赏析《韩熙载夜宴图》英语作文
The Painting of Han Xizai's Banquet is a masterpiece in the history of Chine painting, and it is also a famous painting with stories. He described the scene of Han Xizai's family having a feast and having fun in the form of a ries of long scrolls. It is the quintesnce of traditional Chine painting, a rare treasure, and has been treasured by emperors of all dynasties. The author is Gu Hongzhong, a painter of the Southern Tang Dynasty of the Five Dynasties. Jiangnan people. The Emperor Yuanzong and the Empress Leader were then the painters waiting for the imperial edict. Then why did he go back to paint the dinner of Han Xizai's family? This is a story about ancient spy painters.
Who is Han Xizai? He was originally from Beihai (today's Weifang, Shandong Province) and was born in a famous official family. After the Southern Tang Dynasty in Nantou, he repeatedly offered national policies but was not trusted. Facing the pressure of the soldiers of the Northern Song Dynasty, Li Yu, the late leader who survived, wanted to appoint him as
prime minister to help him govern the country. But Han Xizai, who knew that he was powerless to return to the world, celebrated every day and expresd his lack of interest in politics to avoid the suspicion of Li Yu, the late leader of the Southern Tang Dynasty. After hearing this, Empress Li nt painter Gu Hongzhong to the Han Mansion to inquire about the truth. After returning home from the banquet, Gu Hongzhong painted a picture of Han Xizai's banquet, creating this masterpiece "Han Xizai's Banquet Picture". After eing this, Empress Li sighed with regret that "the carved railings and jade bricks should still be there, but only the painted face should be changed".
Han Xizai's Night Banquet is not only a picture of private life, but more importantly, it reflects the customs, corruption and extravagance of that particular era. Becau of the author's subtle obrvation, he never misd any detail and vividly described the scenes of Han Xizai's life. All the characters in the picture are lifelike. In this masterpiece, there are more than 40 people with different expressions, and they are all real people cloly re
lated to Han Xizai. Among the guests are Lang Can, the new number one scholar of the year, Chen Yong, Dr. Taichang, Zhu Xian, Ziwei Lang, and other officials and deputy envoy Li Jiaming, as well as some popular singers and dancers at that time. The atmosphere of the dinner was extremely warm, and the guests and guests were toasting, which made them drunk. In the cour of the dinner, there were also singing, music playing and dancing. The guests were intoxicated with joy one by one. They appear repeatedly like montages. Each person has different personalities, looks realistic, and looks natural and lifelike. The Painting of Han Xizai's Night Banquet depicts many characters and dazzling singing and dancing scenes from a side of life with exquisite brushwork, forming a plete picture of the banquet and entertainment, which vividly reflects the life scene of the ruling class at that time with amazing obrvation and profound understanding of the fate and thought of the protagonist.
This painting is divided into five ctions in chronological order, which are ingeniously p
arated by screens, beds, etc., which are both independent of each other and connected with scenes.
The first paragraph is "listening to music", which depicts Han Xizai and the guests are listening to a Pingting woman playing the pipa. The painter focus on the moment when the whole atmosphere is solidified at the beginning of the performance. The spirit and vision of each figure in the painting are concentrated in the hands of the pipa girl. The beauty of this woman is further evidenced by the poem: "Emei's pink neck is round and moist, and my fair lady is charming and charming. She plays the lute with thin fingers, and the residual sound lingers around the beam for three days.". From the hand playing the pipa, it ems that beautiful and clear notes came out, which shook the eardrums of the audience and captured their inner feelings. Even Han Xizai, with a tall crown and long beard, looked down at the collapd edge thoughtfully. For different characters, according to their different identities and ages, painters carve out their different postures, personalities and expressions, showing the author's remarkable painting skills.
The cond paragraph is "watching the dance". The small and exquisite famous prostitute Wangwushan dances in the drum beat with a clear rhythm, and Han Xizai los interest in drinking veral cups. Hold the drumstick and roll up the sleeve, and personally e forward to beat the drum for him. The guests hugged the beauties around them and drank good wine. The atmosphere reached a climax. In this scene, a monk stretched his fingers, as if he had just finished clapping, and his eyes were watching Han Xizai's drumming action without looking at the dance, showing an embarrasd look, which fully matched the specific look of this particular figure.
The third paragraph is "rest", which depicts the rest scene in the middle of the banquet. Han Xizai is probably tired of beating the drum, lying on the couch in the inner room surrounded by the maids, washing his hands while talking with the maids to rest, which is also a break in the whole picture of the banquet plot.
The fourth paragraph is "Qing Blowing", which depicts the scene of female dancers playing wind instruments. After the rest, Han Xizai changed his casual clothes and sat cross knee on the chair, talking to a maid. The female dancers who played the music formed a line. They were irregular and graceful, with different dynamics. The unity showed changes, as if there was clear and sweet music in the picture. All the guests looked refreshed after the rest. The whole scene was like a banquet reopening, singing and dancing.
The fifth paragraph is "Farewell". The picture depicts that after the banquet, some guests leave, and some reluctantly talk with the female dancers, which ends the whole picture. A plete picture volume is interwoven with a warm and cold, lingering and gloomy atmosphere. In the instant enjoyment of life and death, Han Xizai's disappointment in life, political career and even the country is implied, and this mood, in turn, strengthens his pe
rsistence and yearning for life. The u of screen, bed and other furniture in the picture has a special role. On the one hand, it parates the picture, so that each picture can be parated into chapters. On the other hand, it links the pictures together, making the whole picture form a unified picture, which has a feeling of unity.
