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baciããRusll Crowe stars as John Forbes Nash Jr., who we meet as he arrives to Princeton University in 1947, a poor young man who remarkable skills in mathematics won him a scholarship. He doesn't really fit in with the other students though, and he has no interest in actually going to class. He just wants to find a truly original theory, to think of something that will matter. Something that will make him matter. He does calculate some brilliant stuff, which opens up opportunities for him, all the way to a code breaking gig at the Pentagon, but something is tearing him loo : schizophrenia. Combined with Cold War-era conspirac
y theories paranoia, this might make him go totally insane. All he's got left is his caring wife Alicia (Jennifer Connelly), and even she is tempted to give up on him.
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ããIt's taken me a while to process my feelings on Ron Howard's latest film, as they're kind of confud. In short, I thought the first act was mediocre, then the film did something I perceived as a cheat, but finally it redeemed itlf in its powerful last hour. So how am I suppod to review the whole film, as I found its first half to be generic and maudlin, but by the end I was moved to tears? Well, let's start at the beginning, or the "Good Will Hunting" part. The early scenes aren't that bad, they're just bland and harmless. Nash is somehow interesting already, with subtle hints of personality troubles, but he's surrounded by walking clichés, like the snobbish daddy's boy (Josh Lucas), the wicracking buddies, the kind old teacher, or a newer obligatory staple (e also : "Notting Hill", "Undeclared"), the quirky British roommate (Paul Bettany). Plus, it's all so timid, a little joke here, a little touching moment there. Yawn.
ããAnother thing that bothered me was the emingly random, unnatural pacing. It's the fi
promptnessrst day of the mester, then wham!, it's six months down the line, boom!, Nash's made his discovery, watch out! It's now five years later and he's called in to break some Soviet code. It gets even more frustrating when Nash starts teaching and Alicia, who's his student, catches his eye. It literally goes from 'what's your name' to 'I find you attractive' to 'will you marry me?' to 'you're pregnant?!' Meanwhile, Nash, is recruited by a Secretary of Defence agent (Ed Harris) who wants him to peru periodicals to look for cret Communist codes. Come again? That's not all, there's ten dropouts, mysterious men in black, chas, shoot-outs. It makes little n, and it's hardly all that interesting. I was ready to pan the film.
ããOh, but wait a cond there, that's only the first hour or so of the film, before what I called the big cheat. Don't worry, I'm not gonna spoil it. Let's just say that the film reveals that it isn't really concerned with code cracking or Nash' love life; "A Beautiful Mind" is ultimately about one man's struggle to retain his sanity, to sort out his mind at once capable of genius and madness. Once the narrative ttles on this, the film becomes more and more engrossing. It remains conventional in form as Ron Howard, hardly a dari
ng filmmaker, can't help but go for melodrama and little bittersweet comic beats, or something as predictable and schmaltzy as the "pen scene". But the screenplay by Akiva Goldsman, adapting the Sylvia Nasar novel, prents us with a very interesting, complex character who hits bottom, degrading into the kind of fidgety old weirdo kids mock on the street. This makes his eventual getting back on his feet oh so touching, and I don't think there was a dry eye in the room during the final scene.
ãã英语名词It takes many people to make a film, and it's usually unfair to single out an individual as being most responsible for its success, but in this particular ca, I feel it's obvious that this is Rusll Crowe's movie. Writer Goldsman did, after all, commit "Batman & Robin", and as mentioned, Howard has a tendency to lay things too thick, overdoing each moment as if he's trying to show off to the Academy (but oooooooh, that's not his intent, natch). Fortunately, he's at least made one brilliant decision in casting Rusll Crowe, who brings depth, pathos and humanity to his character. We e him age nearly fifty years in the film, and I was never thinking 'make-up', Crowe just emed older in the way he held himlf, spoke and appeared altogether. Likewi, with his schizophrenic behavio
ur, Crowe is not one to chew scenery and go over the top. This is a performance full of nuances and rough corners. His relationship with Paul Bettany and Ed Harris' characters lingers hauntingly in our minds, and even though it's underwritten, his screwed up romance with Jennifer Connelly is affecting. She herlf is pretty good (and gorgeous), despite a fal-sounding shrieking breakdown scene.
