亚美迪欧·莫迪利安尼《戴帽子的珍妮·赫布特尼》（伦敦佳士得2013）
经销商和代理商的区别>家长对我说
亚美迪欧·莫迪利安尼 戴帽子的珍妮·赫布特尼 伦敦佳士得2013.2 成交价2692.125万英镑灞怎么读
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Jeanne Hébuterne au chapeau is one of the celebrated, elegant and lyrical portraits that Amedeo Modigliani created of his eponymous common-law wife, the mother of his daughter. This picture is filled with poi, accentuated by the sinuous curve of Jeanne's neck and the gentle undulation of her body as it meanders its way down the canvas. It is easy to e, looking at her posture, why some of Modigliani's pictures from this late pha in his ultimately short but dramatic and influential career are referred to as 'Mannerist' - certainly, there are hints of Parmagianino and Pontormo here. However, they are mere reverberations: Jeanne Hébuterne au chapeau is a strikingly modern work of art, an idealid image of the artist's lover. It is a tribute to the quality of Jeanne Hébuterne au chapeau that it was included, only a few years after it was painted, in the small posthumous retrospective of Modigliani's works held at the XIII Biennale in Venice in 1922, the first such show to take place in his home country. Jeanne Hébuterne au chap
生化危机在线观看eau has pasd through the hands of veral important dealers and collectors, beginning with Léopold Zborowski; it subquently hung in the bedroom in dealer Paul Guillaume's apartment and was included in a 1929 exhibition of his collection. It was later acquired by the Belgian collector Henri Belien, who owned a number of works by Modigliani and other artists of the time.
Looking at Modigliani's life and at his work, it becomes immediately apparent that the two were almost diametrically oppod in terms of atmosphere. The rene calm of Jeanne Hébuterne au chapeau contrasts dramatically with the legendary tales of drunkenness and bohemianism with which Modigliani is now so often associated. Perhaps his works provided a balance to his turbulent lifestyle. Certainly, looking at Jeanne Hébuterne au chapeau, there is a near-religious n of grace instilled in the image of his final great lover. This may reflect Jeanne's role in sometimes - only sometimes - extricating Modigliani from the worst temptations. She provided him with an element of stability and was also sometimes able to nur him, as he suffered from ever-declining health. For the reasons, she was looked upon with great favour by a number of tho surrounding
Modigliani, not least Zborowski himlf, who hoped, somewhat vainly, that stability would lead to productivity. Instead, Modigliani created relatively few paintings during his short life; their rarity is reflected in the fact that over the past two years, only half a dozen have come to auction.宽阔
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