beijingopera课文原文
夏同学影院Beijing Opera is the quintesnce of China. The largest Chine opera form, it is extolled as 'Oriental Opera'. Having a history of 160 years, it has created many 'firsts' in Chine dramas: the abundance of repertoires, the number of artists, opera troupes and spectators.
Beijing Opera is developed from absorbing many other dramatic forms, mostly from the local drama 'Huiban' which was popular in South China during the 18th century. It is a scenic art integrating music, performance, literature, aria, and face-painting. Certain rules are t up and regulations are standardized during many artists' long practice on stage. Different from regional plays, it is stricter on the variety of the workmanship. The combination of virtual and reality - a special technique of expression, keeps it largely free from the restriction of time and space on stage performance. Beijing Opera has had many interesting names since it came into being, such as Jinghuang, Daxi, Pingju, Jingxi.
Four Means of Artistic Prentation
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Beijing Opera prents dramatic plays and figures mainly by infusing four artistic methods: singing, dialogue, dancing and martial art. Singing is utilized to intensify the appeal of the art by all kinds of tones. Dialogue is the complement of singing which is full of musical and rhythm nsation. Dancing refers to the body movements requiring high performing skills. Martial art is the combination and transformation of traditional Chine combat exercis with dances.
Main Roles in Beijing Opera Performance
爱情保卫战涂磊 Sheng: It's a common name of male characters and compod of Lao Sheng and Xiao Sheng. Lao Sheng refers to the middle-aged man with a beard who acts as the decency figure; for example, Zhugeliang in 'Empty City Scheme'. Xiao Sheng means young man without a beard. Zhangsheng in 'The Story of the West Room' is a reprentative of Xiao Sheng.
积极分子自我鉴定
Dan: The general name for female characters can be divided into Zhengdan, Huadan, Laodan, Wudan. Zhengdan is also called 'Qingyi', who mainly plays the part of the strong-
minded middle-aged woman who behaves elegantly. Huadan refers to little girls who often live in the bottom of society. Laodan refers to the nior woman and Wudan indicates the female who is good at fighting.
Jing: Painted face often refers to male characters with unique appearance or personality, such as Baozheng and Caocao. Besides, Chou is a comic role or villainous character or righteous person. The actor's no is painted by a piece of white powder, making him or her easily recognizable.
12星座配对表格
Facial Painting (Lianpu)
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Facial painting in Beijing Opera
Lianpu is formed through dramatic artists' long-term practice and their understanding and judgment of the roles in plays. It is the colorful dressing on actors' faces. By using transformative and exaggerated figures, professional spectators would easily tell the characteristic of a role. In this way, it is called 'the picture of hearts'. There are certain for月饼怎么做
mats of the facial painting in the aspect of color, type and shape. Usually, eyes, foreheads and cheeks are painted like wings of butterflies, swallows and bats.
Colors of Lianpu are varied with each reprenting a characteristic. For example, red symbolizes loyalty, such as Guanyu, a great general during Three Kingdoms Period (220-280). Black signifies honesty and frankness, such as Lord Bao, a righteous official during Northern Song Dynasty (960-1127), or abruptness and impertinence, such as Likui, an important figure in the famous Chine ancient novel 'All Men Are Brothers'. White stands for cattiness and cunning, with Caocao as its reprentative, a famous politician in the late Eastern Han Dynasty (25-220).
Stage Properties (Qimo)
Qimo is a general designation for all kinds of stage properties and simple ttings ud in Beijing Opera performances. It comes from the real life experience. For example, an actor can practice the scene of galloping the hor simply by using a horwhip without riding a real hor on stage. A bridge is made up of two chairs standing on each side of a
诗经经典table. Storms are realized by performers dancing with umbrellas. The imaginary performance skills largely bring to performers the freedom to express more life scenes.
Four Famous Artists
There are many famous masters who are good at performing Beijing Opera. Among them, the Four Famous Dans - Mei Lanfang, Cheng Yanqiu, Shang Xiaoyun and Xun Huisheng - are most well-known at home and abroad. They are experts in performing the role of Dan and each has his own artistic feature. Their wonderful performances are still appreciated by many audiences. For example, 'Farewell My Concubine' by Mei Lanfang, 'Injustice to Dou'e' by Cheng Yanqiu, 'Lady Zhaojun Going beyond the Great Wall' by Shang Xiaoyun and 'Matchmaker' by Xun Huisheng.
Beijing Opera contains the soul of Chine national culture. Its unique charm inspires ethos of Chine people. There is no doubt that it is really the treasure of Chine culture. If you want to taste the real Beijing Opera, Liyuan Theatre in Beijing will be a good choice for you.
