1. Carlyle : Thomas Carlyle (1795-1881), English essayist and historian born at Ecclefechan, a village of the Scotch lowlands. After graduating from the University of Edinburgh, he rejected the ministry, for which he had been intended, and determined to he a writer of hooks. In 1826 he married Jane Welsh, a well-informed and ambitious woman who did much to further his career. They moved to Jane' s farm at Craigenputtoeh where they lived for 6 years (1828-1834 ). During this time he produced Sartor Resartus (1833-1834), a book in which he first developed his char- acteristic style and thought. This book is a veiled sardonic attack upon the shams and pretences of society, upon hollow rank, hollow officialism, hollow custom, out of which life and ufulness have departed. In 1837 he published The French Revolution, a poetic rendering and not a factual account of the great event in history. Besides the two masterpieces, he wrote Chartism (1840), On Heroes, hero Worship, and the Heroic in History (I841), Past and Prent (1843) and others. "Carlyle", a peculiar style of his own, was a compound of biblical phras, col loquialisms, Teutonic twists, and his own coinings, arranged in unexpected quences. One of the most important social critics of his day, Carlyle influenced many men of the younger generation, among them were Mathew Arnold and Ruskin.
2. Lamb : Charles Lamb (1775-1834), English essayist, was born in London and brought up within the precincts of the ancient law courts, his father being a rvant to an advocate of the inner Temple. He went to school at Christ's Hospital, where he had for a classmate Coleridge, his life-long friend. At venteen, he became a clerk in the India Hou and here he worked for 33 years until he was re-tired on a pension. His devotion to his sister Mary, upon whom rested an hereditary taint of insanity, has done al-most as much as the sweetness and gentle humor of his writings to endear his name. They collaborated on veral books for children, publishing in 1867 their famous Tales from Shakespeare. His dramatic essays, Specimens of English Dramatic Poets (1808), established his reputation as a critic and did much in reviving the popularity of Eliza-be then drama. The Essays of Ella, published at intervals in London Magazine, were gathered together and republished in two ries, the first in 1823, the cond ten years later. They established Lamb in the title which he still holds, that of the most delightful of English essayists.
辰龙游戏Ⅱ.
1.A good conversation does not really start from anywhere, and no one has any idea where it will go. A good conversation is not for making a point. Argument may often be a part of it, but the purpo of the argument is not to convince. When people become rious and talk as if they have something very important to say, when they argue to convince or to win their point, the conversation is spoilt.
2. The writer likes bar conversation very much becau he has spent a lot of time in pubs and is ud to this kind of conversation. Bar friends are companions, not intimates. They are friends but not intimate enough to be curious about each other's private life and thoughts.
3. No. Conversation does not need a focus. But when a focal subject appears in the natural flow of conversation, the conversation becomes vivid, lively and more interesting.
枇杷花
微信怎么分组 4. The people talked about Australia becau the speaker who introduced the subject mentioned incidentally that it was an Australian who had given her such a definition of "the King's English. " When the people talked about the resistance in the lower class to
any attempt by an upper class to lay down rules for "English as it should be spoken", the conversation moved to Norman England becau at that time a language barrier existed between the Saxon peasants and the Norman conquerors.
5. The Saxon peasants and their Norman conquerors ud different words for the same thing. For examples e paragraph 9.
6. The writer ems to be in favor of bilingual education. He is against any form of cultural barrier or the cultural humiliation of any ction or group of people.
7. The term "the Queen's English" was ud in 1953 by Nash becau at that time the reigning monarch was a queen, Elizabeth I. The term "the King's English" is the more common form becau the ruling monarch is generally a king. Tho who are not very particular may u the term "the King's English", even when the ruling monarch is a queen. In 1602, Dekker ud the term "the King's English", although the reigning monarch was still Queen Elizabeth.
8．“The King’s English” was regarded as a form 0f racial discrimination during the Norman rule in England about 1154—1399．
9．The writer thinks “the King’s English” is a class reprentation of reality．1t is worth trying to speak “the King’s English”，but it should not be 1aid down as an edict，and made immune to change from below．The King’s English is a model a rich and instructive one- but it ought not to be an ultimatum．
脚痛什么原因引起的
红腰豆 10．During the Norman period，the ruling class spoke Anglo— French while the peasants spoke their native Saxon language． Language bears the stamp of the class that us it．The King’s English today refers to the language ud by the upper，educated class in England．
帮忙拼音Ⅲ．
丹田降脂丸 1．The title of this piece is not well chon．It misleads the readers into thinking that the writer is going to demonstrate some intrinsic or linguistic relationship between pub tal
k and the King’s English．Whereas the writer．in reality，is just discoursing on what makes good conversation．The King’s English is connected with “pub talk” when the writer describes the charming conversation he had with some people one evening in a pub on the topic “the King’s English” to illustrate his point that bar conversation in a pub has a charm of its own．
