TPO不求甚解的反义词-47
Roman Cultural Influence on Britain
After the Roman Empire’s conquest of Britain in the first century ., the prence of administrators, merchants, and troops on British soil, along with the natural flow of ideas and goods from the rest of the empire, had an enormous influence on life in the British Isles. Cultural influences were of three types: the bringing of objects, the transfer of craft workers, and the introduction of massive civil architecture. Many objects were not art in even the broadest n and comprid utilitarian items of clothing, utensils, and equipment. We should not underestimate the social status associated with such mundane posssions which had not previously been available. The flooding of Britain with red-gloss pottery form Gaul (modern-day France), decorated with scenes from Classical mythology, probably brought many into contact with the styles and artistic concepts of the Greco-Roman world for the first time, whether or not the symbolism was understood. Mass-produced goods were accompanied by fewer more aesthetically impressive objects such as
辅导孩子作业statuettes. Such pieces perhaps first came with officials for their own religious worship; others were then acquired by native leaders as diplomatic gifts or by purcha. Once en by the natives, such objects created a fashion which rapidly spread through the province.
In the most extreme instances, natives literally bought the whole package of Roman culture. The Fishbourne villa, built in the third quarter of the first century ., probably for the native client king Cogidubnus, amply illustrates his Roman pretensions. It was constructed in the latest Italian style with imported marbles and stylish mosaics. It was lavishly furnished with imported sculptures and other Classical objects. A visitor from Rome would have recognized its owner as a participant in the contemporary culture of the empire, not at all provincial in taste. Even if tho from the traditional families looked down on him, they would have been unable to dismiss him as uncultured. Although exceptional, this demonstrates how new cultural symbols bound provincials to the identity of the Roman world.
Such examples established a standard to be copied. One result was an influx of craft worker, particularly tho skilled in artistic media like stone-carving which had not existed before the conquest. Civilian workers came mostly from Gaul and Germany. The magnificent temple built beside the sacred小猴偷米 spring at Bath was constructed only about twenty years after the conquest. Its detail shows that it was carved by artists from northeast Gaul. In the abnce of a tradition of Classical stone-carving and building, the desire to develop Roman amenities would have been difficult to fulfill. Administrators thus ud their personal contacts to put the Britons in touch with architects and masons. As many of the officials in Britain had strong links with Gaul, it is not surprising that early Roman Britain owes much to craft workers from that area. Local workshops did develop and stylistically similar groups of sculpture show how skills in this new medium became widerspread. Likewi skills in the u of mosaic, wall painting, ceramic decoration, and metal-working developed throughout the province with the eventual emergence of characteristically Romano-British styles.
This art had a major impact on the native peoples, and one of the most importance factor
s was a change in the scale of buildings. Pre-Roman Britain was highly localized, with people rarely traveling beyond their own region. On occasion large groups amasd for war or religious festivals, but society remained centered on small communities. Architecture of this era reflected this with even the largest of the fortified towns and hill forts containing no more than clusters of medium-sized structures. The spaces inside even the largest roundhous were modest赖俊杰, and the u of rounded shapes and organic building materials gave buildings a human scale. ■But the effect of Roman civil architecture was significant. The sheer size of space enclod within buildings like the basilica of London must have been astonishing. ■This was an architecture of dominance in which subject peoples were literally made to feel small by buildings that epitomized imperial power. ■Supremacy was accentuated by the unyielding straight lines of both individual buildings and planned ttlements since the too provided a marked contrast with the natural curvilinear shapes dominant in the native realm. ■
1. The word “mundane” in the passage is clost in meaning to
A. material
B. ordinary
C. valued
D. uful
2. Paragraph 1 suggests that one benefit for British natives in buying such items as red-gloss pottery made in Gaul was
A. improved quality of utilitarian items
B. Understanding the symbolism of Classical mythology
梁皇宝忏C. higher social standing
D. Learning to mass-produce pottery for a profit
清炖甲鱼汤怎么做3. Paragraph 1 supports which of the following ideas about contacts that existed between Britain and the Roman Empire before the Roman conquest of Britain
A. They were sufficient for native Britons to become familiar with everyday Roman objects.
B. They were not sufficient for even very basic aspects of the culture of the Roman Empire to find
their way into British life.
C. They were not sufficient for British to have heard of the power of the Roman Empire.
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