Match.A. Do established musicians have a responsibility to guide and as

题文

Match.A. Do established musicians have a responsibility to guide and assist young up-and-coming musicians? B. Did anyone promote your musical education when you were growing up? C. What kind of "world music" do you enjoy? D. What's your comment on pop music? E. Does the contemporary music press give jazz the coverage it derves? F. What's wrong with the music on the radio?     An interview with Wynton Marsalis, a noted jazz musician 1_____ There were the older jazz musicians who hung around our hou when I was young. I saw how much they practiced, how rious they were about their art. I knew then I had to work just as hard if I wanted to succeed. Of cour, my father inspired me a lot, and many teachers took the time to nurture my talent and the talents of other students in our school. 2_____ Yes. We've done such a poor job with music education becau, as a society, we haven't maintained the kind of education that a true artist and musician needs. Young people haven't been able to equate romance and talent with music. For instance, most of the people who make it in the music industry today have to look good. How they sound is condary. Sarah Vaughan, Bessie Smith, Ella Fitzgerald-tho big, romantic queens of jazz music wouldn't make it in today's music industry, and that's a shame. We need to teach young people about the alternatives. 3_____ Around the world people make music that, if you listen carefully to it, sounds a little like the cadence of their language. I'd call it folk music. When I'm away from home, I make a point of listening to regional folk music, not what' on the radio. 4_____ The same music is on the radio all over the world, and the American sound is overwhelming. Even the pop music that's produced and created in foreign countries has that American beat, that underscore of funk. As a musician, I'm not interested in hearing recycled versions of the same genre over and over. Any music that doesn't have a development ction just isn't interesting to me. 5_____ The music press has so much to introduce the days, and jazz is just a small fraction of it. Becau some people are intimidated by jazz, they don't cover it unless it's a big name. New jazz musicians don't get much of break. A lot of editors don't say anything about jazz the days unless it's Marsalis. That's a shame. What VH1 is doing with their Save the Music campaign is phenomenal. They're getting all the instruments out to needy kids. It's the kind of thing all networks should be doing. 题型：未知难度：其他题型

答案

1-5: B A C F E

解析

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考点

据考高分专家说，试题“Match.A. Do.....”主要考查你对 [日常生活类阅读 ]考点的理解。 日常生活类阅读

日常生活类阅读的概念：

日常生活这一话题主要涉及人们衣食住行等方面的活动。这一话题的选材主要针对人们日常的工作，生活以及学习情况。做这一类题时，最主要的是要把握好人物的活动内容，时间和地点。

日常生活类阅读题答题技巧：

【题型说明】该类文章内容涉及到人们的言谈举止、生活习惯、饮食起居、服饰仪表、恋爱婚姻、消遣娱乐、节日起源、家庭生活等。文章篇幅短小，追根溯源，探索各项风俗的历史渊源，内容有趣。命题也以送分题为主，如事实细节题、语义转换题、词义猜测题和简单推理判断题等。虽然这类文章读起来感觉轻松，试题做起来比较顺手，但绝不能掉以轻心。因为稍不留神，就会丢分。 【备考提醒】为了保证较高准确率，建议同学们做好以下几点： 1、保持正常的考试心态。笔者在教学中发现，越是容易的试题，同学们越是容易失分。为什么呢？因为在这种情况下，同学们极易产生麻痹思想，认为题目好做，就不引起高度重视，于是思维不发散、不周密。而命题人就是利用同学们的这一弱点，设计陷阱题。所以，无论试题难易与否，我们都要保持正常的考试心态。试题容易，不欣喜；试题难，不悲观。 2、根据前面讲到的方法，认认真真、细细心心做好事实细节题。 3、做好语义转换题。这类题是根据英语中一词多义和某些词语在文中能表达一定的修辞意义的原则而设计的。要求同学们解释某生词的含义，确定多义词或短语在文中的意思，确认文中的某个代词所指代的对象，或者对英语中特有的表达、格言、谚语进行解释。这种题要求同学们一定要根据上下文猜测词义或理解句子，切不可望文生义。 4、做好简单推理判断题。简单推理判断题要以表面文字为前提，以具体事实为依据进行推理，做出判断。这种推理方式比较直接，只要弄清事实，即可结合常识推断出合理的结论。