雅思阅读文章题目 Typography Introduction of Printed books
重复年份 20160312 20110127
雅思阅读题材 发展史
数字化管理平台 雅思阅读题型 判断4+雅思阅读填空9
雅思阅读文章大意 活字印刷的历史。两个德国人去Italy的一个地方，后来又搬去了罗马，之后很多商人就开始注意到印刷的潜在经济价值。
单纯什么意思 参考答案：
雅思阅读判断题：
1. Early books have many errors – F
飞夺泸定桥观后感
2. 活字印刷里就记得在M**某个地方只有富人才买得起书– T
3. 刚开始printing的书，插图illustration – T
4. Business man in Roma begin to notice the value of printing can make money F
雅思阅读雅思阅读填空题：
5. 类似流程图从上往下一步步说怎么印刷
6-7. Asmbling Fonts： sheet of paper
8. 第1版是用来更正错误的proof reading
9. types……pages are in right quence
10. Local newspapers做宣传
岁月的痕迹 11-12. 问两种印刷方法的单词： binding and simulating
13. They lived very near to the book industry
雅思阅读文章题目 Fluoridation in the water
重复年份 20160312 20140719 20130119
雅思阅读题材 医疗健康
雅思阅读题型 雅思阅读选择题3+判断6+句子雅思阅读填空5
雅思阅读文章大意 本文讲述了氟化物添加对健康影响。对要不要对饮用水进行氟化处理，学者有两派不同的意见。
部分参考答案：
雅思阅读选择题：
1. How hot is the area A
2. People should not be forced to take compulsory medication
3. To demonstrate that scientists’ finding will be influenced by social factors
垃圾分类讲座
雅思阅读判断题：
4. 待补充
5. Science should not decide policy
6. Scientific and social factors should be parated No
7. Many sociologist ignore S’s study
8. S work was not emphasized by sicnetists outside the northern America NG
9. Both supporters and opponents have made valid argument. YES
雅思阅读填空题：
10. Science is objective and unbiad
11. Can be affected by social factors
12. Scientific discovery cannot be understood at first
13. Cautious action is not necessary
14. People should have the right to choo
雅思阅读文章题目 Undergraduate students study dramas
重复年份 20160331 20141018
雅思阅读题材 人文社科
雅思阅读题型 暂无
雅思阅读文章大意 文学专业学生的课程指南，提到了让学生观看英国不同时期剧院中的戏剧，并列举了不同时期四种剧院的特点。
参考阅读：
Medieval period
Main article： Medieval theatre
By the medieval period， the mummers＇ plays had developed， a form of early street theatre associated with the Morris dance， concentrating on themes such as Saint Georg
风景花e and the Dragon and Robin Hood. The were folk tales re-telling old stories， and the actors travelled from town to town performing the for their audiences in return for money and hospitality.
Renaissance： Elizabethan and Jacobean periods
The period known as the English Renaissance， approximately 1500—1660， saw a flowering of the drama and all the arts. The two candidates for the earliest comedy in English Nicholas Udall＇s Ralph Roister Doister （c. 1552） and the anonymous Gammer Gurton＇s Needle （c. 1566）， belong to the 16th century.
During the reign of Elizabeth I （1558–1603） and then James I （1603–25）， in the late 16th and early 17th century， a London-centred culture， that was both courtly and popular， produced great poetry and drama. The English playwrights were intrigued by Italian model： a conspicuous community of Italian actors had ttled in London. The linguist and lexicographer John Florio （1553–1625）， who father was Italian， was a royal language tutor at the Court of James I， and a possible friend of and influence on
William Shakespeare， had brought much of the Italian language and culture to England. He was also the translator of Montaigne into English. The earliest Elizabethan plays includes Gorboduc （1561） by Sackville and Norton and Thomas Kyd＇s （1558–94） revenge tragedy The Spanish Tragedy （1592）， that influenced Shakespeare＇s Hamlet.
17th and 18th centuries
Aphra Behn was the first professional English woman playwright.
During the Interregnum 1649—1660， English theatres were kept clod by the Puritans for religious and ideological reasons. When the London theatres opened again with the Restoration of the monarchy in 1660， they flourished under the personal interest and support of Charles II. Wide and socially mixed audiences were attracted by topical writing and by the introduction of the first professional actress （in Shakespeare＇s time， all female roles had been played by boys）. New genres of the Restoration were heroic drama， pathetic drama， and Restoration comedy. Notable heroic tragedie
s of this period include John Dryden＇s All for Love （1677） and Aureng-zebe （1675）， and Thomas Otway＇s Venice Prerved （1682）. The Restoration plays that have best retained the interest of producers and audiences today are the comedies， such as George Etherege＇s The Man of Mode （1676）， William Wycherley＇s The Country Wife （1676）， John Vanbrugh＇s The Relap （1696）， and William Congreve＇s The Way of the World （1700）. This period saw the first professional woman playwright， Aphra Behn， author of many comedies including The Rover （1677）. Restoration comedy is famous or notorious for its xual explicitness， a quality encouraged by Charles II （1660–1685） personally and by the rakish aristocratic ethos of his court.
Victorian era
A change came in the Victorian era with a profusion on the London stage of farces， musical burlesques， extravaganzas and comic operas that competed with Shakespeare productions and rious drama by the likes of James Planché and Thomas William Rober
tson. In 1855， the German Reed Entertainments began a process of elevating the level of （formerly risqué） musical theatre in Britain that culminated in the famous ries of comic operas by Gilbert and Sullivan and were followed by the 1890s with the first Edwardian musical comedies. W. S. Gilbert and Oscar Wilde were leading poets and dramatists of the late Victorian period.[16] Wilde＇s plays， in particular， stand apart from the many now forgotten plays of Victorian times and have a much clor relationship to tho of the Edwardian dramatists such as Irishman George Bernard Shaw and Norwegian Henrik Ibn.麦当劳海报
妈妈辛苦了图片
