分类号：密级：公开
论文编号：S***** 学号：**********
抗疫
硕士学位论文
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物性变化在艺术中的应用——通过认知解构来研究媒介的叙事功能
院系名称：油画系
学号： **********
研究生：孟嵩川
指导教师：陈树中教授
一级学科：美术学
研究方向：油画艺术
煎猪肝
Master's degree paper
Physical changes in the appl ication of the art----Through cognitive deconstruction to study media narrative
function
Department name：Oil painting department
Student id： 2011110012
A graduate student： MengSongchuan
Tutor:Chenshuzhong
Subject Level 1：Fine Arts
Discipline、Major：Fine Arts
物性变化在艺术中的应用
火腿蛋炒饭——通过认知解构来研究媒介的叙事功能
摘要
从全球化出现进而发展至今，各区域文化认知上经历着“异化——同化——同化基础上的异化”这样一种现象学的序列或是一种隐喻的序列。当然，这也是我们为什么要在讨论“物性变化在艺术创作中应用”之前提及“全球化”的原因。其实“异化——同化——同化基础上的异化”的这种逻辑结构在艺术创作对待媒介即“物”的选取及叙事功能上一样存在，并且日趋显著。随着全球化的推进，区域文化认知的演变，当代艺术中的“物”成了一种被概念化的符号时，也就缺失了原初本身区域文化的解读和媒介叙事功能的弱化。
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因此，本文旨在通过客观了解当下媒介的叙事功能，深入梳理日本物派“物”在艺术中的应用，点式选取在“物性变化”方面最具代表的艺术家进行分析例证——全球化对“物”本身区域文化的缺失及媒介叙事的弱化，恰恰是体现艺术家在选取媒介与“物性变化”方面的精准选取和精妙转换的艺术之处。从而在自己的创作中驾驭就熟地把握好“物”在艺术中的应用，把握好媒介的叙事功能，将“物性变化”与自身认知契合。
本文第一章为总的绪论。第二章：讨论全球化语境下认知群体划分和认知逻辑演变所带来的媒介叙事功能的弱化。第三章：通过日本“物派”媒介的叙事，以关根伸夫的《位相——大地》为例证。一方面对全球化文化一体化进行了反驳；另一方面却导致概念需要二次解读，因为在李禹焕之前一直以来“物派”的关注点都在“物”的拓展空间上，忽略了“物”的形态变化这一重要点。而单纯的从“物”的存在和“场”的空间关系来阐释物派的话，其实很难还原“物派”艺术创作的本质与初衷。第四章：通过以上的理论支撑来分析安塞姆·基弗的媒介选取与媒介叙事，并以徐冰的《本来无一物，何处惹尘埃》为个案分析，从创作过程、认知体系、艺术形式出发对“物性变化”（叙事功能）重新解读。第五章，将“物”、“物性变化”过程，“物性变化”结果应用到个人创作中。一，通常认知下的物性变化——物理变化（元素金木水火土）；二，中国哲学体系支撑下的形态变化、物性变化——五行转换（元素金木水火土）。第六章，结论与延续。
关键词：媒介，“物派”，物性变化，认知结构，叙事功能
PHYSICAL CHANGES IN THE APPLICATION OF THE ART----THROUGH COGNITIVE DECONSTRUCTION TO STUDY MEDIA NARRATIVE FUNCTION
什么流水ABSTRACT
独立的人格
Emerged from globalization and the development, the regional cultural cognition on experiencing the
戏院的英文
"alienation, assimilation, on the basis of assimilation alienation" such a quence or a quence of metaphors of phenomenology. , of cour, is that why we are talking about the physical changes in the artistic creation "applied" mentioned before the cau of the "globalization". Actually "alienation, assimilation, dissimilation" on the basis of assimilation of the logical structure in the artistic creation to treat medium is the "content" on the narrative function of existence, and is increasingly significant. Along with the advancement of globalization, the evolution of the regional cultural cognition, contemporary art in the "content" became a conceptual symbol, also lack original itlf to the understanding of the regional culture.
Therefore, the purpo of this paper is to through objective understanding of the prent media narrative function, thorough carding Japan nt "content" in the application of art, point lection in terms of physical property changes the most reprentative artists for example. To soft grasp in their own creation "things" in the application of art, grasp the media narrative function, its own physical properties change and the cognitive fit, will Chine philosophy under the system of basic water and the morphological changes and five lines of conversion into work.
This article first chapter: discuss cognitive group division and cognitive logic evolution in the context of globalization have brought media narrative function weakened. Chapter 2: Japan nt through the
medium of narrative, to GuanGen stretch, "pha, the earth" as an example, on the one hand, has carried on the counter to globalization the cultural integration, mainly reflected in the first, pure "" first, cond, the consciousness of" content "of slam the door. Concept on the one hand, lead to need a cond interpretation, becau before Li Yuhuan has been nt the concerns of all things in the "content" on the expansion of space, ignoring the shape variation of "content" of
