白塔寺胡同美术馆，北京，中国
frustrate的形容词Baitasi Hutong Gallery,Beijing,China,2017
fire burning建筑设计:EM建筑设计事务所
Architect:DnA_Design and Architecture
UHIItltl.
白塔寺胡同美术馆位于北京市西城区白塔寺文化保护区内，临近鲁迅斷物馆。白塔寺是始建于元朝的藏传佛教寺庙，高50m的白色曲线塔体既是城市里的地标体量，又融入周围的胡同体系与传统街区环境，成为了北京历史文化和现代城市生活的有机部分。
该地区内的居住建筑除了胡同里的传统四合院，还存在为数不少的两层的水泥楼房，这些是从1980.1990年代幵始，当地居民需要更大生活空间时，推翻四合院而建的现代住宅。这种建筑类型在胡同体系中提供了一种比传统四合院更大空间尺度的可能性。
白塔寺街区并非只有单一的胡同四合院类型，而是在不同历史时期，在原有的肌理上不断产生新的建筑类型，逐渐融合参与，构成白塔寺特有的整体系统。胡同美术馆也是这个系统再生计划的一部分：原建筑功能以居住为主，改造后将托胡同街区里植入公共功能，包括公共展厅和驻留艺术工作室
等，为白塔寺带来新的社区空间和文化交流。
空间调整
在保留原建筑主耍结构的基础上，将其划分为
南侧艺术家生活区和北侧公共展区两个部分：在南
侧起居部分，以汽入功能盒子的方式，形成一层的
书房、餐厨、沙龙空间和二层的卧室，满足居住的
需求；北侧是幵放的公共展厅，楼板打通，结合二
层工作室空间高度起落，提供胡同街区里难得的大
尺度室内空间。
建筑布局根据场地肌理和环境，结合胡同路径
和邻居家的大树，分别在东北角和西南角植入两个
角院，提供室内采光的同时重新引入“院”的概念。
室内空间，保留大片墙面的完整性，以部分楼
板角楼倒圆角切幵的动作留出边角缝隙，使光线渗
入，地面处理与之呼应，成为竖向拉伸的自然角落。
庭院与天窗的弧线，构成建筑室内外的连贯空间。
建筑表达
这个改造项目试图以建筑表达进一步阐述白
塔寺的深厚历史和独特人文。建筑外立面延续街
区整体的灰度，室内白色墙面在满足展览和生活
功能外，也和片•段式的弧形语言•以及光影效果一
起，共同建构了空间里的白塔印象：白塔寺是这
cleverest
个街区的主导体鼠元素，然而受胡同尺度以及方
向的影响，在这个胡同片区中行走时，白塔寺的
初中一对一家教呈现是时隐时现、断断续续的，带来片断式碎片
化的记忆和印象。带有植物棚架的屋顶花园，不
仅是室内空间格局调整的延伸，更提供了胡同里
难得的大面积屋顶活动平台以及豁然开朗的视野，
叵1归到胡同生机勃勃的生活氛围。胡同美术馆于
2018年冬天建成，至今已陆续举办数个小型展览
和社区活动。这个美术馆是整个白塔寺再生计划
中的一次积极尝试，希望给胡同社区生活带来新
的可能性。口
1改造片i夕卜景/Exterior view after renovation
Baitasi:a Microscopic Ca of Architectural Anthropology WA2019/0775
厂
L 7
M
6
1- 展厅/Exhibition hallcensor
2- 庭院/Courtyard 3- 办公室/Office
4- 休息厅儿ounge hall
1-二号花园/Garden No.2
2-办公室/0伍ce
jiangyu3-沙龙/Salon 4-臣卜室/Bedroom
8
1- 工作室/Studio 2- 卧室/Bedroom 3- 卫生间/Bathroom
1-展厅/Exhibition hall 2功'公室/Office
3-卧室/Bedroom
76 WA 2019/07
白塔寺:-个辺筑人类学的微观案例
Over 700 hundreds years ago, a 50 metres-tall enormous white Pagoda with its Nepal Buddhist
temple - Baitasi - was built in ancient Beijing. Ever since then this temple and pagoda have merged
into the surrounding hutongs and courtyards
living w 让h religious ceremonies and activities and
landereventually became part of the historical context for contemporary Beijing.
This giant white volume brings dynamic
magnetism into the typical hutong fabric and courtyard life and is the most important context
in our design for converting a 2-storeyed cement residential building into a hutong gallery in the Baitasi area.
Most of the cement residential buildings in this area were built after 1980s, when some local
residents tore down courtyards to larger living area and a modern lifestyle. Cement block buildings
have become a common typology with a larger scale than courtyards in hutong fabric. A conversion
from residential into a public programme including a gallery and three artist residencies will host
community exhibitions and facilitate artists living
户口本翻译
and working in Baitasi hutong area, introduce new elements to integrate w 让h local commun 让y, and
bring in a new transforming process into the region.Under the hutong prervation regulations, the building volume will remain intact, the original structure and layout will be reorganid to fit in
new programmes that include a double height
gallery facing north, a salon and office on ground level and artist rooms above. In order to achieve sufficient light quality, a system of vertical voids is
inrted into this den block. Two corner yards are
评论 程晓浮：走入白塔寺胡同美术馆"很难想象出这悚本
星一座简齬破败的：工，：小楼，与其说这1H.是艺术品的 展场.述不如i 兑理筑本身就是由设计师所创作的「件
艺术品.方案中所川到的手法极其简洁.纯净的界山i 营造了令人心帥如水的'空内空冰温暧的比线从楼板 的圆形或®蹄洒F，碎片化的影姗交织着，呈
post
现岀令人遐想万千的胡同光影意境。xingji
张昕楠：白塔寺胡同艾术馆诃以被看作是一个“非
典型”的院落改造项S 在这个白塔寺文化保护区 内两层的水泥楼房的改造设计中，纟吉合展览、居住 机能和空间尺度协婀加入的两处角院，给「了空内 迎接光：的机会，也使“院"的空间形式得以复生
鬪弧成为了设计中的形式原型$它一方血打破了空
间限定的边界、曙强杵空汕渗透的心理暗示，刃-- 方而也成为C I 入光：线和白然哽素的柔和过渡
10
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brought back for light and air, open to the sky and neighbour's tree canopy, as well as reintroducing traditional the courtyard context. Skylights peeling
off from the roof or floor corners are another light strategy. Both corner yards and skylights
are articulated with curve gments, indicating a continuous circulation. This is also a reflection of
the experience when walking in the Baitasi hutong area. The visual of the pagoda is cut on and off by
hutong scale and orientation. The curve fragments of form and light in this wh 让e interior bring the
Comments
CHENG Xiaoqing: Walking into the Baitasi Hutong Gallery, it is hard to imagine that it is ud to be a
shabby and dilapidated two-story building. Instead of an exhibition of works of art, the building itlf
is a work of art created by the designer. The design method applied in the project is extremely simple,
and thus the pure interface creates an interior space ZHANG Xinnan: Baitasi Hutong Gallery can be
regarded as a "non-typical" courtyard renovation project. In this reform design of a two-story cement
building within Ba 让asi Cultural Conrvation Area, the two corner courtyards that are added in combination with the exhibition and residential functions and the
adjustment of spatial scale provide a chance of daylight to the interior space, and also recover the spatial form
memory of pagoda into the dark grey cement block. The rooftop is open up as a public platform with a plant pavilion configured from vertical voids.
The articulation of the plant pavilion will add in another layer into hutong skyline of cables and tree canopies.
The building is a connection of historical
context with future programmes and will provide
new possibilities into the hutong commun 让y life.D
项I I 信息/Credits and Data
项日箔称/Project Name：胡同芙术馆/Hutong Art Gallery
地/'./Location：宫门口四条,32号/NO.32 Gongmenkou Sitiao
』贞日功能/Program：艺术家住宅/艺术展览/Artist's
Residence/Art Exhibition
业主/Client：北京华融金盈投资发展有限公i ij/Beijing Hua
rong Jinying Investment Development Co.,Ltd.
筑师/Principle Architect：徐甜甜/XU Tiantian
设计团队/Design Team：徐甜甜，陈英刃，侔罚，岳泽
兴，谡麟锻/XU Tiantian, CHEN Yingnan, LU Yong ,YUE
Zexing, QIAN Lintong
结构设汁/Construction Design：中国辺筑料学研'允院/
China Academy of Building Rearch
空内设计/Interior Design：北束DnA 建筑设iLH 务所/
DnA_ Design and Architecture
照明设i 十/Lighting Design：淸华犬学建筑学院张昕工作空/
ZHANG Xin Studio, Architecture Department of Tsinghua
University
建筑if"积./Gross Floor Area: 236.50m (改造后/After ) /
236.50m ', 306.72m •改造前/Before )
片地血积,/Building Foot Print: 15&65m ，设计日寸间/Design Period: 2015.11-2015.12
施 LH411 >1/Construction Period: 2016.03-2017.12摄；杉/Photos：寢至/XLA Zhi
that makes visitors calm as water. The warm light falls from the circular or arc-shaped gaps of the floor, and
the fragmented shadows interweave with each other,
prenting people's daydream of a myriad of light and
shadow artistic conception in hutong. (Translated by PANG Lingbo)
of "yard". Arc becomes the prototype shape in the
design. On one hand，让 breaks the boundary of spatial limitation and enhances the psychological implication
of space penetration, on the other hand, it forms the
gentle transition for daylight and natural elements introduction. (Translated by QIAN Fang)
2 改造后外景/Exterior view after renovation
3屋顶花园/Roof garden 4.5 改造后内景/Interior views after renovation 6
改造后首层平©/Ground floor plan after renovation
7
改造后二层平 ffi/First floor plan after renovation
8.9 改造后剖面/Sections after renovation
10.11 改造前外景/Exterior views before renovation
Baitasi: a Microscopic Ca of Architectural Anthropology WA 2019/07
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