英国浪漫主义文学的特点
1.Spontaneous overflow of powerful feeling
2.creation of a world of imagination
3.return to nature for material
4.sympathy with the humble and glorification of commonplace
5.expression of individual genius
6.interest in Milton and Elizabethan Age for literature model
7.interest in old stories and medieval romances
8.rebellius spirit
9.expression of melancholy and gloomy mood
校园安全教案
Defining the nature of Romanticism may be approached from the starting point of the primary importance of the free expression of the feelings of the artist. The importance the Romantics placed on untrammelled feeling is summed up in the remark of the German painter Caspar David Friedrich that "the artist's feeling is his law".[7]
Critical realism
simply, critical realism highlights a mind-dependent aspect of the world, which reaches to understand (and comes to understanding of) the mind independent world.
野餐带什么
Aestheticism (or the Aesthetic Movement) is an art movement supporting the emphasis of aesthetic values more than socio-political themes for literature, fine art, music and other arts
1莎士比亚 十四行诗结构The sonnets are almost all constructed from three four-line stanz
as (called quatrains) and a final couplet compod in iambic pentameter[18] (a meter ud extensively in Shakespeare's plays) with the rhyme scheme 牛膝用量多少克abab cdcd efef gg (this form is now known as the Shakespearean sonnet).....
监督委员会职责
主题离婚证怎么办理One interpretation is that Shakespeare's sonnets are in part a pastiche or parody of the three-centuries-old tradition of Petrarchan love sonnets; Shakespeare consciously inverts conventional gender roles as delineated in Petrarchan sonnets to create a more complex and potentially troubling depiction of human love.[27]He also violated many sonnet rules, which had been strictly obeyed by his fellow poets: he plays with gender roles (20), he speaks on human evils that do not have to do with love (66), he comments on political events (124), he makes fun of love (128), he speaks openly about x (129), he parodies beauty (130), and even introduces witty pornography (151).
Sonnet 29 结构follows the same basic structure as Shakespeare's other sonnets, containing fourteen lines and written in 一篇日记200字iambic pentameter, and compod of three rhyming quatrains with a rhyming couplet at the end. However, it does not follow the tradit
ional English rhyme scheme of ABAB CDCD EFEF GG. Rather, the scheme is ABAB CDCD EBEB FF.
主题Camille Paglia states that there is nothing in the poem that would provide a clue as to whether the poem is directed towards a man or a woman, but assumes, as many do, that Sonnet 29 was written about the young man[6] Both Paglia and Frank agree that the first octave is about the Speaker’s current depression caud by his social ostracism in his "outcast state” (line 2) and personal misfortune that has “cur[d] my fate” (line 4). The Speaker proclaims his jealousy of tho that are “rich in hope” (line 5) and “with friends posss'd” (line 6), once again referring to his hopelessness and low social status. Paglia refers to this ction of the poem as a “list of half-imaginary grievances.” Frank ems to agree with her statement of “half imaginary” since he believes the Speaker wills his own miry.
2 Joph Addison (1 May 1672 – 17 June 1719) was an English essayist, poet, playwright and politician. He was a man of letters, eldest son of Lancelot Addison. His na
me is usually remembered alongside that of his long-standing friend,Richard Steele, with whom he founded The Spectator magazine.
3 Addison's character has been described as kind and magnanimous, albeit somewhat cool and unimpassioned. His appealing manners and conversation made him one of the most popular men of his day; and while he laid his friends under obligations for substantial favours, he showed great forbearance towards his few enemies. His essays are noted for their clarity and elegant style, as well as their cheerful and respectful humour. One flaw in Addison character was a tendency to convivial excess, which nonetheless should be judged in view of the somewhat lax manners of his time.
4 造谣学校 谢里丹
Scene I巴基斯坦签证: Lady Sneerwell, a wealthy young widow, and her hireling Snake discuss her various scandal-spreading plots. Snake asks why she is so involved in the affairs of Sir Peter Teazle, his ward Maria, and Charles and Joph Surface, two young men under Sir Peter's informal guardianship, and why she has not yielded to the attentions of Joph, w
ho is highly respectable. Lady Sneerwell confides that Joph wants Maria, who is an heiress, and that she wants Charles. Thus she and Joph are plotting to alienate Maria from Charles by putting out rumors of an affair between Charles and Sir Peter's new young wife, Lady Teazle. Joph arrives to confer with Lady Sneerwell. Maria herlf then enters, fleeing the attentions of Sir Benjamin Backbite and his uncle Crabtree. Mrs. Candour enters and ironically talks about how "tale-bearers are as bad as the tale-makers". Soon after that, Sir Benjamin and Crabtree also enter, bringing a good deal of gossip with them. One item is the imminent return of the Surface brothers' rich uncle Sir Oliver from the East Indies, where he has been for sixteen years; another is Charles' dire financial situation.摇字组词
