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“Young Goodman Brown” is a perfect example of Hawthorne’s favorite theme: that human nature is full of hidden wickedness. The young hero’s journey in the story is symbolic of one’s journey through life, in which each individual gradually los his or her na?veté and innocence as a result of exposure to greed, lust, envy, perversion, and the other sins of humanity.短剧剧本
transitions
brandeisThe crowning blow to Brown’s na?ve conception of the world comes when he discovers that his own meek and innocent wife, Faith, is one of the celebrants at the Walpurgis Night orgy. As is often the ca, Hawthorne treats his theme with a tongue-in-cheek humor which aris mainly from the contrast between people’s real characters and the fal faces they prent to the world. The humor is vital to this story; the reader is enticed along the forest pathway by an illusion of frivolity and comes to realize the full horror intended only after finishing the last page.
marlboro怎么读Stories such as this entitle Hawthorne to be considered one of the principal founders of the modern short story, a form of literature in which American authors have excelled. The esnce of a modern short story, as defined by Edgar Allan Poe in a newspaper review of Hawthorne’s Twice-Told Tales, is that every detail contributes to a single effect. Prior to Hawthorne’s time, short stories tended to be episodic and looly structured, often rembling essays.
belial“Young Goodman Brown” is the classic American short story of the guilty conscience. The question Brown confronts is whether his heritage of Original Sin incapacitates him for resisting personal sin. In this profoundly ambiguous story, Brown wavers between the desperate cynicism of the corrupt soul and the hopefulness of the believer. At the beginning of the story, he has already made his bargain with the Devil—hardly a token that he is among God’s elect but not necessarily a sign of damnation, either, if he can reject the consummation in the form of the perverted communion rvice in the woods. Whether by act of will or by divine grace, Brown appears to have resisted the power of evil at the climactic moment and given evidence of at least the possibility of salvation for his wife and himlf.
The central character, Goodman Brown, is prented initially as a good person devoted to his wife and well schooled in both religious and civic values. From the first paragraphs, however, he ems ill at ea, determined to enter on his mysterious nighttime journey. The reason for this nocturnal adventure is not clear at first, but Brown is steadfast in his purpo. That quality soon evaporates as he meets his guide and travels to the meeting place where he witness a diabolical ceremony which is a blasphemy of the Protestant communion. Easily swayed by suggestion and innuendo, by the time Brown arrives at the circle where the apparitions of his townspeople are engaged in devil worship, he is ready to believe that he is the only person who faith has no
新年祝福 英文t been undermined. As a result, his good nature is immediately transformed; for the rest of his days he lives in despair, believing the outward goodness of his neighbors, including his wife, is merely a sham, covering their evil nature.
广州樱花国际日语As one might expect in a short story, few other characters are well developed. Rather, Hawthorne briefly sketches in the types who reprent the various occupations common to New England towns. Even Brown's wife Faith is little more than a stereotype of the faithful, loving spou. What is interesting, however, is that Hawthorne us language throughout the story to create doubt about the reality of the figures Brown meets in the forest.
However, if he has, what can be made of his life thereafter? All family and community relationships have been poisoned, and if he can be said to retain his faith, he appears to have lost hope completely. If the ability to resist the Devil at his own table is victory, he has triumphed; if he has made the effort at the expen of his capability for human trust, he has met spiritual defeat. Hawthorne rais the question of whether Brown fell asleep in the forest and dreamed the witches’ Sabbath. The reader, invited to ponder whether one dream could have such an intensive and extensive effect, may well proceed to wonder why Brown found it necessary to invade.
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