ari in part from a difference in their goals. For the sciences, a new theory is the goal and end result of the creative act. Innovative science produces new propositions in terms of
which diver phenomena can be related to one another in more coherent ways. Such phenomena as a brilliant diamond or a nesting bird are relegated to the role of data, rving as
the means for formulating or testing a new theory. The goal
of highly creative art is very different： the phenomenon
itlf becomes the direct product of the creative act. Shakespeare’s Hamlet is not a tract about the behavior of indecisive princes or the us of political power; nor is Picasso’s painting Guernica primarily a propositional statement about the Spanish Civil War or the evils of fascism. What highly creative artistic activity produces is not a new generalization that transcends established limits, but rather an aesthetic particular. Aesthetic particulars produced by
the highly creative artist extend or exploit, in an innovative way, the limits of an existing form, rather than transcend that form.
This is not to deny that a highly creative artist sometimes establishes a new principle of organization in the history of an artistic field; the compor Monteverdi, who created music of the highest aesthetic value, comes to mind. More generally, however, whether or not a composition establishes a new principle in the history of music has
little e bearing on its aesthetic worth. Becau they embody a new principle of organization, some musical works, such as the operas of the Florentine Camerata, are of signal
救护车英文
historical importance, but few listeners or musicologists would include the among the GREat works of music. On the other hand, Moza rt’s The Marriage of Figaro is surely among the masterpieces of music even though its modest innovations are confined to extending existing means. It has been said of Beethoven that he toppled the rules and freed music from the stifling confines of convention. But a clo study of his compositions reveals that Beethoven overturned no fundamental rules. Rather, he was an incomparable strategist who exploited limits-the rules, forms, and conventions that he inherited from predecessors such as Haydn and Mozart, Handel and Bach-in strikingly original ways.
21. The author considers a new theory that coherently relates diver phenomena to one another to be the
国际商务就业前景(A)basis for reaffirming a well-established scientific formulation
msds是什么意思(B)byproduct of an aesthetic experience
(C)tool ud by a scientist to discover a new particular
(D)synthesis underlying a GREat work of art
(E)result of highly creative scientific activity
claude kelly22. The author implies that Beethoven’s music was strikingly original becau Beethoven
(A)strove to outdo his predecessors by becoming the first compor to exploit limits
重阳节 英文
(B)fundamentally changed the musical forms of his predecessors by adopting a richly inventive strategy
(C)embellished and interwove the melodies of veral of the GREat compors who preceded him
(D)manipulated the established conventions of musical composition in a highly innovative fashion
(E)attempted to create the illusion of having transcended the musical forms of his predecessorsholland是什么意思
23. The passage states that the operas of the Florentine Camerata are
write(A)unjustifiably ignored by musicologists
disgrace
(B)not generally considered to be of high aesthetic value even though they are important in the history of music
(C)among tho works in which popular historical themes were portrayed in a musical production
(D)often inappropriately cited as examples of musical works in which a new principle of organization was introduced
