（听力与第二套一样）为何爱会伤人
阅读理解
出口座位
Questions 36 to 45 are bad on the following passage.
Children do nit think the way adults do. For most of the first year of life, if something is out of sight， it's out of mind. lf you cover a baby's 36 toy with a piece of cloth， the baby thinks the toy has disappeared and stops looking for it. A 4-year-old may 37 that a sister has more fruit juice when it is only the shapes of the glass that differ， not the 38 of juice.
草庐Yet children are smart in their own way.Like good little scientists， children are always testing their child-sized 39 about how things work. When your child throws her spoon on the floor for the sixth time as you try to feed her， and you say， "That's enough! I will not pick up your spoon again!”the child will 40 test your claim.Are you rious?Are you angry? What will happen if she throws the spoon again? She is not doing this to drive you 41 ;rather， she is learning that her desires and yours can differ， and that sometimes tho 42 important and sometimes they are not
ppt压缩大小How and why does children's thinking change?In the 1920s， Swiss psychologist Jean Piaget propod that children's cognitive (认知的) abilities unfold 43 ， like the blooming of a flower， almost independent of what el is 44 their lives.Although many of his specific conclusions have been 45 or modified over the years, his ideas inspired出ousands of studies by investigators all over the world.
A) advocate E) deflnite I) irrunediately M) protest
擦的英文B) amount F) differences J) naturally N) rejected
C) confirmed G) favorite K) obtaining O) theories
感谢老板的话简短D) crazy H) happening L) primarily
植物日记200字2.长篇阅读（匹配意思相近的选项）
Section B
The Perfect Essay
[A] Looking back on too many years of education， I can identify one truly impossible teacher. She cared about me， and my intellectual life， even when I didn't. Her expectations were high-impossibly so. She was an English teacher. She was also my mother.
[B] When good students turn in an essay， they dream of their instmctor returning .it to them in exactly the same condition， save for a single word added in仕le margin of the flnal page: "Flawless." This dream came true for me one afternoon in the ninth grade. Of cour， I had heard that genius could show itlf at an early age， so I was only slightly taken aback that I had achieved perfection at the tender age of 14. Obviously， I did what any professional writer would do; I hurried off to spread the good news. I didn’t get very far.The flrst person I told was my mother.
[C] My mother， who is just shy of flve feet tall,is normally incredibly soft-spoken， but on the rareoccasion when she got angry， she was terrifying. I am not sure if she was more upt by my hubris (得意忘形) or by the fact that my English teacher had let my ego get s
o out of hand.In any event，my mother and her red pen showed me how deeply flawed a flawless essay could be. At the time，I am sure she thought she was teaching me about mechanics， transitions (过渡)， structure,style and voice. But what I learned，and what stuck with me through my time teaching writing at Harvard，was a deeper lesson about the nature of creative criticism.
[D] First off" it hurts. Genuine criticism， the type that leaves a lasting mark on you as a writer，also leaves an existential imprint (印记) on you as a person. I have heard people say that a writer should never take criticism personally. I say that we should never listen to the people.
[E] Criticism， at its best， is deeply personal， and gets to the heart of why we write the way we do. The intimate nature of genuine criticism implies some位ling about who is able to give it， namely， someone who knows you well enough to show you how your mental life is getting in the way of good writing. Conveniently， they are also the people who care enough to e you through this painful realization. For me it took the form of my first，
婴儿睡觉出汗 and I hope only， encounter with writter's block I was not able to produce anything for three years.
[F] Franz Kafka once said: "Writing is utter solitude(独处)， the descent into the cold abyss (深渊) of onelf." My mother's criticism had shown me that Kafka is right about the cold abyss， and when you make the introspective (内省的) descent that writing requires you are not always plead by what you find. But， in the years that followed， her sustained tutoring suggested that Kafka might be wrong about the solitude. I was lucky enough щfind a critic and teacher who was willing to make the journey of writing with me. "It's a thing of no great difficulty，" according to Plutarch， "to rai objections against another man's speech， it is a very easy matter; but to produce a better in its place is a work extremely troublesome." I am sure I wrote essays in the later years of high school without my mother's guidance， but I can't recall them.What I remember， however， is how she took up the "extremely troublesome" work of ongoing criticism.
