Adaptation or Aesthetic Alleviation: Which Kind of Evolution Do We See in Saharan Herder Rock Art of
Northeast Chad?
期刊名称： Cambridge Archaeological Journal
作者： Tilman Lensn-Erz
年份： 2012年
期号： 公益文案
第1期
关键词： communitie左边小腹痛什么原因女
s of practice;community
archaeology;experts/experti;Papua New Guinea
摘要：During t简易手工小制作
he middle and late Holocene, the prehistori婚姻保证书
c inhabitants of the Sahara articulated their agency under conditions of ari计算机三级考试时间
dification in part through aesthetic symbolic behaviour that became petrified, as it were, in ubiquitous rock art. Rock art, predominantly depicting domestic animals, continu
ed to be社会经济结构
produced throughout the later Holocene, despite deteriorating environmental conditions
that necessitated other adaptive strategies. Artistic production appears to have ignored the environmental changes and evolved an aesthetic that, initially, celebrated animals七十的英文
for the function for which they were domesticated and, subquently, for t设置固定ip
heir looks, symbolic capital and potential to express status. In
the most recent periods, art production evolves into a溪口千层饼
symbolism that is entirely bad on, and communicated through, camel imagery.
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