Study asthetic culture in the middle age
from Gothic泰山赤鳞鱼>素质教育的概念
Architecture
By Zhang Benliang
A Thesis Submitted to
The School of English and International Studies
Hebei Economic and Commercial University
In partial fulfillment of the requirements
科幻题材For the degree of bachelor
Supervid by
Mu Shihang
摘要
不拘小节的意思哥特式建筑作为西方三大建筑风格之一，代表着中世纪的时代特征，神圣的奥秘，崇高的威严，华丽的感官效果所造成的天国世界的吸引力。哥特式风格作为一种艺术风格，使得中世纪西方的各种艺术形式——雕刻、绘画、家具及各种工艺美术，甚至是书法都具有了自身鲜明的特点。它的价值早已超过了建筑本身，成为中世纪的精神象征，影响了中世纪的审美，更影响了今天我们对建筑的理解和对审美的体验。
Abstract
As one of the three architectural styles in the medieval West, Gothic architecture reprents characteristics of the time, the sacred mysteries, noble dignity, gorgeous nsory effects caud by the heaven of the world’s attractiveness. As an art style, Got hic style making the med ieval western art forms-sculpture, paintings, furniture and various arts and crafts , and even calligraphy has its own distinct characteristics. Its value has long exceeded the building itlf , has become a symbol of the spirit of the middle ages , the aesthetic impact of the middle ages , but also affect our understanding of architecture and the aesthetic experience nowadays.
Key words: Gothic, aesthetic
Table of Contents
Ⅰ. The history of Gothic ………………………………………
1.1. A bri ef introduction to the Gothic …………………...
1.2. The Gothic architecture ri …………………………Ⅱ. The Gothic architecture and the aesthetic culture…………
帅气的头像2.1. The love and beauty of the Gothic architecture ………
2.2. From the Gothic architecture to the aesthetic culture
Of the middle路由器设置ip
age …………………………………Conclusion…………………………………………………..
Ⅰ. The history of Gothic
1.1. A brief introduction to the Gothic
风组词造句The term Gothic was first ud during the later Renaissance, and as a term of contempt. Says Vasari, "Then aro new architects who after the manner of their barbarous nations erected buildings in that style which we call Gothic", while Evelyn but express the mental attitude of his own time when he writes, "The ancient Greek and Roman architecture answered all the perfections required in a faultless and accomplished building" -- but the Goths and Vandals destroyed the and "introduced
in their stead a certain fantastical and licentious manner of building: congestions of heavy, dark, melancholy, monkish piles, without any just proportion, u or beauty." For the first time, an attempt was made to destroy an instinctive and, so far as Europe was concerned, an almost universal form of art, and to substitute in its place another built up by artificial rules and premeditated theories; it was necessary, therefore, that the ground should be cleared of a once luxuriant growth that still showed signs of vitality, and to effect this the schools of Vignola, Palladio, and Wren were compelled to throw scorn on the art they were determined to discredit. As ignorant of the true habitat of the style as they were of its nature, the Italians of the Renaissance called it the "maniera Tedesca", and since to them the word Goth implied the perfection of barbarism, it is but natural that they should have applied it to a style they desired to destroy. The style cead, for the particular type of civilization it e
xpresd had come to an end; but the name remained, and when, early in the nineteenth century, the beginnings of a new epoch brought new apologists, the old title was taken over as the only one available, and since then constant efforts have been made to define it more exactly, to give it a new significance, or to
substitute in its place a term more expressive of the idea to be conveyed.
1.2. The Gothic architecture ri
The naissance of Gothic architecture is Ile de area France south to the Paris centre firstly, which is prevailed in the catholic church. The style of Gothic expended to British, Germeny , Spain and Italy. During the period that Gothic architecture was very popular, the sculpture, painting, furniture and various craftworks came into being with vivid characters which is called Gothic. Some years later, the Gothic became an art style that reprented the middle age. Frome 12 to 13cengtury, Gothic architecture, became a new tide in West Europe, not only influence the aesthetic culture of Europe in the middle age. But the modern building and human’s aesthetic experience.
The Gothic church was developed from Le Style Roman church, but different from it. Franchman found how to build with bricks like Roman from 10 to 12 century; so it called Le Style Roman, which
means to
芝麻酱怎么吃follow after the Roman. The Gothic church took u of Cross Vault, Fly Coupons and Long Column, which makes the building grand from the appearance and clear in the church. The magnificent is filled in everything like Bell Tower, Fly Coupons and the numberous columns. All in all, the Gothic church is reprented for the desire to paradi.
The Gothic church’s outside is complex but the inside is very simple. In the church, we can e the structure clearly without too many decorations. However, the church would carry forward the doxy by paintings and sculptures, and the people would also accepted the n
of beauty and joviality. Then another art came into being, which is the Stained-glass windows.
Ⅱ. The Gothic architecture and the aesthetic culture
2.1. The love and beauty of the Gothic architecture
The sun shined into the church multicoloured, which can also shined into the believers’ incenter
