论建筑“剖面”的重要性
上官云送妈妈礼物
Moreira Salles Institute © Nelson Kon
剖面在建筑表达与实践中的重要作用
The Importance of the Section in Architectural Reprentation and Practice
凉面的做法及调料
建筑设计是思维、空间、技术的综合表达，通常以建筑的形式表达出来，那么，其构思过程也以这些部分为基础，因为这既是过程，也是建筑设计的产物。
从这个角度来说，在不同的时期，人们对于建筑的理解都可以通过绘画的形式来表达。绘画练习对于建筑师来说至关重要，它贯穿一位建筑师的整个建筑生涯。因此，除了审美、形式和设计理念，建筑的表达方式也是人们常常争论的话题。在一篇关于圣保罗当代设计策略的文章中，Mario Billi和Ana Gabriela Godinho Lima指出：“建筑是知识和文化的产物，有很多内容可以表达；这也是一种呼吁和调动综合、融合和动态的智能活动。”[1]
楼层平面图、剖面图和立面图是建筑师在项目中常常使用的三种方式，人们也可由此推断，在整个发展进程中，绘画是表现建筑的最好方式。
而在剖面中，概念设计能够真实地表述，它能够说明图像的竖向尺寸，以及人物与空间的比例关系。在《Manual of Section》一书中， Paul Lewis、Marc Tsutumaki和David J. Lewis认为：“剖面是空间、形式、物质与人类经验的交汇点。”[2]此外，剖面也是建筑空间及其背景环境的关系表达，它受到一定的限制，就像一幅画一样，它可以同时合成项目的形式、规划、理念、构图、空间和组织等方面。
秘制辣椒酱
瑞典美食
Architectural comprehension as a field deals with reprentation as a synthesis of varied efforts - constructive, compositional, spatial, and technical qualities - which are then articulated in the constructed building. For this purpo, it is esntial to think about the graphic reprentation that presuppos all the efforts, since it is both a procedure and a product of architectural design.
In this n, it can be understood that architectural debate throughout history, at different periods of time, was translated into drawings. The drawing exerci refers directly to the discour behind the work of architects of all schools, movements, and periods. Therefore, in addition to the aesthetic, formal and constructive choices, reprentation options are also a topic of debate among professionals and theoreticians in the field. In a text on contemporary design strategies in São Paulo, Mario Billi and Ana Gabriela Godinho Lima say that 'as an intellectual and cultural product, architecture has much to say and contribute; it is an activity that calls for and mobilizes a kind of synthetic, syncretic and dynamic intelligence.' [1]
科学手抄报简单又漂亮
Floor plans, ctions, and elevations are a traditional reprentational triad that architects u in their projects. However, it is possible to infer that the ction is, and historically has been, the most interesting drawing since it is understood as a reprentation of the architectural design itlf.
It is in the ction that the conceptual design becomes virtually real. It illustrates the vertical dimension of the drawing, that is, the dimension that relates to the ur scale with proportional notions. In Manual of Section, Paul Lewis, Marc Tsutumaki and David J. Lewis state that 'the ction is the place where space, form, and material meet with human experience.' [2] In addition, it is also the reprentative tool that places the project in dialogue with its context, and with the topography of the space that it occupies. It is even subject to the limitations of reprentation, like any drawing, it can simultaneously synthesize the formal, programmatic, constructive, compositional, spatial, and organizational issues of the project.家常菜名
Très Grande Bibliothèque, OMA
剖面在竞赛中也至关重要，它让当代建筑能够克服一些传统问题，根据勒·柯布西耶（Le Corbusier）提出的“新建筑五要点”，他认为“自由平面”是建筑设计的一大原则。雷姆·库哈斯（Rem Koolhaas）则在其1989年法国国家图书馆竞赛项目中，提出了“自由剖面”的概念。
