康定斯基巅峰之作《白线构图》（BILD MIT WEISSEN LINIEN，伦敦苏富比2017）
母亲节手工康定斯基 白线构图 BILD MIT WEISSEN LINIEN 伦敦苏富比2017.6 成交价3300.875万英镑
黄疸是什么作品介绍
1913 – A Revolutionary Year
Only very rarely does a single year make its mark so completely on the collective consciousness of a culture, and none so vividly as 1913. The year 1913 is particularly important within the history of modern art, marked by events and works that fundamentally changed the way art was conceived and understood. Across Europe and America artists of every sort t down new ideas and formulas for artistic ex-pression, and in turn some of them made their defining contributions to modern culture.
In New York the Armory Show introduced the American public to the European avant-garde (fig. 1), with Marcel Duchamp’s Nude Descending a Stairca No. 2 making its debut. Pablo Picasso continued to reinvent Cubism with his u of papier collé to establis
手机辐射h the foundations of Synthetic Cubism; Umberto Boccioni created his Futurist masterpiece Unique Forms of Continuity in Space, and in Munich Wassily Kandinsky t about creating the most celebrated ries of abstract paintings in the history of early 20th century art. No other single year in the artist’s career can be said to have produced so many masterpieces or such a coherent and magisterial body of work. Bild mit weisn Linien, executed on a grand scale and in dazzling colours, is one of the most important paintings by Kandinsky from this crucial year.
The major works of 1913 share a monumental quality, both in scale and ambition, that Kandinsky had not attempted to achieve before, and which he would never truly attain again. It was a year of prodigious achievement and prolific creation. There was a great outpouring of studies in ink, watercolour and oil for the primary works of the year such as Komposition VI and VII (figs. 5 & 6) and other major oils such as Bild mit weisn Linien which attest to the meticulous approach Kandinsky took to preparing each unique composition.
天空用英语怎么说
分辨率
推测拼音
The Path to Abstraction
草原歌曲大全播放
From an early stage in his artistic career, Kandinsky was aware that his pursuit of his own form of ex-pression was leading him toward an entirely new visual idiom. In a letter to his lover and fellow painter Gabriele Münter written on 2nd April 1904 Kandinsky wrote: ‘Without exaggerating, I can say that, should I succeed in this task, I will be showing [a] new, beautiful path for painting susceptible to infinite development. I am on a new track, which some masters, just here and there, suspected, and which will be recognid, sooner or later’. As predicted, in the years that followed Kandinsky travelled further towards abstraction than any painter previously, and in 1913 finally achieved it in a uniquely pure, lyrical form.
维斯比规则
