新托福阅读模拟试题及答案
同学们备考的时候一定要多做试题，通过做题才能够反映出大家的不足之处才哪里，有针对性的备考才能够进步得更快。下面就一起来看看新托福阅读模拟试题及答案。
新托福阅读模拟试题及答案
The medieval artists didn’t know about perspective; they didn’t want to make their people look like real, individual people in a real, individual scene. They wanted to show the truth, the eternal quality of their religious stories. So the artists didn’t need to know about perspective.
In the European Renaissance period, artists wanted to show the importance of the individual person and his or her posssions and surroundings. A flat medieval style couldn’t show this level of reality and the artists needed a new technique. It was the Italian artist Brunelleschi who discovered the technique of perspective drawing. At first the artists of the Renaissance only had single-point perspective. Later they realized that they could have two-pointed perspective and still later multi-point perspective.
With two-point perspective they could turn an object (like a building) at an angle to the picture and draw two sides of it. The technique of perspective which ems so natural to us now is an invented technique, a part of the “grammar of painting”. Like all bits of grammar there are exceptions about perspective. For example, only vertical and horizontal surfaces em to meet on eye level. Sloping roof tops don’t meet on eye level.
For 500 years, artists in Europe made u of perspective drawing in their pictures. Nevertheless, there are a range of priorities that artists in displaying individual styles. Crivelli wanted to show depth in his picture and he ud a simple single-point perspective. Cezanne always talked about space and volume. Van Gogh, like some of the other painters of the Impressionist period, was interested in Japane prints. And Japane artists until this century were always very strong designers of “flat” pictures. Picasso certainly made pictures which have volume and depth. However, he wanted to keep our eyes on the surface and to remind us that his paintings are paintings and not illusions.
It is technically easy to give an illusion of depth. However, a strong two dimensional design is just as important as a feeling of depth, and perhaps more important.
新托福阅读模拟试题及答案一
1 The passage mainly discuss
(a) the difference between medieval and Renaissance art
(b) how the technique of perspective influenced the modern art
(c) the discovery of the technique of perspective
(d) the contribution of Renaissance artists
2 The word “eternal” in line 3 is clost in meaning to
(a) timeless
(b) infinite
(c) frequent
(d) constant
3 According to the passage, which is the main concern for medieval artists?
(a) the individual person and his/her posssions and surroundingscg是什么意思
(b) real people, real scenes
(c) eternal timeless truth of the earth
(d) themes of religious stories
4 The discovery of perspective was the result of
(a) Renaissance artists’ to prove that the medieval artists could show level of reality
(b) the need to turn an object at an angle and draw more than one side of it
(c) the subject being shifted from religious stories to individual person and surroundings.
(d) natural evolution of human nsaffs
5 The word “it” in line 12 refers to
(a) the picture
(b) perspective
(c) angle
(d) the object
新托福阅读模拟试题及答案二
6 The word “Grammar ” in line 13 is clost in meaning to
(a) construction
(b) grammatical rules
(c) rules and regulations
(d) tones and volume奥运会会徽的含义
7 The author’s purpo to give the example in line14-15 is to
(a) explain how perspective work in paintingweihnachtslied
(b) support two-pointed perspective
(c) illustrate that there are exceptions about perspective
(d) point out that the technique of perspective though ems so natural is an invented technique
8 The following artists’ priorities in style shift away from perspective except
(a) Crivelli
血染拜占庭(b) Cezanne
(c) Japane artists
环保英文
(d) Brunelleschi
9 The word ”Illusion” in line 25 is clost in meaning to在线学习英语
(a) deception
(b) photograph
(c) decoration
(d) illustration
10 It can be inferred from the passage that Renaissance artists
(a) embraced the medieval style of eternal truth
猎杀拉登(b) needed to develop a new approach towards painting to show a new level of reality
(c) were inspired by vertical and horizontal surfaces in inventing the technique of perspective
(d) saw two dimensional design more important than a feeling of depth
costa rica参考答案：1.b 2.a 3.d 4.c 5.d 6.c 7.c 8.d 9.a 10.b
托福阅读重点句子积累cashier
1. Wearing masks and costumes, they often impersonated other people, animals, or supernatural beings, and mined the desired effect – success in hunt or battle, the coming rain, the revival of the Sun – as an actor might.
