中国木雕英语介绍
Wood carving is one of China’s traditional arts. China has a long history of wood carving.
The earliest existing wood carving unearthed in 1980 in Hubei Province is believed to be made during the Warring State about 3,000 years ago. According to the historical records, the daily necessity, ornament and furniture which were all made of wood came into being in Southern Qi period (420 A.D. -479 A.D.). In one of his poems, Tang poet Han Yu described a wood-carving figure vividly. During the Song and Yuan Dynasties, some painters began to focus on wood-carving painting. In Qing Dynasty, wood carving reached a new peaking, and there were many artist specialized in wood carving. Today many valuable wood carvings are kept in the Imperial Palca in Beijing and Yuyuan Garden in Shanghai.
Wood carving in China constitutes three major categories: architecture carving, furniture carving and artworks carving. Wood carving as handiworks for display or fondling started from the Song Dynasty when the practice of fondling artworks gradually ro among men 轻歌曼舞是什么意思
of letters and refined scholars. This prevailing custom culminated in the Ming and Qing dynasties. Furniture art is a traditional category in wood carving, which is placed on cabinets, windowsills, tables, shelves, etc. Wood carving can also be ud to decorate all sorts of furniture and other artworks such as jade-ware, cloisonné and chinaware.
咖椰吐司大象的英文怎么写
七年级下册历史思维导图Wood carving can be en all over the region on both sides of the Yangtze River where the best known includes the Dongyang wood carving in Zhejiang Province, the golden-lacquer wood carving in Guangdong Province, longan wood carving in Fujian Province and Huizhou wood carving in Anhui Province.中华护理杂志
Dongyang County of Zhejiang Province has always been celebrated for being the “home of carving”. Dongyang wood carving started from the Tang Dynasty developed in the Song Dynasty and became popular in the Ming and Qing dynasties. Dongyang carvings which were meticulously polished to make the finished works appear smooth and lustrous prerve the original textures and colors of the wood. Relief carving is the esnce of Dongyang wood carving in which the depth of the patterns rages between two and five mi
llimeters. The centerpiece is focud on by the force of the cutting. The designs of Dongyang wood carving lays stress on “carving all over the background”, which means to have patterns carved over the entire surface of the object so that it has three dimensional display while the background is fully covered. That is a unique artistic style.
Gold lacquer wood carving is specialty of the Chaozhou region in Guangdong Province, otherwi is known as Chaozhou wood carving. And Gold lacquer wood carving is so named becau of the gold coating on the surface. Gold lacquer wood carving at first was a decorative art ud in architecture in ancient China. Later on it was influenced by local art and became a school of wood carving featuring local flavor. In Chaozhou, local people have compounded a kind of special lacquer which not only enables the gold foil to adhere to the surface of the wood, but also makes it moisture-proof and rot-proof. The history of Chaozhou wood carving can be traced back to the Tang Dynasty and earlier. The Qing Dynasty when the fretwork developed from single-layer to multi-layer piercing is the heyday of its development. And the advanced fretwork produced an artistic effect of a strong contrast between far and near, large and small.
Fujian Longan (Euphoria longan, evergreen tree) carving developed from furniture decoration and statue-of Buddha carving, matured around the end of Ming Dynasty and the beginning of Qing Dynasty. Longan is slightly brittle in texture, fine grained, reddish brown in color, mainly growing in the southern area of Fujian Province. In particular the taproot of old-age longan, often grows to be either spectacular or grotesque, which is an ideal wood for engraving. Root carving therefore becomes a unique variety of Fuzhou wood carving. Local artisans make the best u of its natural shape. They have the twisted roots with their rough nodes carved into all sorts of figures, birds and beasts in shapes vivid and artistically exaggerated by chopping with the axe or cutting with chil. Fuzhou wood carving can reveal unsophisticated brass yellow or orange color that will never fade becau of its smoothing and polishing.
Wood ud in Huizhou wood carving includes soft or less hard species such as pine, China fir, camphor tree, nanmu, gingko, etc. What Huizhou wood carving stress is not the quality of wood, but the content of subject matters, the skills at carving, and the perfection of composition and lines, which has exerted a great influence on the surroundi
ng areas. In the Ming and Qing dynasties, Huizhou wood carving is focud on architecture and furniture decoration, well-known for its giant-sized carved paintings who themes are mostly “men farming and women weaving”, fishing, woodcutting, plowing, studying fairy tales, legends, historical stories, classic novels, and so on and so forth.
形容花朵盛开的成语
The process of wood carving has four steps. First step is to lect the material. The quality of the wood should be tough and firm. As to the shape, it should posss its own feature, which has the great effect on later creation. As wood carving featured originality, the creator should make the best u of material's original shape and natural beauty. He or she must find out the best conception according to the lected wood, and try their best to keep the traits of wood, such as fibers, holes and veins. The principle is three-tenths of the work is done by man, and the rest ven is determined by nature. That's the cond step. Then the wood will be sawed, clipped or polished. Different methods will be employed according to the shape of wood. The final step is to color or lacquer the products.
