The Angle in the Hou，是诗人考文垂·帕特莫尔在1854年发表的诗歌。始终，他赞美了其妻的美德：顺从、柔弱、娇媚、优雅、富有同情心、甘于奉献、虔诚和纯洁。而伍尔芙认为，女性要获得解放，必须摧毁这个形象，追求有意义的生活和事业，冲出家庭牢笼。如今，人们用“angle in the hou”来指那些为了丈夫、家庭愿意妥协一切、牺牲一切的女性。
Coventry Kery Dighton Patmore (23 July 1823 – 26 November 1896) was an English poet[1] and critic best known forThe Angel in the Hou, his narrative poem about an ideal happy marriage.
Good morning ladies and gentlemen
The Angel in the Hou is a narrative poem by Coventry Patmore, first published in 1854 and expanded until 1862. Although largely ignored upon publication, it became enormously popular during the later 19th century and its influence continued well into the twentieth. The poem was an idealid account of Patmore's courtship of his first wife, Emily, whom he believed to be the perfect woman.
The poem is in two main parts, but was originally published in four instalments. The first was published with the main title in 1854. It was followed by "The Espousals" (1856), "Faithful for Ever" (1860), and "The Victories of Love" (1862). The latter two instalments are effectively a parate poem, related to the main text.
The first two instalments form a single coherent poem. It begins with a preface in which the poet, called Felix Vaughan in the book, tells his wife that he is going to write a long poem about her. The narrative then begins with an account of the poet's youth when he meets Honoria Churchill, the woman who is to become his wife. It proceeds in a ries of short lyrics, reprenting Felix's reflections on his beloved, and on the nature of ideal femininity. There are also lyrics written from the point of view of Honoria. The reflective and lyrical ctions are t into a narrative of the growing relationship between the couple, the emergence of a rival suitor, Honoria's cousin Frederick, who is rejected in favour of Felix, and the couple's eventual marriage.
The final two instalments, known together by the title The Victories of Love, are written m
激情开心站ostly from the point of view of Frederick, the rejected suitor, who marries another woman, Jane, after his rejection by Honoria. Unlike the first part, this ction is in the form of an epistolary novel. Each poem is prented as a letter from one character to another. The initial letters, between Frederick and his mother, reveal that Frederick admits to feeling dissatisfied with his wife, especially whenever he meets his first love and her husband. The poem describes his struggle to overcome the feelings and to concentrate all his love on his wife, who also express her own doubts in letters to her mother. The other characters express their anxieties and hopes about the relationship between Frederick and Jane. Honoria helps Jane by her own example, and in the end Frederick overcomes his doubts and feels complete devotion to his wife. Following the publication of Patmore's poem, the term angel in the hou came to be ud in reference to women who embodied the Victorian feminine ideal: a wife and mother who was lflessly devoted to her children and submissive to her husband. Adèle Ratignolle, a character in Kate Chopin's novel The Awakening, is a literary example of the angel in the hou.
Another example is in the What Katy Did novels of Susan Coolidge about a pre-pubescen
t tomboy who becomes a paraplegic. They are bad on her own life in 19th Century America. Katy eventually walks again, but not before she learns to become the "angel in the hou", that is, the socially acceptable "ideal" of docile womanhood.
In Thomas Hardy's The Return of the Native, Thomasin Yeobright is also described as 'the angel of the hou'. Thomasin is the antithesis to Hardy's main female protagonist, Eustacia Vye, who is the opposite of the Victorian female "ideal".
Images were also created with this name, including Millais' portrait of Patmore's wife Emily, and Julia Margaret Cameron's photograph of an enraptured girl. Later feminist writers have had a less positive view of the Angel. Virginia Woolf satirized the ideal of femininity depicted in the poem, writing that "She [the perfect wife] was intenly sympathetic. She was immenly charming. She was utterly unlfish. She excelled in the difficult arts of family life. She sacrificed daily. If there was a chicken, she took the leg; if there was a draught she sat in it ... Above all, she was pure." (Woolf, 1966: 2, 285) She added that she "bothered me and wasted my time and so tormented me that at last I kille
感恩的泪>小学生心理问题
纸张大小d her" (Woolf, 1966: 2, 285). Nel Noddings views her as "infantile, weak and mindless" (1989: 59). Similarly, Charlotte Perkins Gilman wrote a short essay entitled The Extinct Angel in which she described the angel in the hou as being as dead as the dodo (Gilman, 1891: 200).
腾的组词
More recently, the feminist folk-rock duo The Story ud the title in their album The Angel in the Hou
生日祝福语大全简短
Coventry Kery Dighton Patmore (23 July 1823 – 26 November 1896) was an English poet[1] and critic best known for The Angel in the Hou, his narrative poem about an ideal happy marriage.
The eldest son of author Peter George Patmore, Coventry Patmore was born at Woodford in Esx and was privately educated. He was his father's intimate and constant companion and inherited from him his early literary enthusiasm. It was Coventry's ambition to become an artist. He showed much promi, earning the silver palette of the Society of Arts in 1838. In 1839 he was nt to school in France for six months, where he
began to write poetry. On his return, his father planned to publish some of the youthful poems; Coventry, however, had become interested in science and poetry was t aside.朝抵抗力最大的路径走
At this time Patmore's father was financially embarrasd; and in 1846 Richard Monckton Milnes, 1st Baron Houghton obtained for Coventry the post of printed book supernumary assistant at the British Muum, a post he occupied for nineteen years, devoting his spare time to poetry. In 1847 he married Emily Augusta Andrews, daughter of Dr. Andrews of Camberwell, and by 1851 they had had two sons, Coventry (born 1848) and Tennyson (born 1850). Three daughters followed – Emily (born 1853), Bertha (born 1855) and Gertrude (born 1857), before their last child, a son (Henry John), was born in 1860.不丹活佛
At the British Muum Patmore was instrumental in starting the Volunteer Movement in 1852. He wrote an important letter to The Times on the subject, and stirred up much martial enthusiasm among his colleagues.
