英国文学第二册思考问题

更新时间:2023-06-23 13:07:43 阅读: 评论:0

Study Questions for William Wordsworth’s “Daffodils”
(威廉·华兹华斯诗歌“水仙”思考问题)
1. What is the critical appreciation of the poem “daffodils” by William Worthworth?
2. What type of poem is “daffodils” by William Wordsworth??
3. What is the meaning of the poem “daffodils ”by William Wordsworth?
4. Why did William Wordsworth write “Daffodils”?
5. What is the Central idea of the poem “daffodils”?
6. Where did William Wordsworth write the poem “Daffodils”?
7. What will be 6 lines summary of “daffodils” by William Wordsworth?
Study Questions for Ode to the West Wind
(《西风颂》思考问题)
1. What’s the main idea of the poem?
2. 怎么查看宽带账号Describe west wind’s effect on the land.
3. Describe west wind’s effect in the sky.
4. Describe west wind’s effect over the a.
5. What does the west wind symbolize?
6. What kind of feelings is the author trying to express in the poem?
Study Questions for Ode to a Nightingale
(《夜莺颂》思考问题)
1. 英语语音学What is the main idea of the poem?
2. What is the similarity between wine and nightingale?
3. The author mentions three means of identifying himlf with the nightingale. What are they?半岛电视台
4. Why the nightingale is immortal?
Study Questions for Ivanhoe
(《艾凡赫》思考问题)
1. What is Scott's judgment about King Richard's gallant behavior? What possible tension exists between the code of chivalry and the rules of behavior that govern kings?
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2. Compare and contrast Rowena and Rebecca. What are the different difficulties faced by each of the women? How do tho difficulties relate to their cultural differences--the fact that one of them is a Saxon and the other is a Jew?
3. One of the strange things about Ivanhoe as a hero story is that the hero plays such a small part in the story: Ivanhoe is out of commission with an injury for nearly two-thirds of
the book, the narrative is almost never shown from his perspective, and he actually fails in the climactic battle at the end of the book. Why is he the hero? Why is he the title character?
云南的特产是什么4. With particular attention to the first chapter of the book, what has caud the conflict between the Saxons and the Normans? Who, if anyone, is to blame? What are some of the conquences of the conflict for each group?
5. Think about the novel's portrayal of religion in medieval English life. With particular attention to characters such as the Templars, Prior Aymer, Friar Tuck, and the palmer, what does Scott em to say about the medieval church?
6. Many of the important characters in Ivanhoe spend time in various disguis, including Ivanhoe, Richard, Wamba, and Cedric. What role does the motif of disgui play in the novel as a whole? Why do characters take such pains to hide their identities?
7. "As a general rule, there is no character development in Ivanhoe; characters are the sa
me at the end of the book as they were at the beginning." Do you agree or disagree with this statement? Why?
8. Women play a decidedly limited part in the story, often discusd solely in terms of their marriageability. (There are three prospective suitors for Rowena alone.) But women, particularly Ulrica and Rebecca, are also among the most vivid, sympathetic, and believable characters in the novel. What exactly is the role of women in Ivanhoe? How does Scott portray them? In terms of social prejudice and psychological accuracy, do you think his portrayal is objectionable, acceptable, or admirable by the standards of his own time? What about by the standards of our time?
Study Questions for Pride and Prejudice
梵书(立春吃什么传统食物《傲慢与偏见》思考问题)
1. Jane Austen’s original title for the novel was First Impressions. What role do first impressions play in Pride and Prejudice?Pride and Prejudice is, first and foremost, a novel about surmounting obstacles and achieving romantic happiness. For Elizabeth, the heroine, and Darcy, her eventual husband, the chief obstacle resides in the book’s original title: First Impressions. Darcy, the proud, prickly noblewoman’s nephew, must break free from his original dismissal of Elizabeth as “not handsome enough to tempt me,” and from his class-bad prejudice against her lack of wealth and family connections. Elizabeth’s first impressions, meanwhile, catalogue Darcy as arrogant and lf-satisfied; as a result, she later accepts slanderous accusations against him as trueBoth Elizabeth and Darcy are forced to come to grips with their own initial mistakes. Structurally, the first half of the novel traces Darcy’s progression to the point at which he is able to admit his love in spite of his prejudice. In the cond half, Elizabeth’s mistaken impressions are supplanted by informed realizations about Darcy’s true character. Darcy’s two proposals to Elizabeth chart the mature development of their relationship. He delivers the first at the mid-point of the novel, when he has realized his love for Elizabeth but has not yet escaped his prejudices against her family, and when she is still in the grip of her first, negative impression of him. The cond proposal—in which Darcy humbly restates his love for her and Elizabeth, now with full knowledge of Mr. Darcy’s good character, happily accepts—marks the arrival of the two characters, each finally achieving the ability to view the other through unprejudiced eyes.
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2. Analyze how Austen depicts Mr. Bennet. Is he a positive or negative figure?
Mr. Bennet’s chief characteristics are an ironic detachment and a sharp, cutting wit. The distance that he creates between himlf and the absurdity around him often endears him to the reader and parallels the amud detachment with which Austen treats ridiculous characters such as Mr. Collins and Lady Catherine. To associate the author’s point of view with that of Mr. Bennet, however, is to ignore his ultimate failure as a father and husband. He is endlessly witty, but his distance from the events around him makes him an ineffective parent. Detached humor may prove uful for handling the Mr. Collins of the world, but it is helpless against the depredations of the villainous (but likable) Wickham. When the crisis of Lydia’s elopement strikes, Mr. Bennet proves unable to handle the situation. Darcy, decent and energetic, and the Gardiners, who intelligence, perceptiveness, and resourcefulness make them the strongest adult force in the novel, must step in. He is a likable, entertaining character, but he never manages to earn the respect of the reader.
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