摘要
我国是一个拥有纤维艺术悠久历史的国家，传统纤维艺术丰富多彩，其民族特色、地域特色明显。应该说，传统纤维艺术是我国当前纤维艺术发展的良好基础。
本文所探讨的就是当代艺术语境下，我国当代纤维艺术的发展现状。要研究我国当代纤维艺术的发展，必须了解纤维艺术在我国发展的漫长历史。在现当代历史的发展过程中，古老的传统纤维艺术一直是被继承和发展的，并且是融入到社会、人文，甚至是人类的心理等各个方面，因此传统纤维艺术的发展历史是非常重要的。在远古新石器时代我们就发现了人类留下的纤维制品，随着历史发展封建社会时期也形成了众多纤维艺术门类，积淀着我国纤维艺术发展的深厚历史内涵，但是封建社会的结束必然也结束了帝王贵族对纤维艺术品的需求，作为满足于帝王贵族的纤维艺术制品也就渐渐沉寂，而生长于民间的纤维艺术制品却在继续滋生发展，人民也更加关注这不可多得的实物精神财富。
我国现当代纤维艺术的发展道路是曲折的，在几十年的纤维艺术发展过程中，产生了很多优秀的作品，其创作者都一直在做出努力，为我国纤维艺术的发展做出贡献。随着新世纪国际间文化交流日益增强，以及当代艺术思想观念的传入，传统的纤维艺术受到冲击在所难免，它所面临的危机感就势必要求艺术创作者在当下的多元文化背景下重新思考纤维艺术如何自处及其发展。纤维艺术在当今的发展给我们提出了很多必须思考的问题。就在这个承前启后的关键时刻，我们必须理清思路，客观认识我国纤维艺术
发展的过去、当前和未来，以及当前我们面临的问题。一句话，秉承中国纤维艺术发展的特色，借鉴国外的优秀经验，最后，做出具有中国民族特色的纤维艺术。
关键词：纤维艺术当代艺术传统纤维艺术
ABSTRACT
China is a country with a long history of fiber art, colorful traditional fiber art, their national characteristics, geographical features．It should be said that the traditional fiber art is a good foundation of our current fiber arts development. Discusd in this paper is the development status of China's contemporary fiber art in that contemporary art context. To study the development of China's contemporary fiber art, fiber art in the development of our country must understand the long history of the ancient tradition of fiber art．In the contemporary history ’s the development process，the inheritance and development are integrated into the social, cultural, even psychological aspects of human .Therefore it is very important to the history of the development of traditional fiber art. We found fiber products in the ancient Neolithic relics. Many fiber arts disciplines as the history of the development of feudal society, steeped in deep historical connotation of fiber development of the arts in China. But the end of the feudal society must end the imperial nobility demand for fiber art. Fi
ber art products to meet the emperor and nobility died away gradually .Fiber art products grown in the private ctor continue to breed development, and people pay more attention to this rare kind spiritual wealth.
China's modern and contemporary fiber art road twists and turns in the decades of fiber art in the development process. Its creators have been making efforts to contribute to the development of China's fiber art and a lot of good work. As the new century, the growing international cultural exchange, as well as the introduction of ideas of contemporary art, traditional fiber arts impact is inevitable. It faces a n of crisis and will require the artist in the multicultural context of the moment to rethink about how fiber art form itlf department and development. Fiber art in today's development gives us a lot of problems need to think about. The critical moment in the past and now, we must sort out our thinking and objectively understand China's fiber arts development in the past, prent and future, as well as the current problems that we face.
In a Word, adhering to the characteristics of Chine fiber art，referencing foreign outstanding experience, finally to make fiber art with Chine national characteristics
客服绩效考核方案
对老师评价Keywords: Fiber arts, Contemporary art, Traditional fiber art
雨前钓鱼
目录
摘要 ................................................................... I ABSTRACT ............................................................... II 第一章绪论 (1)
1.1引言 (1)
1.2选题背景和意义 (1)
1.3.1现当代艺术史、艺术批评及相关文论 (2)
1.3.2工艺美术类 (3)
1.3.3纤维及纤维艺术类 (3)
第二章传统纤维艺术发展——当代艺术语境下中国纤维艺术发展的基垫 (5)
2．1传统纤维艺术的发展沉淀了自我独特语言 (5)
2.1.1远古纤维的发现 (5)
2.1.2各种传统纤维艺术发展摘述 (10)
第三章20世纪纤维艺术的发展 (15)
3.120世纪国外纤维艺术的发展演变 (15)
3.1.1“纤维艺术”20世纪60年代之前的产生与演变 (15)
3.1.2“纤维艺术”20世纪60年代的转变 (16)文字手机壁纸
3.1.3明确定义纤维艺术 (17)
3.２20世纪中国纤维艺术的发展与嬗变 (17)
3.２.1建国前后中国纤维艺术的状况 (17)
3.２.2改革开放后中国纤维艺术发展 (18)黄桐木
3.２.3“洛桑走入北京” (20)
第四章纤维材料与当代艺术 (22)
4.1当代艺术吸纳纤维材料 (22)
4.1.1纤维材料注入思想观念性 (24)
4.1.2纤维材料纳入多元媒介 (27)
4.1.3纤维材料的复杂性与表现的思想单纯性 (29)
4.1.4纤维材料自身的物性表达 (30)
4.1.5艺术家借用纤维媒介的当代艺术语言表达 (32)
4.2当代艺术解放了纤维材料 (35)
4.2.1促发了纤维媒材的多样性 (35)
4.2.2纤维媒材自身物性的置换与转变 (35)桂林山水的特点
4.3纤维艺术丰富了当代文化 (37)
4.3.1纤维材质的艺术语言拓展 (38)
4.3.2纤维材质引发更多创作灵感 (38)
第五章纤维艺术与当代艺术的摩擦 (40)我的表哥
5.1当代艺术语境下纤维艺术的价值认同 (40)
5.2当代艺术语境下纤维艺术的重新定义 (41)
5.2.1纤维艺术的扩展 (41)
5.2.2纤维艺术的颠覆 (42)
第六章中国纤维艺术发展的当前状况 (44)
6.1纤维艺术步履“蹒跚” (44)
6.1.1个人化表达的私密性 (44)
6.1.2传统纤维艺术的沉重 (45)
6.1.3纤维艺术的语言边缘化 (46)
6.1.4纤维艺术“以柔克强” (46)
6.2纤维艺术评判的尴尬性 (47)
总结 (49)
7.1纤维艺术的总结与展望 (49)
7.2纤维艺术的自我实验 (50)
7.2.1个人作品探索 (50)
7.2.2实验的语言探索的完善与展望 (51)
参考文献 (52)
国内 (52)
相关文章 (53)
相关期刊及数据库论文． (53)
关节炎的症状表现
致谢 (54)
