WhatisLiteraryWriting?
春节高速免费时间What is Literary Writing?
The term 'literary writing' calls to mind works by writers such as Shakespeare, Milton, or Wordsworth; definitive examples of all that the term implies. We instinctively associate the term with characteristics such as artistic merit, creative genius, and the expression of mankind's noblest qualities. In this essay I will explore some of the characteristics of this kind of writing.
Literary works are primarily distinguishable from other pieces of writing by their creative, or artistic intent.
A piece of literature differs from a specialid treatis on astronomy, political economy, philosophy, or even history, in part becau it appeals, not to a particular class of readers only, but to men and women; and in part becau, while the object of the treati is simply to impart knowledge, one ideal end of the piece of literature, whether it also imparts knowle
dge or not, is to yield aesthetic satisfaction by the manner of which it handles its theme. 农业项目
The writer of this passage emphasis the distinction between writing of didactic purpo and literary writing which has that other, aesthetic, dimension. In fundamental terms literature is 'an expression of life through the medium of language' , but language ud more profoundly than when ud simply to convey information. 转笔教程
青岛市社保局The following two extracts, for example, both describing one partner's respon to marital problems, are different in both their form and their intent:
Many critics date the crumbling of their marriage back to that unfortunate episode, but David was delighted when he heard that Lynne had produced a daughter from her marriage to an American doctor.
And
Her writing hand stopped. She sat still for a moment; then she slowly turned in her chair and rested her elbow on its curved back. Her face, disfigured by her emotion, was not a p
旅途漫漫
动车是火车吗retty sight as she stared at my legs and said . .
The first piece, from a newspaper, gives a typical tabloid account of a broken marriage. It plainly states the position of the two parties involved, (but with an attitude akin to 'gossip'). The tone of the cond piece is less factual and more descriptive. Here the writer is ts out to depict a particular scene, that of a woman distresd by the discovery of some unsavoury information concerning her husband, and employs such devices as the u of emotive words, such as 'disfigured', the gradual increa of dramatic tension, 'slowly turned in her chair', and then in the last line a humorous deflation of this tension, 'her face . . . was not a pretty sight'. The author shows a mixture of intentions here, the structure and the u of language showing a different approach and purpo to the first piece's straightforward account of the everyday world. In contrast to such a plain factual account -
Literature is a vital record of what men have en in life; what they have experienced of it, what they have thought and felt about tho aspects of it which have the most immediate and enduring interest for all of us.
彩铅风景画教程So literary writing, having creative and artistic intent, is more carefully structured and us words for the rhetorical effect of their flow, their sound, and their emotive and descriptive qualities. Literary writers can also employ tone, rhyme, rhythm, irony, dialogue and its variations such as dialects and slang, and a host of other devices in the construction of a particular pro work, poem, or play.
All fiction is a kind of magic and trickery, a confidence trick, trying to make people believe something is true that isn't. And the novelist, in a particular, is trying to convince the reader that he is eing society as a whole.
Literary writing is, in esnce, a 'respon', a subjective personal view which the writer express through his themes, ideas, thoughts, reminiscences, using his armoury of words to try to evoke, or provoke, a respon in his reader.有关龙的故事
. . . it is not only a question of the artist looking into himlf but also the of his looking into others with the experience he has of himlf. He writes with sympathy becau he feels that the other man is like him.
In Welsh Hill Country, R. S. Thomas conveys his respon to a landscape:
Too far for you to e
The fluke and the foot-rot and the fat maggot
Gnawing the skin from the small bones,
The sheep are grazing at Bwlch-y-Fedwen,
Arranged romantically in the usual manner
On a bleak background of bald stone.
Here the powerful evocation of desolation, of the stark brutality, even indifference, of the countryside is captured by Thomas through a pointed u of language which also conveys his grim mood.