自我介绍初中摘要
伍琦诗是一位著名的美国华裔女作家。《无声告白》是她的小说处女作。该书一经出版，便好评如潮，成为了《纽约时报》畅销书，跃登美国亚马逊年度最佳图书之首。这部小说讲述了二十世纪六七十年代一个华裔美国人的跨种族家庭的故事，蕴含着家庭、性别和种族偏见的主题。
“他者”是西方文学批评中的一个重要关键词。它被运用于后殖民主义和女性主义中，并得到了发展。在后殖民主义中，爱德华·赛义德主要分析东方他者的从属地位。在女性主义中，西蒙娜·德·波伏娃揭示了女性他者的从属地位。
电脑共享怎么设置论文包括引言、正文和结论三个部分。引言讲述了作家伍琦诗的生平经历及其小说《无声告白》的故事梗概。正文包含三个章节。第一章总结了到目前为止国内外学者对《无声告白》的研究成果，论述了本文的研究意义, 并阐述了“他者”在后殖民主义和女性主义中的运用。第二章探讨了詹姆斯·李一家的家庭关系问题。婚姻关系问题体现在不平等和不坦诚这两个方面。亲子关系问题主要是指父母对孩子们的区别对待。父母将莉迪亚视为掌上明珠，对她的爱是令人窒息的。与对莉迪亚的偏袒相反，对内斯和汉娜，父母却未公正对待。父母对内斯不负责任，完全忽略汉娜的存在。第三章主要针对詹姆斯·李一家的家庭关系问题进行成因分析。原因有三个方面，分别是种族主义的影响、女性主义的影响和不适当的家庭责任。婚姻关系问题的出现离不开种族主义对詹姆斯的影响和女性主义对玛丽琳的影响。亲子关系问题的简便方法计算题四年级
形成，既有种族主义对跨种族家庭子女一代的延伸影响的原因，也有家庭责任的原因。结论总结了詹姆斯·李一家的家庭关系问题和成因，以及我的研究贡献。对《无声告白》中的家庭关系的研究有助于构建和谐的家庭关系，促进中美文化之间的交流。
二十世纪六七十年代，种族主义和女性主义思潮在美国盛行。这些思潮影响了跨种族家庭的生活。在小说中，跨种族家庭的成员都受到了种族主义和女性主义的影响。鉴于此，本文运用后殖民主义和女性主义中的“他者”，着重研究《无声告白》中詹姆斯·李一家的家庭关系。
关键词：《无声告白》；家庭关系；“他者”；问题及成因
CONTENTS
食疗补血ACKNOWLEDGEMENTS .............................................................................. I ABSTRACT ................................................................................................... I I 摘要............................................................................................................ IV Introduction . (1)
Chapter One Literature Review (4)
1.1 Rearch on Everything I Never Told Y ou (4)
1.1.1 Rearch Abroad (4)
1.1.2 Rearch at Home (5)
1.1.3 Significance of the Thesis (7)
1.2 The ‘Other’ in Post-colonialism and Feminism (8)
Chapter Two Problems of Family Relationship (13)
2.1 Marital Relationship Problems (13)
2.1.1 Inequality between James and Marilyn (13)
2.1.2 Dishonesty between James and Marilyn (15)
2.2 Parent-child Relationship Problems (17)
2.2.1 To Lydia: Control in the Name of Love (17)
2.2.2 To Nath and Hannah: Irresponsibility and Neglect (19)
离别的古诗
Chapter Three Caus of Family Relationship Problems (22)
电话情缘3.1 Impact of Racism (22)
3.2 Impact of Feminism (28)
3.3 Improper Family Responsibility (31)
大浪滔天Conclusion (35)
Works Cited (38)
攻读学位期间发表的学术论文 (44)
浙江师范大学学位论文诚信承诺书 (45)
学位论文独创性声明 (46)
学位论文使用授权声明 (46)
Introduction
Celeste Ng, a celebrated Chine American writer, was born in a small suburb of Pittsburgh, Pennsyl
vania. In the late 1960s, her parents emigrated from Hong Kong to the United States. As the cond generation of Chine immigrants, Ng was always educated by her parents that she needed to behave herlf well, be friendly with others in school becau people made assumptions about her entire nationality or ethnic group (National Public Radio) bad on what she had done. In an interview with Arun Rath, host of All Things Considered, she spoke about how she and her parents dealt with being in the U.S., “It is not nsible to speak of it that way, but that is how negative stereotypes about Chine people form, e.g. ‘Chine people are rude’” (National Public Radio). To have a better educational environment and a friendlier community, Ng’s family moved from Pittsburgh to Shaker Heights, Ohio before Ng turned 10. In Shaker Heights High School, Ng became aware of the race well, becau she participated in the Student Group on Race Relations and often discusd the issues like discrimination, stereotyping in the group (Connors). After high school, she studied English at Harvard, attended the University of Michigan, and earned an MFA there. Ng admitted that her study experience in Michigan incredibly helped her writing career, “I’d actually put writing first for the first time, instead of having it be something I did ‘on the side’” (Connors). Through an extensive practice of reading and writing, she learned the craft and developed her own writing style.
Celeste Ng has written a lot of short stories, essays as well as two novels. The short stories delivered in veral periodicals include “How to Be Chine” (2014) in Gulf Coast, “Girls at Play” (2010) in Bellevue Literary Review, “The Kind of Man” (2013) in Five Chapters, etc. The essays compri “Scientific Method” in New Y ork Times Magazine Lives Column, “Giving Thanks is a Political Act” in Literary Hub, “Writing the (Quiet) Omniscient Narrator” in Glimmer Train Bulletin and so forth. The two novels are Everything I Never Told Y ou and Little Fires Everywhere. Ng’s debut novel Everything I Never Told Y ou, acquired a reputation as the best book in
2014 by over a dozen publications. It was a New Y ork Times bestller, Amazon’s No.1 Best Book of 2014, the winner of the Asian/Pacific American Award for Literature, the ALA’s Alex A ward, and the Massachutts Book Award (qtd. in Celesteng).
Everything I Never Told You is about the story of the Lees, an interracial family living in a small town of Ohio in the 1970s. There are five members of the family. Father James Lee, the cond generation of Chine Americans, wants to blend in the group and comes to love Marilyn becau she could blend in perfectly with America. He is plagued by his difference in America and attaches great importance to making friends and being ordinary. He wants daughter Lydia to be sociable and have good interpersonal relationships. Mother Marilyn, a white American, wants to stand out among t鸡肉三明治
he people and falls in love with James for his difference. She dreams of becoming a woman doctor but she is unable to pursue it for her third pregnancy. So she becomes persistent in helping daughter Lydia to be a doctor. Son Nath, the eldest child in the family, hasn’t got enough attention from parents since mother Marilyn’s disappearance. He is not plead that Lydia has all parental love, but he is willing to listen to Lydia’s suffocated feelings about parental love before going to college. He finds his interest in astronomy by accident and eventually goes to Harvard by his efforts. Daughter Lydia, the middle and favorite child in the family, is “the reluctant center of their univer---every day, she held the world together. She absorbed her parents’ dreams, quieting th e reluctance that bubbled up within” (Ng 2015: 160). It directly caus her tragedy of death. Daughter Hannah, the youngest child in the family, is the most unimportant or negligible member of the family. She is very nsitive to others’ feelings and the only one who knows what has happened in the family.
The novel opens with the “blunt, unnerving, devastating” (Hong 2014: 69) tragedy that Lydia is dead but her family members haven’t known it yet. As a “springboard” (Kirkus Media 2014: 132), Lydia’s tragedy precipitates every family member into some irrational behaviors. Each is desperate to find out the truth behind Lydia’s tragedy. Therefore, it unfolds the past of the family from different people’s perspectives, tells the cret they have never shared with one another, and reveals the existing family relationship problems. The family relationship problems are strongly related to both
