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In the year 64 of the Eastern Han Dynasty (25-220), Emperor Ming nt a delegation of his men to study Buddhism in the western world. After three years, two eminent Indian monks, She Moteng and Zhu Falan, came back with the delegation. They brought with them a white hor carrying Buddhist sutras and Buddhist figures on its back. This was the first time that Buddhism appeared in China.
The White Hor Temple is located 12 kilometers away from the east of Luoyang City, Henan Province.The Temple enjoys the reputation of the No.1 Ancient Temple of China. It lies on the south of Mangshan Mountain, and faces the Luohe River in the south. The temple, which is located about ven miles away from the city of Louyang, is covered with green ancient trees and appears solemn and tranquil. Outside the gate, there is a pool with
fences around and lovely fish in the water. It is for the believers to t free the captive animals. After crossing the pool via a stone bridge, you will enter the temple. To the east and west of the gate are the tombs of She Moteng and Zhu Falan, which are one of the six most famous sights in the temple. In the east corner stands a tablet pavilion. The Chine characters written on the tablet are the work of a Chine calligrapher abbot Shamen Wencai, designed during the Yuan Dynasty (1271-368). They are written in his familiarly free and easy style and describe the history of the temple.
预防皱纹The construction of the temple started in the 11th year (68) during the Yongping reign of Emperor Mingdi in the Eastern Han Dynasty (25-220). The White Hor Temple has a history of over 1900 years. It is the first temple built since Buddhism spread to China in the Han Dynasty (206BC-220AD). According to historical records, Emperor Mingdi of the Eastern Han Dynasty dreamed of a golden man flying above the courtyard. After he woke up, the emperor nt Cai Yin and Qin Jing as envoys to western regions to invite Buddha and learn Buddhism. The two envoys underwent much hardship and met two eminent Indian dignitaries She Moteng and Zhu Falan on the way. Cai Yin and Qin Jing came bac
k to Luoyang City with the two monks, and a white hor carrying the sutras. To express his thanks to the two monks and their white hor, the emperor ordered the building of a monastery which he named the White Hor Temple to the north of the imperial road outside the Xiyong Gate of Luoyang City during the following year.
The White Hor Temple, built after the style of Indian temples, was the place for She Moteng and Zhu Falan to translate Buddhist sutras and write rmons. During this time, the two monks were busy translating sutras in the temple until they completed the Chine sutra 'Forty-two Chapter Sutra', which attracted many monks and meant that the temple became a centre for Buddhist activity in China. It is for this reason that the temple is honored as the 'Founder's Home' and the 'Cradle of Buddhism in China'.
The White Hor Temple has undergone m
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any repairs and renovations in all previous dynasties. The prent appearance is much different from its original one. What we e today was restored during the Ming Dynasty (1368-1644) and the Qing Dynasty (1644-1911), with an area of 34,000 square meters. Facing south, the main buildings of the temple stand on or along the central axis, including the Temple Gate, the Heavenly King Hall, the Great Buddha Hall, the Main Hall, the Jieyin Hall, and the Pilu Pavilion, etc. Beside tho main buildings are the Reception Chamber, the Cloud-water Chamber, the Ancestors Chamber, the Guests Chamber, the Buddhist Chamber, and the Abbot Courtyard and so on. The huge White Hor Temple has over 100 rooms.
The central axis line starts from the Temple Gate, a roofed entrance arch with three doors. A pair of stone hors stands on the two wings in front of the outer wall. The Heavenly King Hall is the first hall inside the temple. In that hall sit the clay-molded statues of four Heavenly Kings, Maitreya Buddha and Skanda Bodhisattva. Behind the Heavenly King Hall is the Great Buddha Hall, which is the main hall of the temple. The grounding platform is about 1 meter high. The hall measures five bays in width and four b
ays in depth. It is double roofed, with four Chine characters meaning Buddha shines over the earth in the center. In its center sit the statues of Sakyamuni, Chiligyi, Ananda, Manjusgri, Samantabhadra, etc. There is a huge bell that weighs 2,500 kilograms hung in the hall. That bell is a historical relic from the reign of Emperor Jiajing of the Ming Dynasty.
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The third hall is the Main Hall, and hous three Buddhas: Sakyamuni, Medicine Buddha, and Amitabha Buddha, flanked by the eighteen Arhats. They treasures of arts of the Yuan Dynasty are vivid in modeling and graceful in painting. The wooden shrine in the hall hous over 5,000 statues of Buddha. The fourth hall is the Jieyin Hall. Behind the bamboo forest is the Qingliang (cool and refreshing) Terrace, with old pine trees flourishing, and halls connecting with each other. Four sides of the terrace are piled with green bricks. The Kunlu Pavilion stands prominent on the terrace. Halls on its east and west hou respectively the statues of the two eminent monks, She Moteng and Zhu Falan, who were buried inside the Temple Gate after they pasd away. In front of the tombs are the Bell Tower and the Drum Tower. The Hor Temple Bell Ring was once onqq语音说不了话
梦到牙齿掉e of the eight great sceneries in Luoyang City.
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