摘要
人类目前对空间维度的认知已经上升到了十一维。不过碍于进化程度和科技水平的限制，导致暂时或很久一段时间之内都无法感知更高维度空间的存在。由于我们对事物的感知大部分是通过视觉获得的，因此让高维空间在有限的条件下看得到，即成为艺术家、科学家共同的目标。但现有高维空间的理论错综复杂，大多数专业词汇晦涩难懂，极难理出头绪。而且在高维空间可视化领域中，传统艺术形式、后现代艺术形式和科学技术三者间缺少相互的联系。
本文在以上背景和问题上展开，研究人类在感知维度受限制的情况下，如何将所处世界与更高维度空间之间的联系可视化表现出来。本文在第一章提出后现代艺术、跨界思维、超弦理论诞生、可视化发展等时代背景。明确了要突破维度限制、主观而又科学精准地表现高维空间的研究目的，确立了文献调研法、信息计量分析法、SWOT分析法这三种主要研究方法。第二章以相对论、量子力学、弦等物理理论为依据，对高维空间进行科学解读，自我分析。通俗地解释了从零维到十一维，并得出自己的高维概念——“無”。第三章基于立体主义，埃舍尔矛盾空间的基础，探讨艺术与科技，传统与后现代艺术的契合点，最终建立了传统艺术结合可视化相关知识的表现形式和完整的理论体系。
本文在突出笔者自己的高维概念可视化的过程中，不断地发掘更有价值的设计方法和风格，希望对高维空间概念的表达和人类对待事物的立场、方式有一定的借鉴和帮助。
关键词：高维空间，艺术与科技，可视化
Abstract
Humanity's current perception of spatial dimensions has rin to eleven dimensions. However, due to the limitations of evolution and technology, it is impossible to perceive the existence of higher dimensional space for a period of time or for a long time. Since most of our perception of things is obtained through vision, letting high-dimensional space be en under limited conditions becomes the common goal of artists and scientists. However, the existing theory of high-dimensional space is complicated, and most professional vocabulary is difficult to understand, and it is extremely difficult to figure out the clue. Moreover, in the field of high-dimensional space visualization, there is a lack of mutual connection between traditional art forms, post-modern art forms and science and technology.
This paper is bad on the above background and problems. It studies how to visualize the relationship between the world and the higher dimensions under the limitation of our perceptual dimension. Firstly, through the first chapter, the background of post-modern art, cross-border thinking, the birth of superstring theory and the development of visualization are put forward. The purpo of breaking through the limitation of dimension, subjective and scientific precision is clarified,
and three main rearch methods are established: literature rearch method, information Metrology Analysis Method and SWOT analysis method. Then, in the cond chapter, bad on the physical theories of relativity, quantum mechanics and string, the theory of high-dimensional space is scientifically interpreted and lf-analyzed. Popular explanation from zero dimension to eleven dimension, and get their own high-dimensional concept - "nothing". Chapter three, bad on Cubism and Escher's foundation, explores the conjunction of art and technology, tradition and post-modern art, and finally establishes the manifestation and complete theoretical system of traditional art combined with visual knowledge creation.
In the process of highlighting the visualization of the author's own high-dimensional concepts, this paper constantly explores more valuable design methods and styles, hoping to provide some reference and help for the expression of high-dimensional space concepts and
human's standpoint and way of dealing with things.
Keywords：high-dimensional space, art and technology, visualization
目录
摘要 .................................................................................................................. II 第一章绪论. (1)道路标志大全图解
1.1选题背景 (1)
1.1.1人文背景：艺术“跨界” (1)
1.1.2 技术背景：超弦理论等其他理论的诞生和可视化的蓬勃发展 (2)
1.2 研究意义 (3)
幼儿保育1.3 研究目的、方法 (3)
1.3.1研究目的与思路 (3)
1.3.2 研究方法 (4)
第二章高维空间的概念 (5)
2.1从“零”到“十一” (5)
2.2隐含的哲学思想——“無” (6)
第三章高维空间可视化的分析及实现 (8)
计算机的功能3.1 高维空间的历史探索 (8)
3.1.1立体主义——赋予传统艺术新的思考 (8)
3.1.2埃舍尔的高维尝试 (9)
农业实用技术3.2高维空间可视化的过程 (13)
3.2.1高维空间的信息化 (13)淮安公积金
3.2.2信息的搜集 (14)
3.2.3 “信息+”的构建 (16)
3.2.4形式的意境融彻 (17)
3.3 作品方案 (19)
3.3.1题目的解读 (19)
清理耳朵3.3.2材料、技术及媒体形成 (20)
3.3.3整体与部分的制作图纸 (21)
3.3.4 制作技术与方法说明 (26)
怎么更改无线网络密码3.3.5展出空间中的图示 (28)
3.3.6模拟效果图 (30)
3.3.7 作品的文字阐释 (31)
角色游戏教案第四章总结与展望 (33)
4.1 总结 (33)
4.2展望 (33)
参考文献 (34)
致谢 (35)
附录 (36)
