2021年托福阅读PASSAGE 28
试题及答案
PASSAGE 28
The end of the nineteenth century and the early years of the twentieth century were marked by the development of an international Art Nouveau style, characterized by sinuous lines, floral and vegetable motifs, and soft evanescent coloration. The Art Nouveau style was an eclectic one,bringing together elements of Japane art, motifs of ancient cultures, and natural forms. The glass objects of this style were elegant in outline, although often deliberately distorted, with pale or iridescent surfaces. A favored device of the style was to imitate the iridescent surface en on ancient glass that had been buried. Much of the Art Nouveau glass produced during the years of its公司祝福语简短 greatest popularity had been generically termed "art glass." Art glass was intended for decorative purpos and relied for its effect upon carefully chon color combinations and innovative techniques.
France produced a number of outstanding exponents of the Art Nouveau style; among the most celebrated was Emile Galle (1846-1904). In the United States, Louis Comfort Tiffany (1843-1933) 密不透风which were widely copied in their time and are highly prized today. Tiffany was a brilliant designer, successfully combining ancient Egyptian, Japane, and Persian motifs.
The Art Nouveau style was a major force in the decorative arts from 1895 until 1915, although its influence continued throughout the mid-1920's. It was eventually to be overtaken by a new school of thought known as Functionalism that had been prent since the turn of the century. At first restricted to a small avant-garde group of architects and designers, Functionalism emerged as the dominant influence upon designers after the First World War. The basic tenet of the movement— that function should determine form — was not a new concept. Soon a distinct aesthetic code evolved: form should be simple, surfaces plain, and any ornament should be bad on geometric relationships. This new design concept, coupled with the sharp postwar reactions to the styles and conventions of the preceding decades, created an entirely new public taste which caud
Art Nouveau types of glass to fall out of favor. The new taste demanded dramatic effects of contrast, stark outline and complex textural surfaces.
1. What does paragraph 1 mainly discuss?
(A) Design elements in the Art Nouveau style
(B) The popularity of the Art Nouveau style
(C) Production techniques for art glass
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(D) Color combinations typical of the Art Nouveau style
2. The word "one" in line 4 refers to光子嫩肤仪
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(A) century
(B) development
(C) style
(D) coloration
3. Paragraph 1 mentions that Art Nouveau glass was sometimes similar to which aspect of ancient buried glass？
(A) The distortion of the glass
(B) The appearance of the glass surface
草莓玉米(C) The shapes of the glass objects
(D) The size of the glass objects
盛多音字组词4. What is the main purpo of paragraph 2?
(A) to compare different Art Nouveau styles
(B) to give examples of famous Art Nouveau artists
(C) to explain why Art Nouveau glass was so popular in the United States生活方式与健康
(D) to show the impact Art Nouveau had on other cultures around the world
