CSI: CRIME SCENE INVESTIGATION
1X14: TO HALVE AND TO HOLD
ORIGINAL AIR DATE ON CBS: 02/15/2001
TRANSCRIBED FROM CBS/DVD
Written by ANDREW LIPSITZ and ANN DONAHUE
清明节踏青Directed by LOU ANTONIO
Transcript by Intrepid
Courtesy of /~anthology/wnp.html
Do not archive this transcript without permission from The Transcriptionist.
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SUMMARY: A bone is discovered in the dert. Grissom, Catherine and Nick
investigate to find out if a homicide was committed. Warrick and Sara
investigate the death of a male dancer discovered in a hotel room.
==========================
CSI: CRIME SCENE INVESTIGATION
1X14: TO HALVE AND TO HOLD
==========================
COLD OPEN:
[EXT. LAS VEGAS CITY (STOCK) - DAY]
[EXT. LAS VEGAS COMMUNITY (STOCK) - DAY]
[EXT. LAS VEGAS DESERT (STOCK) - DAY]
CUT TO:
SCENE #01:
[EXT. MT. CHARLESTON - DAY]
(A stick is thrown high in the air and SKY jumps up to catch it in her mouth.
She makes her way back to her owners.)
MATTHEW: Come on, Sky! Come on Sky. Sky, come on.
(MATTHEW picks up the stick that SKY drops in front of him. He throws it as far
as he can. SKY runs off to get it.)
MATTHEW: Go get it, girl!
(SKY barks as she runs to get it. SKY tops and picks it up, then heads back to
MATTHEW.)
MATTHEW: Come on, Sky. Come on, girl. Bring it back.
(SKY drops the stick at MATTHEW'S feet and barks. MATTHEW bends over to pat SKY
on her head and pick up the stick.)
MATTHEW: Good girl.
(MATTHEW gets a good look at the stick.)
MATTHEW: That's not sky's stick.
(MATTHEW gives the stick to ROBB.)
ROBB: What do you got there, Sky? Come here, girl. What did you get here?
MATTHEW: Dad, what is it?
ROBB: Nothing ... it's just ... uh, just an old bone probably from a dead
animal or something.
(ROBB looks around as SKY barks.)
CUT TO:
SCENE #02:
[EXT. MT. CHARLESTON - NIGHT]
(By the light of the flashlight, GRISSOM looks at the bone. CATHERINE looks
around the dert.)
GRISSOM: It's a tibia ... or most of a tibia
.
CATHERINE: How long you think it's been out here?
GRISSOM: Well, long enough for the animals to pick it clean.
CATHEIRNE: And long enough for the elements to have washed away any evidence.
GRISSOM: Evidence of what?
CATHERINE: Well, it is a leg bone, and my guess is that it didn't walk out here
by itlf.
GRISSOM: It could have been a hiker who got lost. It's interesting to me how
you always expect the worst.
CATHERINE: You e, that way, I'm never disappointed. You know, sometimes I'm
nicely surprid. So, can we call it a crime scene?
GRISSOM: Potential crime scene. Did you know that there's 206 bones in the
human body?
CATHERINE: Yes, professor, I, too, took Osteology.
GRISSOM: Well, 205 more bones and we have a complete skeleton. If we find the
rest, then we can determine whether or not it was a murder.
CATHERINE: Well, I feel it in every one of my 206 bones that this was a murder.
HARD CUT TO
END OF TEASER
ROLL TITLE CREDITS
(COMMERCIAL SET)
FADE IN.
SCENE #03:
[INT. CSI - HALLWAY]
(GRISSOM walks out of the break room, his team following him through the hallway
to get their assignments.)
GRISSOM: Okay, Catherine and I are on the ca at Mount Charleston. Nick, we
could u your help on that.
团圆梦NICK: Outstanding.
(He hands NICK the assignment sheet.)
CATHERINE: So we just talked with the academy. We're getting an entire class
of cadets meeting us there.
WARRICK: All you guys got to go on is a bone?
CATHERINE: Mm-hmm.
GRISSOM: The tibia. Where there's one there's usually another.
CATHERINE: So we'll do a grid arch and we really could u your friend Teri
Miller.
(GRISSOM stops and looks at CATHERINE.)
GRISSOM: I don't think that's necessary.
CATHERINE: Well, why not? She's a forensic anthropologist -- specializes in
bones -- and, hello ... all we've got is a bone.
GRISSOM: I know what she specializes in. If we hit a wall, I'll call her.
CATHERINE: Okay.
(GRISSOM starts walking through the hallway again. Everyone follows him.)
GRISSOM: Sara, Warrick -- dead body in the lucky ven motel.
(He holds out the assignment sheet. NICK grabs it and hands it over to WARRICK
behind him who takes it.)
SARA: Is that the place with that weird pool?
CATHERINE: Oh, yeah.
(WARRICK stops in the hallway. Everyone el except SARA leaves.)
WARRICK: (reading) Maid found dead male body in a hotel room.
SARA: Any chance it's old age?
WARRICK: Guy's 23. No. Sounds like a live one.
(He hands the assignment sheet to SARA to look at.)
WARRICK: Let's go.
CUT TO:
SCENE #04:
[EXT. MT. CHARLESTON - DAY]
(A line of cadets walk side by side looking for anything that may remotely look
like bones. They walk and check the ground. One person rais their hand.)
CATHERINE: Stop!
(The entire cadet line stops. GRISSOM and CATHERINE walk over to check. The
cadet points to the ground.)
CADET: Looks like a piece of skull bone.
(GRISSOM kneels down to check it out. He
picks it up, looks at it, then tastes
it.)
CATHERINE: (alarmed) What are you doing?
GRISSOM: Bones are porous. They stick to the tongue. (He tastes it again.)
This doesn't stick. (He looks up at the cadets.) It's a piece of rock.
(He puts the rock down and stands up.)
CATHERINE: I-I hope you had your Hepatitis B shot.
(GRISSOM heads back to the side so they can continue arching the grounds.
CATHERINE follows.)
CATHERINE: Did you?
(Dissolve to: GRISSOM and CATHERINE head toward a cadet who has her hand
raid. They kneel down and find something.)
GRISSOM: It could be a piece of wrist bone.
CATHERINE: Well, do you want to suck it ... to be sure?
GRISSOM: Flag man!
(Dissolve to: A flag is placed in the ground.)
(Dissolve to: The cadet line continues to check the ground.)
(Dissolve to: CATHERINE kneels down and finds something. She rais her hand
for a flag.)
CATHERINE: Flag!
(Dissolve to: A flag is placed in the ground. There are now many flags up.)
(Dissolve to: GRISSOM kneels down on the ground and picks up something. He
calls for a flag.)
GRISSOM: Flag!
(Dissolve to: The cadet line arches the ground.)
(Dissolve to: GRISSOM finds something, blows on it and looks at it. He takes a
flag and sticks it in the ground.)
(Dissolve to: When they're done, there are white flags everywhere.)
(Time Dissolve to: NIGHT. GRISSOM and CATHERINE stand side by side overlooking
the dert they just arched. GRISSOM is looking up in the sky; CATHERINE
looks out at the dert.)
CATHERINE: So ... you thinking what I'm thinking?
GRISSOM: How amazing the univer is. Everything made from the same carbon --
stars to trees, trucks to human bones.
CATHERINE: Mmm ... no. I-I was thinking that we have about 100 bone fragments.
We could I.D. this body before the end of the shift.
GRISSOM: Hmm.
CATHERINE: Stars and trucks?
(He nods, then turns to look at CATHERINE.)
CUT TO:
SCENE #05:
[EXT. THE LUCKY SEVEN MOTEL - NIGHT]
(SARA parks the SUV out in front of the motel. They exit the SUV and walk up
the stairs in front of the large glass windows which show the swimmers in the
pool.)
SARA: Only in Vegas.
CUT TO:
SCENE #06:
[INT. THE LUCKY SEVEN MOTEL - NIGHT -- CONTINUOUS]
(WARRICK and SARA walk into the room that's still decorated with party
decorations, balloons and streamers. The body is face-down on the bed.)
WARRICK: Looks like somebody had a par-tay.
SGT. O'RILEY: Here's a wallet.
(He hands the wallet to WARRICK who looks inside.)
SGT. O'RILEY: Couple 20s inside.
WARRICK: "Darren Pyne." Dead at 23.
(SARA looks around the bed.)
SARA: Sign of struggle. I'll dust for prints.
WARRICK: Looks like he was whacked over the head with this lamp.
SARA: Yeah. One hit or there would be blood.
WARRICK: Unless each hit was to a different part on his dome. Who's the room
registered to?
(The officer hands SARA the registration slip. She looks at it.)
SARA:
黯然的反义词Well, you know, that would be Celine Dion.
(She looks at the registration slip again.)
SARA: But, uh, the bill was charged to the credit card of a Lynn Henry, Eau
Claire, Wisconsin.
WARRICK: Hey, O'Riley, you think ...
(He stands up and heads out.)
SGT. O'RILEY: (interrupts) Find out the last place she ud her credit card.
CUT TO:
[EXT. LAS VEGAS CITY (STOCK) - NIGHT]
SCENE #07:
[INT. THE SPHERE HOTEL - OUTSIDE ROCOCO - NIGHT]
(WARRICK and SARA walk through the lobby.)
(Cut to: They ask the front desk for directions.)
(Cut to: They make their way out the courtyard toward a table with a group of
women.)
WOMAN: I love tho shoes.
WOMAN: You can wear them again.
WOMAN: What about the veil?
WOMAN: You've got to remember the veil.
WARRICK: Lynn Henry?
LYNN HENRY: You know my name. What's yours?
WARRICK: I'm Warrick Brown, and this is Sara Sidle.
SARA: Hi.
WARRICK: We're with the Las Vegas Crime Lab.
LYNN HENRY: Crime lab? About what?
(WARRICK hands LYNN HENRY the polaroid of the body. She looks at it.)
WARRICK: Darren Pyne was found dead in your motel room at the Lucky Seven. Did
you know him?
LYNN HENRY: Oh, my god. Yes, I-I do know him. Sort of.
(She hands the photo back to WARRICK.)
SARA: Sort of?
LYNN HENRY: Uh, we, we gave Meg a bachelorette party last night.
JOYCE LANIER: We hired a male dancer.
MEG WHEELER: I didn't want my fianc to know. Becau he's staying at this
hotel.
LYNN HENRY: So we rented a room in a sort of out-of-the-way place.
SARA: So Darren was the dancer?
LYNN HENRY: Yeah. Uh ... he arrived around ... 10:00?
(Quick flashback to: The night before. The music starts and DARREN PYNE starts
dancing. The women sit around enjoying the show.)
JOYCE LANIER: Oh, my god! Whoo!
JOYCE LANIER: If Steve could e me now.
LYNN HENRY: No husbands tonight, ladies.
MEG WHEELER: Or fianc閟.
(The ladies dance with DARREN PYNE.)
(Cut to: DARREN is lying down on the sofa, LYNN HENRY is above him and starts
to pour champagne in his mouth. They laugh.)
(End of flashback. Resume to prent.)
LYNN HENRY: We left at 3:00. He was totally fine.
MEG WHEELER: He was dance out but definitely alive.
WARRICK: He didn't leave when you did?
LYNN HENRY: No. He asked if he could stay and the room was already paid for,
so I didn't e a problem.
SARA: Lynn, how did you get tho bruis on your wrists?
(LYNN looks down at her wrists and notices them for the first time.)
LYNN HENRY: Oh, my god! I-I don't know. I-I was totally tipsy last night. I
mean, falling all over everything.
WARRICK: All right. We'll probably have more questions after the coroner
completes his autopsy. If we need to talk to you can we reach you here?
MEG WHEELER: Yes. My wedding is tomorrow. Whatever we can do to help.
SARA: Thanks. Our card.
(SARA gives their business card to MEG WHEELER. They turn and leave.)
CUT TO:
SCENE #08:
[INT. CSI - FORENSIC AUTOPSY - NIGHT]
(Camera opens on the "ATLAS OF HUMAN ANATOMY", opened and turned to the page
with a picture of a skeleton and its parts identified.)
(Cut to: GRISSOM examines the bones one by one. CATHERINE looks through the
book.)
(Cut to: Piece by piece, they start to reconstruct the skeleton.)
(Cut to: CATHERINE compares a bone with the book.)
(Dissolve to: GRISSOM picks up a piece of bone.)
(Dissolve to: CATHERINE takes the bone back from the book and puts it on the
table. GRISSOM and NICK continue to work.)
CATHERINE: That's the femur.
(GRISSOM picks up a bone piece.
GRISSOM: Ankle bone? Medial malleolous? Goes on the bottom of the tibia?
CATHERINE: (looking at the book) That is correct. According to the book.
GRISSOM: I'll take toe bones for $200, Alex.
(GRISSOM picks up more bones and places them on the table where he thinks they
should be.)
(Cut to: A bone is compared to the book.)
(GRISSOM leans over the table with the bones; CATHERINE sits in front of the
book.)
GRISSOM: "All the king's hors and all the king's men couldn't put Humpty
Dumpty back together again."
CATHERINE: (sighs) Hmm. Have we hit a wall yet?
GRISSOM: No. This was a man, judging by the pelvic bone.
(GRISSOM puts more bones down on the table.)
(Dissolve to: The bones.)
(Dissolve to: GRISSOM adjusts the camera above the table as he continues to
work. GRISSOM picks up half of the jaw and looks at it enhanced on the
monitor.)
GRISSOM: Hey, Nicky?
NICK: Yeah.
GRISSOM: Let's post this on the dental society databa -- e if anyone
responds.
NICK: You got it.
(Cut to: The skull is the last piece placed on the table. He measures the
length of the bone.)
GRISSOM: Five times the length of the humerus means this six feet
朴烔植tall. But we don't know his race, and we don't know whether he was right-or
left-handed yet.
CATHERINE: Well, he was old-- there's some calcification on the rib cartilage.
60, 70 years old, maybe.
GRISSOM: Hmm.
(GRISSOM es something and leans in clo to look at it.)
CATHERINE: Are the bones whispering to you?
(Quick clo up flash to the bone that GRISSOM is looking at. There are marks
on them near the broken. End of flash. Resume to prent.)
(GRISSOM picks up the bone and looks at it under a magnifying glass. He hands
the bone to CATHERINE.)
GRISSOM: Look at the jagged marks on the bone.
CATHERINE: Wait a minute. This guy was chopped up. That's murder.
GRISSOM: Well, not necessarily. Could have happened postmortem. You know, one
of tho tractors up in the hills. Or a mulching machine maybe.
CATHERINE: A mulching machine? How long do you plan on ignoring the obvious?
(TERI MILLER pushes the door to the autopsy room open.)
CATHERINE: A 70-year-old man found in the mountains with clear evidence he was
chopped to pieces. That's a ... homicide.
TERI MILLER: Well, you should check for hemorrhagic tissue at the bone's tool
marks ... to be certain.
(At the sound of her voice, GRISSOM turns around.)
GRISSOM: Teri.
TERI MILLER: Hi.
CATHERINE: Thanks for coming, Teri.
(CATHERINE turns to look at GRISSOM, who suddenly turns to look at CATHERINE.)
CATHERINE: I told you I was ... calling Teri ... ... didn't I? Anyway, what
宜昌市人口were you saying about hemorrhagic tissue?
GRISSOM: It's blood in the soft tissue. If you find it, it means the guy was
alive when he was cut up.
TERI MILLER: Hmm. Well, maybe you two don't need me, after all.
GRISSOM: I would never turn away a scientist of your talent.
(TERI smiles. GRISSOM turn to look at CATHERINE.)
GRISSOM: Uh, could I have a word with you outside, plea?
CUT TO:
SCENE #09:软件打不开
[INT CSI - HALLWAY - NIGHT - CONTINUOUS]
(CATHERINE and GRISSOM stand out in the hallway.)
GRISSOM: You bring in a specialist without my approval?最美诗词
CATHERINE: And you don't bring in one, possibly compromi the ca, becau
you two had a relationship?
GRISSOM: Relationship? I hardly know that woman.
CATHERINE: Oh ... so I guess that dopey look in your eye when she's around is
just that. Here's the deal -- we're using cliff notes to put that skeleton back
together in there. Teri is availing her rvices. You said she's the best,
but, hey, if you want me to nd her away ...
GRISSOM: Just ... (sighs) ... check with me about stuff like this, will you?
(GRISSOM heads back into the room.)
CATHERINE: Right.
CUT TO:
SCENE #10:
[INT. CSI - FORENSIC AUTOPSY ROOM - NIGHT - CONTINUOUS]
老牛湾
(GRISSOM steps back into the room as TERI goes over their work.)
GRISSOM: Sorry. So, how did we do?
TERI MILLER: Not bad.
(She picks up two pieces of bone.)
TERI MILLER: cuneiform. However, this is a wrist bone and this ...
is a foot bone.
(She puts each piece in its proper place. They look at each other.)
GRISSOM: I'm glad you're here.
(TERI smiles.)
FADE TO BLACK.
(COMMERCIAL SET)
FADE IN.
SCENE #11:
[INT. CSI - LAB - MORNING]
(NICK looks at the lower jaw bone and checks the computer. CATHERINE works
quietly next to him.)
NICK: It looks like somebody in the dental society databa saw our posting.
CATHERINE: Really?
NICK: Sid Tucker.
CATHERINE: No way. A local dentist.
NICK: He has records that go back thirty years.
CATHERINE: Move over.
(NICK moves aside and CATHERINE slides her chair over in front of the monitor.)
CATHERINE: (reading) "Hairline fissure of the mandibular canine." (sighs)
Oh, god, why didn't I learn latin?
(NICK points to the tooth.)
NICK: It's lower level third from the middle.
(CATHERINE turns to stare at NICK.)
NICK: Better memory than you. And ... our first character match.
(CATHERINE hits the computer keyboard and brings up an x-ray.)
CATHERINE: "Overlapping left incisors." That's the front teeth, right?
NICK: Two for two.
(They look at the next x-ray.)
CATHERINE: "Gold fillings." Well, I know that. He's got gold fillings in
"adjoining right molars an
