轻声细语 绯闻女孩第一季剧本
影片中处处精细，我试着一点点表达我的感受，试图让大家理解，《马语者》对我的触动。
whisperer是一个温柔的词——轻声细语。人和马的沟通却远比在纽约人与人的沟通更加细致温暖。安妮和她周遭的人在纽约这个城市显得焦躁，冷漠，隔阂，不可信。格蕾丝在病后上学的第一天，周围的人打量，奇怪，怜悯，嬉笑的眼光使这个城市格外寒冷。即使是家人也是缺乏沟通。这一切使身处城市的人外表坚强，内心脆弱，在灾难面前不堪一击。“朝圣者”的治疗是一条线索，在蒙大拿的日子，安妮和格蕾丝学会了爱与被爱，学会了沟通。“我看到了那匹马，我觉得同样的事情也发生在我的身上”。 泰坦尼克号歌词
影片中有很多有意思细节，比如格蕾丝在纽约的家中从餐桌中离开时，安妮会抚平女儿弄皱的桌布,还有很多可以想象的话语，汤姆的妈妈说：“有时人们对于内心里的家的渴望要强于他们实际的家.”这些地方都需要观者细细品味。篇二：马语者英文影评 保持联络英文
马语者 the hor whisperer 英文影评 review by james berardinelli
low, gray clouds scud across the sky while the grass of a emingly-endless plain ripples in respon to the prompting of a spring breeze. thunder rumbles in the distance. on another day, a bright sun gazes down on tho same fields while cattle roam from horizon to horizon. the silhouette of a lone cowboy on horback stands out against an evening skyline. above the vistas, the rocky mountains tower like implacable guardians, eing all. the are only some of the images from the hor whisperer, a film as rich in its visual prentation as it is in its emotional resonance.
as directed by veteran actor/film maker robert redford, the hor whisperer is a powerful and moving tale of love and loss that eschews melodramatic manipulation in its pursuit of a simple, honest tale. i have not read the best-lling novel by nicholas evans upon which the movie is bad, but if its as good as (or better than) the motion picture ad
aptation, its easy to understand its appeal. as a director, redford has made some impressive films; this is among his best.
the hor whisperer opens peacefully enough, with two teenage girls leaving their hous in the early morning hours for a horback ride. the sunri is brilliant, and, as snow begins to fall later in the day, the fields and forest are turned into a winter wonderland of blues and silvers. everything is picture perfect until tragedy strikes, brutally and without warning. one of the girls mounts los his footing on the icy ground and, suddenly, the two friends are in the path of a skidding 18-wheeler. one girl and her hor die. the other pair, grace maclean (scarlett johansson), and her beloved steed, pilgrim, are badly injured. grace los the lower half of one leg. pilgrim is driven mad, and everyone advis that he be put to sleep.
graces parents, annie and robert maclean (kristin scott thomas and sam neill), are ill- prepared to help their daughter cope with her physical disability and the mental scars of having en her best friend run down by an out-of-control truck. annie decides that grace
s recovery will be aided if she can find a way to heal pilgrim (the films only dubious contrivance). so, with her daughter and the hor in tow, annie heads out to montana, where a legendary hor whisperer, tom booker (robert redford), lives and works on a ranch. after eing pilgrim, tom agrees to try to help the hor, and so begins a long period of restoration for four souls: pilgrim, grace, annie, and tom.
国足翻译
tho of a romantic nature may focus on the understated relationship between annie and tom, but thats just one aspect of a story of great depth. the hor whisperer is about the healing power of love. like atom egoyans masterpiece, the sweet hereafter, this film eloquently illustrates how difficult it is to recover from a life- altering trauma, and how the ripples from such an event can affect tho who were not directly involved. everyone in this film has their own demons to wrestle with. grace, who retreats into a sullen cocoon after the accident, is raw on the inside, but wont let it out. she rents her mothers emotional distance and is frightened that the loss of her leg makes her uless and will doom her to a life alone. (nobody will want me like this!) annie, who is ud to being in ch
arge, doesnt know how to cope with the situation, and, when she takes the time to examine her life, she recognizes how the pressures of her career have leeched away her humanity. meanwhile, tom, who is basically at peace with himlf, begins to re-discover what it means to love, something he had lost when his wife left him. ri的过去式
什么叫平面设计
dsts redfords tom is exactly the kind of character we expect from redford: a solid, kind, rugged man who is long on patience and rarely displays much emotion. it could be argued that the former matinee idol is a little too old for this sort of role, but, even with his features growing wrinkled and weathered, the camera still flatters him. kristin scott thomas makes a worthy opposite: shes attractive (but not so stunning that she steals the spotlight away from her older co-star), mature, and a good actress. solid support is provided by the always-reliable sam neill, chris cooper (lone star), and dianne wiest. 翻译软件排行
emotionally, the hor whisperer finds the perfect pitch. theres no overacting and no ov
ert audience manipulation; we feel with and for the characters, but theres never a n that were being tricked into providing a particular, desired respon. the film is neither relentlessly downbeat nor needlessly cheerful; its about healing, but there is a strong, bittersweet current running through the love story subplot. wreck
as a director, redford has never shown greater mastery of his material. his prentation of montana, with all of its glorious open spaces, is enough to make anyone in the theater think about heading west. he also manages to make the day-to-day activities of running a ranch and working with hors em interesting. at the outt, i feared that i might be bored by the hor whisperer, but, despite the running length (which creeps clo to titanic territory with no shipwreck in sight), i found mylf thoroughly absorbed. the prentation of the truck accident is memorable for the way in which it is staged -- its loud, horrifying, and chaotic. the editing and cinematography are perfect, and fashion an unforgettable cinematic moment.
