新标准大学英语综合教程3课文原文
We all listen to music according to our parate , for the sake of analysis, the whole listening process may become clearer if we break it up into its component parts, so to certain n we all listen to music on three parate lack of a better terminology, one might name the: 1) the nsuous plane, 2) the expressive plane, 3) the sheerly musical only advantage to be gained from mechanically splitting up the listening process into the hypothetical planes is the clearer view to be had of the way in which we listen.
The simplest way of listening to music is to listen for the sheer pleasure of the musical sound is the nsuous is the plane on which we hear music without thinking, without considering it in any turns on the radio while doing something el andabnt-mindedly bathes in the kind of brainless but attractive state of mind is engendered by the mere sound appeal of the music.
捡死鱼
The surprising thing is that many people who consider themlves qualified music lovers abu that plane in go to concerts in order to lo u music as a consolation or an enter an ideal world where one doesn’t have to think of the realities of everyday cour they aren’t thinking about the music allows them to leave it, and they go off to a place to dream, dreaming becau of and apropos of the music yet never quite listening to it.
神舟十四号任务Yes, the sound appeal of music is a potent and primitive force, but you must not allow it to usurp a disproportionate share of your nsuous plane is an important one in music, a very important one, but it does not constitute the whole story.
历史唯物主义The cond plane on which music exists is what I have called the expressive , immediately, we tread on controversial皮影人物 have a way of shying away from any discussion of music’s expressive not Stravinsky himlf proclaim that his music was an “object”, a “thing”, with a life of its own, and with no other meaning than its own purely musical existenceThis intransigent attitude of Stravinsky’s may be due
to the fact that so many people have tried to read different meanings into so many knows it is difficult enough to say precily what it is that a piece of music means, to say it definitely to say it finally so that everyone is satisfied with your that should not lead one to the other extreme of denying to music the right to be “expressive”.
Listen, if you can,to the 48 fugue themes of Bach’s Well-tempered to each theme, one after will soon realize that each theme mirrors a different world of will also soon realize that the more beautiful a theme ems to you the harder it is to find any word that will describe it to your complete , you will certainly know whether it is a gay 嘴唇有痣theme or a sad will be able, on other words, in your own mind, to draw a frame of emotional feeling around your study the sad one a little clor.
Try to pin down the exact quality of its it pessimistically sad or resignedly sad; is it fatefully sad or smilingly sadLet us suppo that you are fortunate and can describe to your own satisfaction in so many words the exact meaning of your cho
n is still no guarantee that anyone el will be need they important thing is that each one feels for himlf the specific expressive quality of a theme or, similarly, an entire piece of if it is a great work of art, don’t expect it to mean exactly the same thing to you each time you return to it.
The third plane on which music exists is the sheerly musical the pleasurable sound of music and the expressive feeling that it gives off, music does exist in terms of the notes themlves and of their listeners are not sufficiently conscious of this third plane.
It is very important for all of us to become more alive to music on its sheerly musical all, an actual musical material is being intelligent listener must be prepared to increa his awareness of the musical material and what happens to must hear the melodies, the rhythms, the harmonies, the tone colors in a more conscious above all he must, in order to follow the line of the compor’s thought, know something of the principles of musical to all of the elements is listening to the sheerly musical plane.
示弱的反义词
Let me repeat that I have split up mechanically the three parate planes on which we listen merely for the sake of greater clarity. Actually, we never listen 沙与海on one or the other of the we do is to correlate them—listening in all three ways at the same takes no mental effort, for we do it instinctively
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