关于二胡的历史发展情况的英语作文长孙皇后简介
Erhu began in the Tang Dynasty and has a history of more than 1000 years. It originated from a minority in the northern part of ancient China, then called "Xiqin". In Le Shu, a scholar of Song Dynasty Chen Xu recorded that "Xi Qin Ben Hu Le is also ……" and "but we drink to our guest bound home from camp" written by Tang Dynasty poet Cen Can. The poem "and play him barbarian lutes, guitars, harps" shows that Hu Qin began to spread in the Tang Dynasty, and it is the general name of Chine and western stringed and plucked instruments.
In the Song Dynasty, Hu Qin was named "Jiqin". Chen Yuanliang, a scholar at the end of the Song Dynasty, recorded in Shi Lin Guang Ji that Ji Qin was originally made by Ji Kang, hence its name "Ji Qin". Shen Kuo, a great scholar in the Song Dynasty, recorded in "Bu Bi Tan Le Lv": "In Xi Ning Zhong, at the palace banquet, Xu Yan, the actor in the teaching workshop, played the piano, and when he entered the wine, he couldn't play the piano. It was even more difficult for Yan to play the piano, so he only ud one string to finish his so
ng." It shows that there was a high level of performance in the Northern Song Dynasty. When Xu Yan played "Qin Qin" for the emperors and ministers, one string was broken, and he still played the song with another string. It was impossible without skillful skills. Later, Shen Kuo recorded in Mengxi Bitan that "Mawei Huqin followed Han Dong, and the melody was lf-rentful. Bend the bow and shoot the gee in the clouds, and the returning gee will not be nt out now. " It shows that Hu Qin had hortail in the Northern Song Dynasty.吃什么能降血压高
凹凸不平The fingering method of erhu contained in Yuan History Ritual and Music Records of Yuan Dynasty "Hu Qin is made like a fire, the head of a dragon is rolled, the cond string is tied with a bow, and the bow string is tied with a hortail" further expounds the production principle of Hu Qin. By the Ming and Qing Dynasties, Hu Qin had spread all over the country, and became the main instrument for accompaniment of folk operas and instrumental enmble.
In modern times, Hu Qin was renamed Erhu. For more than half a century, erhu performa
nce level has entered a vigorous period. Mr. Liu Tianhua is the ancestor of modernism. He borrowed the playing techniques and skills of western musical instruments, boldly and scientifically positioned the erhu as five handles, and invented the erhu string kneading, thus expanding the range of erhu, enriching its expressive force and establishing a new artistic connotation. As a result, erhu stands out from the folk accompaniment, becomes a unique solo instrument, and also lays the foundation for entering the concert halls and music colleges of the elegant hall in the future.书法社团
元宵吃什么花样滑冰双人After the founding of the People's Republic of China, ethnic and folk music has developed rapidly. In order to vigorously explore the artistic treasures of folk artists, erhu music by Hua Yanjun, Liu Beimao and other folk artists has been sorted out and recorded, which makes erhu performance art mushroomed. In the 1950s and 1960s, a group of erhu educators and performers reprented by Aring Zhang, Shao Zhang and Wang Yi emerged successively. Under their influence, new erhu performers Min Huifen and Wang Guotong were trained. For example, Erhu compor Liu Wenjin's "Capriccio to the Great Wall" has exerted the performance of Erhu beyond normal, and made deliberat
e innovations to make Erhu glow with new vitality and splendor. [3]
宛州
During the Song, Yuan, Ming and Qing Dynasties, with the development of opera and folk art, folk musical instruments developed their own accompaniment instruments with the ri of Goulan and Washe. Among them, the most important musical instrument is Mawei Huqin (also known as Erxian Qin), which originated from Mongolia and the Western Regions. It was combined with Jiqin and Zhazheng left by the previous dynasties to create a novel Huqin. This instrument fully marks the maturity of Chine bowstring instruments.
Later, due to the singing style of local operas, Hu Qin gradually diverged, and there appeared Banhu for Qin Opera and Henan Opera, Beijing Hu and Beijing Erhu for Beijing Opera and Han Opera, gaohu for Henan pendant, coconut Hu for Guangdong Cantone Opera, big drum for Hunan Flower Drum, four Hu for Mongolian rap, four strings for Sichuan Opera, four strings for Henan Yue Opera, and Putian Opera in Fujian. Therefore, erhu is actually one of many bowstring instruments, and its name is much later than that
of Hu Qin. Therefore, it is inaccurate to say that "erhu" started in the Tang Dynasty, but it should be said that "huqin" started in the Tang Dynasty.
深圳的变化
