中国古典家具屏风英语介绍
Screens date back to China during the Eastern Zhou
[1][2]Dynasty period (771-256 BCE). The were initially one-panel
[3]screens in contrast to folding screens. Folding screens were
[4]invented during the Han Dynasty (206 BCE – 220 CE). Depictions
of tho folding screens have been found in Han Dynasty era
[1]tombs, such as one in Zhucheng, Shandong Province.
虞姬别霸王A folding screen was often decorated with beautiful art, major themes included mythology, scenes of palace life, and nature. It is often associated with intrigue and romance in the literature of
China as, for example, a young lady in love could take a curious
[1][2]peek hidden from behind a folding screen. An example of such
a thematic occurrence of the folding screen would be in the
[5]classical novel Dream of the Red Chamber by Cao Xueqin. The
folding screen was a subject that had often reoccurred
[6]in Tang literature. The Tang poet Li He (790–816) wrote the Song
of the Screen, describing a folding screen of a newly-wed
[6]couple. The folding screen surrounded the bed of the young couple, its twelve panels was adorned with butterflies alighted on China pink flowers (an allusion to lovers), and had silver hinges
[6]rembling glass coins.
Folding screens were originally made from wooden panels and painted on lacquered surfaces, eventually folding screens made
[3]from paper orsilk became popular too. Even though folding
screens were known to have been ud since antiquity, it became
[7]rapidly popular during theTang Dynasty (618–907). During
the Tang Dynasty, folding screens were considered ideal
ornaments for many painters to display
[2][3]theirpaintings and calligraphy on. Many artists painted on paper
[2]or silk and applied it onto the folding screen. There were two
distinct artistic folding screens mentioned in historical literature of the era. One of it was known as the huaping (Chine: 畫屏;
literally "painted folding screen") and the other was known as the shuping (Chine: 書屏; literally "calligraphy folding
微信昵称男[3][7]screen"). It was not uncommon for people to commission folding screens from artists, such as from Tang-era painter Cao Ba
[2]or Song-era painter Guo Xi. The landscape paintings on folding
screens reached its height during the Song
[1]Dynasty (960–1279). The lacquer techniques for the Coromandel
screens, which is known as kuancai (literally "incid colors"),
6s管理制度
[8]emerged during the late Ming Dynasty (1368-1644) and was
applied to folding screens to create dark screens incid, painted,
[9]and inlaid with art of mother-of-pearl, ivory, or other materials. Up
to around 30 layers of lacquer could be ud, each layer could
have art incid, painted, and inlaid, which would made the folding screens stand out aga
inst its dark backdrop.
A CHINESE MING DYNASTY STYLE 12 PANEL COROMANDEL
师事SCREEN
是谁发明了手机
Early 20th Century
The 12 panels create one large palace scene including depictions of the emperor and empress being entertained by dancers; all incid in various colors of spinach rust, verdigris green and coromandel brown on a cream ground. The screen is banded with rerves of various themes, some relating to Zodiac symbols. Beautiful fine craquelure to ivory ground.
Screens date back to China during the Eastern Zhou Dynasty period (771-256 BCE). A folding screen was often decorated with beautiful art, major themes included mythology, scenes of palace life, and nature. It is often associated with intrigue and romance in the literature of China as, for example, a young lady in love could take a curious peek hidden
from behind a folding screen. Folding screens were originally made from wooden panels and painted on lacquered surfaces. The lacquer techniques for the Coromandel screens, which is known as kuancai (literally ""incid colors""), emerged during the late Ming Dynasty (1368-1644) and was applied to folding screens to create dark screens incid,
painted, and inlaid with art of mother-of-pearl, ivory, or other materials. Up to around 30 layers of lacquer could be ud, each layer could have art incid, painted, and inlaid, which would made the folding screens stand out against its dark backdrop.
天开头的成语接龙
Zitan Wood Cabinet with Enamel Inlays
Qianlong reign (1736-1795)
Zitan wood, enamel painting, copper fittings
电场知识点总结
冰柜品牌Height: 185 cm, Width: 96 cm, Depth: 42 cm
Guangdong Production
The upper part of the cabinet is a five-partition antique shelf. Each partition, in different shapes, is decorated with cloisonné frame aprons and spandrels on upper and side edges. The openwork aprons and spandrels are shaped in the kui dragon and passion flower patterns. The antique shelf is backed with wood panels which are inlaid with mirrors. Below the drawers, a pair of cabinet doors is inlaid with enamel paintings depicting dragons among clouds. Each door has double frames, with the outer frame broader than the inner. The doors are strengthened with engraved
