摘要
珐琅工艺自传入中国，历经了几百年岁月的积淀，已融入大量中华民族传统文化的元素，但其艺术影响范围更多的局限于艺术品范畴。鉴于该工艺技术的特点，导致其与现代人们的生活渐行渐远。
20世纪50年代初，清华大学林徽因教授为挽救濒临消失的景泰蓝工艺付出了巨大的努力，使得这门携带优秀中华传统文化基因的工艺焕发青春。梁思成教授进一步强调了：“包豪斯曾倡导过，艺术不是一种专门的职业，艺术家和工艺师之间，根本没有任何区别，建筑、雕塑、绘画应当构成‘三位一体’的环境艺术，三者都应该转向与工艺的结合。”因此，作者认为珐琅必然可以与室内设计及陈设设计融为一体，而成为环境艺术设计的重要组成部分。
尽管珐琅工艺的应用范围可以运用在室内装饰中，但传统的珐琅工艺多是以器皿、摆件的形式，在陈设艺术中发挥其装饰作用，而与室内设计的契合度不高。作者通过对珐琅基本工艺特性的研究，认为将珐琅的应用范围扩大化具有广阔的前景。通过对明清时期到当今时代珐琅工艺在家具、装饰中的一些应用实例的分析，力求总结出更为完善的应用方法。让室内设计师更早的将珐琅工艺与室内设计两者有机结合，既能满足室内设计的创新理念，又能激活珐琅工艺传承和发展，为珐琅工艺提供更广阔的创新空间，这就是本论文的创新点。
通过文献研究，了解珐琅的概念、工艺、艺术特性等，分析珐琅工艺应用于室内设计中的方法及效果。
掌握珐琅构件应用的基本要素，确定珐琅工艺的应用价值，并提出珐琅工艺在室内设计中的应用原则和方法。针对目前珐琅工艺应用存在的问题，也认识到需要从室内及珐琅设计理念同步和珐琅工艺革新入手，克服面临的困难。通过实地调研和资料收集，整理出四种珐琅衍生工艺：冷釉珐琅工艺、烧亮珐琅工艺、低温珐琅工艺、仿珐琅平板喷绘。它们在成本控制和提高生产效率方面均得到改善，更适合在室内设计中推广。
通过室内设计实践，作者将珐琅工艺的应用范围成功扩大到室内空间构件，使其与室内设计诸要素有机结合。需要珐琅生产企业解决工艺瓶颈、降低生产成本、提高生产效率，使珐琅构件的制作工艺符合时代的创新需求。从而使室内设计师能调动包括珐琅工艺手段在内的诸多设计语言，来表达室内设计创新理念。特别是有效利用传统工艺，准确地表达空间设计意图，使不同的材料及其工艺都能在整体环境艺术设计中扮演恰当完美的角色，从而塑造物质功能、精神功能、审美功能兼备的理想空间。
关键词：室内设计；珐琅工艺；景泰蓝。
I
Abstract美国总统奥巴马简介
Enamel technology has been introduced into China for hundreds of years, and has been integrated i
nto a large number of elements of traditional Chine culture, but its artistic influence is more limited to the category of art. In view of the characteristics of the process technology, it is gradually far away from modern people's life.
In the early 1950s, Professor Lin Huiyin of Tsinghua University made great efforts to save Cloisonne technology, which was on the verge of disappearing, making the technology with excellent gene of Chine traditional culture rejuvenated. Professor Liang Sicheng further stresd: "Bauhaus once advocated that art is not a special profession. There is no difference between artists and craftsmen at all. Architecture, sculpture and painting should form a" Trinity "of environmental art, and all of them should turn to the combination with engineering." Therefore, the author believes that enamel can be integrated with interior design and display design, and become an important part of environmental art design.
Although the application range of enamel technology can be ud in interior decoration, the traditional enamel technology is mostly in the form of utensils and ornaments, which plays a decorative role in the display art, but does not fit the interior design well. Bad on the study of the basic technological characteristics of enamel, the author thinks that it has a broad prospect to expand the application of enamel. Through the analysis of some application examples of enamel tec
hnology in furniture and decoration from Ming and Qing Dynasties to today's era, we try to summarize more perfect application methods. Let interior designers combine enamel technology and interior design earlier, which can not only meet the innovation idea of interior design, but also activate the inheritance and development of enamel technology, and provide a broader innovation space for enamel technology, which is the innovation point of this paper.
Through literature rearch, we can understand the concept, technology and artistic characteristics of enamel, and analyze the methods and effects of enamel technology applied in interior design. Master the basic elements of the application of enamel components, determine the application value of enamel technology, and propo the application principles and methods of enamel technology in interior design. In view of the problems existing in the application of enamel technology at prent, it is also recognized that it is necessary to start from the synchronization of indoor and enamel design concepts and the innovation of enamel technology to overcome the difficulties faced. Through field investigation and data collection, four kinds of enamel derivative process are sorted out: cold enamel process, burnishing enamel process, low temperature enamel process, and imitation enamel plate spray painting. They have been improved in cost control and production efficiency, and are more suitable for promotion in interior design.
Through the practice of interior design, the author has successfully expanded the application scope of enamel technology to interior space components, so that it can be organically combined with various elements of interior design. It is necessary for enamel manufacturers to solve process bottlenecks, reduce production costs and improve production efficiency, so that the manufacturing process of enamel components can meet the innovation needs of the times. So that the interior designer can mobilize many design languages including enamel technology means to express the innovative concept of interior design. In particular, the effective u of traditional technology, accurately express the intention of space design, so that different materials and technology can play an appropriate and perfect role in the overall environmental art design, so as to create an ideal space with material function, spiritual function and aesthetic function.
Keywords: Interior design; Enamel technology; Cloisonne.
目录
北京建筑大学硕士学位论文原创性声明
北京建筑大学硕士学位论文使用授权书
摘要........................................................................................................ I ABSTRACT .................................................................................................. I I 目录......................................................................................................... IV 第1章绪论 (7)
1.1选题的缘起 (7)
queenie什么意思uniform1.1.1 室内设计理念的创新需求 (7)
1.1.2 珐琅工艺美术的发展需求 (8)
1.2选题目的和意义 (9)
1.2.1 选题的目的 (9)
1.2.2 选题的意义 (9)
1.3存在的问题 (10)
1.4选题的创新点 (10)青藏铁路英文
1.5国内外研究现状 (11)
1.5.1 国内研究现状 (11)
1.5.2 国外研究现状 (12)
1.6研究方法 (14)
1.6.1 文献研究法 (14)
1.6.2 案例分析法 (14)
1.6.3 实地调查法 (15)
1.7论文框架 (15)
第2章珐琅的概述 (16)
2.1珐琅的定义与分类 (16)
2.2珐琅的原料 (18)
2.3珐琅的工艺流程 (19)
2.4传统珐琅的艺术特性 (21)
2.5本章小结 (24)
第3章珐琅工艺在室内装饰中的延伸 (25)
3.1明清时期室内装饰中的珐琅工艺 (25)
3.1.1 珐琅工艺在明清家具中的应用 (25)
3.1.2 珐琅工艺在明清室内装饰中的应用 (27)
3.2当代室内装饰中的珐琅工艺 (30)
3.2.1 珐琅工艺在当代家具中的应用 (30)
四六级多少分合格3.2.2 珐琅工艺在当代装饰工程中的应用 (32)
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3.3珐琅工艺在装饰设计中更多的应用 (38)
3.4本章小结 (39)
第4章珐琅工艺在当代室内设计中的应用探索 (40)
4.1基本要素 (40)
眼罩英文4.1.1 形态 (40)
4.1.2 纹样 (43)
4.1.3 色彩 (44)打桩工程
4.1.4 工艺 (45)
4.2应用原则 (46)
4.2.1 辩证传承的原则 (46)
4.2.2 主次分明的原则 (47)
4.2.3 以人为本的原则 (47)
4.2.4 与时俱进的原则 (48)
4.2.5 适度应用的原则 (49)
四级计分器
4.3珐琅工艺在室内设计中的应用特点 (49)
4.3.1 艺术化与个性化 (49)
4.3.2 民族化与时尚化 (50)
4.3.3 精品化和大众化 (50)
负责英文4.4珐琅工艺在室内设计中的价值评估 (50)
4.4.1 文化价值 (51)
