CSI: CRIME SCENE INVESTIGATION
1X05: FRIENDS AND LOVERS
ORIGINAL AIR DATE ON CBS: 11/03/2000
TRANSCRIBED FROM CBS/DVD
Written by ANDREW LIPSITZ
Directed by LOU ANTONIO
Transcript by Intrepid
Courtesy of /~anthology/wnp.html
Do not archive this transcript without permission from The Transcriptionist.
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SUMMARY: Grissom and Warrick investigate the discovery of a dead naked body out
in the dert. Catherine and Nick investigate the apparent beating death of The
Dean of a Charter School. And Sara investigates the discovery of an embalmed
body in a dumpster.
==========================
CSI: CRIME SCENE INVESTIGATION
1X05: FRIENDS & LOVERS
==========================
COLD OPEN:
[EXT. LAS VEGAS CITY (STOCK) - NIGHT]
[EXT. VARIOUS DESERT (STOCK)- NIGHT]
CUT TO:
SCENE #01:
[EXT. DESERT - NIGHT]
(A naked man runs in the dert. He looks desperately behind him as he runs
away from something.)
(He runs and runs and runs.)
CUT TO:
SCENE #02:
[EXT. DESERT - DAY]
(The camera shutter clicks as WARRICK takes a photo of the crime scene. In
front of him, GRISSOM kneels over the body while NICK stands behind him
watching.)
GRISSOM: Maggots. This kid's been here awhile.
(GRISSOM turns the body over to its side. WARRICK continues to photograph the
body.)
GRISSOM: No gunshot wounds. No stab marks. No signs of strangulation.
WARRICK: It's a long way out in the sticks just to drop dead.
(GRISSOM stands up and looks around.)
GRISSOM: (sighs) Not if you're being chad.
(GRISSOM starts to walk around to look at the ground around the body.)
GRISSOM: Look at the foot patterns leading up to the body. See the strides?
This kid was running.
(GRISSOM kneels down by a footprint impression in the dirt.)
GRISSOM: See the left foot impression? It's straight; that's normal.
(GRISSOM looks at the next print.)
GRISSOM: But look at the right foot impression. It's turned outward. Almost
90 degrees.
WARRICK: He was look
ing over his shoulder when he was running. Think there was
somebody el here?
GRISSOM: Bad on the prints, it's hard to tell.
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WARRICK: (to the OFFICER) Can I get this taped off here?
OFFICER: Yes, sir.
(GRISSOM kneels down back at the body and looks at it again.)
WARRICK: So you want to call it? How do you think he died?
GRISSOM: Fear. (beat) Someone chad this kid to death.
HARD CUT TO:
END OF TEASER
ROLL TITLE CREDITS
(COMMERCIAL SET)
FADE IN.
SCENE #03:
[INT. CSI - GRISSOM'S OFFICE - NIGHT]
(GRISSOM'S working in his darkened office. He adjusts the overhead lamp, then
writes something down. He's working on an experiment. He as a pan with a piece
of paper in some kind of liquid with the different colored light above it.)
(He again adjusts the light and checks the meter reading.)
(GRISSOM'S phone rings. He answers it.)
GRISSOM: (to phone) Grissom. (pau) No. (pau) No, yes, I did. Thank
you.
(GRISSOM hangs the phone up and puts it down on the table beside him. He goes
back to his experiment.)
(Someone knocks on the door lightly and it opens. CATHERINE and WARRICK walks
in. They glance around in the darkened office looking for GRISSOM.)
CATHERINE: Hey, you want to give us our assignments or do you want us to
< the night off?
(GRISSOM adjusts the light again.)
GRISSOM: (irritated) Paperwork, paper clips, paper-punchers -- all the
people want me to do is push paper; nobody wants me to solve crimes.
CATHERINE: Hey, (shrugs) ... you could've turned the job down.
GRISSOM: Yeah, the grass is always greener, Catherine.
(GRISSOM adjusts the light again, not making a move to get up.)
(CATHERINE waits a moment, then reaches out to help him.)
CATHERINE: Well let's just hurry this up.
(She grabs the lamp and pulls it down into the pan below. It immediately
catches fire.)
(GRISSOM sighs.)
WARRICK: Cool.
CATHERINE: You really want to e flash paper flash? Walk in on a bookie.
GRISSOM: That's what this was about-- bookies.
(GRISSOM'S phone rings again. CATHERINE turns and walks over to GRISSOM'S
desk.)
CATHERINE: Don't answer it.
(She grabs the assignment sheets off of the desk and hands them to GRISSOM.)
CATHERINE: We've got work to do ... boss.
(The phone continues to ring. GRISSOM grabs the assignments from CATHERINE and
follows them out of the office. He hangs the phone up and toss it on the
table as he leaves.)
CUT TO:
SCENE #04:
[INT. CSI - HALLWAY - NIGHT]
(Walking through the hallway, GRISSOM hands out the assignments.)
GRISSOM: Warrick, you and I are on the four-nineteen -- our dead body in the
dert.
(GRISSOM hands the assignment sheet to WARRICK. He takes it.)
GRISSOM: Sara, dead body of your own. Dumpsite out near Henderson.
(SARA takes the assignment sheet from GRISSOM and looks at it.)
SARA: Oh, I'll dress down.
GRISSOM: Catherine, Verbum Dei Charter School. Four-twenty homicide. The
school dean was killed in his off
ice. Suspect called it in; could be lf-
defen.
(CATHERINE takes the sheet. She and SARA continue down one hallway, while
GRISSOM stops at the interction.)
CATHERINE: Did some kid off him with a silver spoon?
GRISSOM: (calls back) Suspect's not a kid. It's the woman who founded the
school. Take Nicky with you.
教室怎么读CATHERINE: Where is he?
(NICK rushes out from the room and into the hallway. He catches up with
CATHERINE and SARA.)
NICK: Here I am.
CATHERINE: You're coming with me.
(CATHERINE holds out the assignment sheet to NICK. He grabs it and looks at
it.)
SARA: Glad you could make it.
(NICK stares at SARA. SARA grins back at NICK.)
SARA: I'm outta here. Good luck tonight, you guys.
NICK See you.
CUT TO:
SCENE #05:
[INT. CSI - FORENSIC AUTOPSY - NIGHT]
(DR. JENNA WILLIAMS goes over the boy's body with GRISSOM and WARRICK.)
WARRICK: Can't make a ruling? Look at the brui marks on John Doe here. I
call that suffocation.
DR. JENNA WILLIAMS: Not necessarily. It could be the result of his face
impacting the ground at expiration.
WARRICK: I'm going to take a mouth swab.
DR. JENNA WILLIAMS: Go ahead. Grissom, I have something to show you.
(DR. WILLIAMS leads GRISSOM to the counter off to the side of the room.)
DR. JENNA WILLIAMS: You know, when a kid this young drops dead smart money
chas anesthetics, alcohol methanol, maybe even a little freon.
(WARRICK takes the swab sample of the mouth.)
DR. JENNA WILLIAMS: I got to be honest. I've had a lot of dead bodies from the
dert and when they're out there too long the elements tend to eat away the
evidence. My opinion is ... (she gestures down at the body) ... you are looking
at the picture of health, internally. Externally, it's another matter.
(She motions to the scope on the counter.)
DR. JENNA WILLIAMS: Skin sample.
(GRISSOM looks through the scope.)
[SCOPE VIEW of the skin.]
GRISSOM: (o.s.) This kid was dry as a bone.
(He straightens and looks at DR. WILLIAMS.)
GRISSOM: From exposure?
DR. JENNA WILLIAMS: Skin's not consistent with elemental damage. (stumped)
Warrick told me what you said about the cau of death being fear. I never read
about that in any medical book.
GRISSOM: Try the Forensic Medical Journal. Read the four canons on the cau
of death: Homicide, suicide, natural and unexplained. Talks about fear in the
last part of "unexplained."
DR. JENNA WILLIAMS: (to WARRICK) I had to ask.
GRISSOM: You want to know what killed this kid? Benihana the maggots.
WARRICK: What the maggots?
GRISSOM: Tox the maggots we found on the victim. Whatever he ingested has
probably evaporated from the sun. But the maggots are like little
refrigerators. They prerve what we digest for longer periods of time.
WARRICK: Entomology is our friend.
GRISSOM: Yes.
个人理想有哪些CUT TO:
SCENE #06:
[INT. CSI - DNA/CHEM LAB - NIGHT]
(Extreme clo up of a maggot in the grip of a forceps. Camera refocus and we
e WARRICK is staring at the maggot.)
WARRICK: (to the maggot) Sorry, little buddy.
(WARRICK puts the maggot down on the table. He holds out his hand like a
surgeon about to perform surgery.)
WARRICK: Scalpel.
(GREG sits in the chair next to him and hands WARRICK the scalpel.)
GREG SANDERS: My name is Paul and this is between y'all.
WARRICK: Talk about pulp fiction.
(WARRICK chops the little maggot into maggot pieces and puts it in the mortar.
He steps aside and motions to GREG.)
WARRICK: It's all yours, doc.
(GREG stands and smashes the maggot pieces into maggot mush.)
WARRICK: Fire up that gas chromatograph mass spectrometer thing, will you?
GREG SANDERS: No problem, son.
(GREG takes a sample and tests it.)
GREG SANDER: Fifteen conds till pay dirt.
WARRICK: Cool.
GREG SANDERS: Play any pigskin, man?
WARRICK: No, I'm off that.
GREG SANDERS: It's prime time for you.
WARRICK: I haven't made a bet in a month. I can't say I don't have that itch,
though.
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(The machine beeps and the results print out. GREG grabs it and looks it over.)
GREG SANDERS: Hmm. Haven't en this stuff for a while.
GRISSOM: What's that?
GREG SANDERS: Jimsonweed.
CUT TO:
[EXT. VARIOUS LAS VEGAS CITY (STOCK) - NIGHT]
SCENE #07:
[EXT. ALLEY - NIGHT]
(SARA walks up into the alley past the coroner's van. She walks up to the
DETECTIVE on the ca and puts her kit down on the ground.)
SARA: (motions to the dumpster) Do you have a name?
DETECTIVE EVANS: She's not exactly carrying a pur.
(He helps SARA step up to the dumpster. SARA looks inside and es the woman's
body wrapped in plastic. She snaps some photos.)
SARA: Oh ... (camera shutter clicking) okay, let's take her out.
(DETECTIVE EVANS helps SARA down.)
SARA: Thanks.
OFFICERS: Sure.
(The CORONER'S wheel in a gurney.)
CUT TO:
SCENE #08:
[EXT. ALLEYWAY -- DUMPSTER - NIGHT - CONTINUOUS]
(SARA removes the plastic from the woman's face. She press her index finger
into the woman's cheek and looks at the stuff on her finger.)
(Camera zooms in for an extreme clo up to show the clear gell-like substance.)
SARA: That's strange.
DET. EVANS: What's that?
SARA: Glazed like a doughnut.
(SARA turns to look at the body.)
CUT TO:
SCENE #09:
[INT. CSI - FORENSIC AUTOPSY - NIGHT]
(DAVID PHILLIPS explains the findings to SARA as they walk into the autopsy
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area.)
DAVID PHILLIPS: Well, here's the reason the skin was funny.
SARA: Formaldehyde, right?
DAVID PHILLIPS: Clo. Biotone arterial. Promotes high diffusion and fast
drainage in skin tissue.
SARA: So I was right. This woman's been embalmed.
(SARA takes the at in front of the monitor.)
DAVID PHILLIPS: Yeah. Yeah, I already ran her prints through work here. Got an
I.D. right here.
(SARA works on the computer and the computer beeps.)
DAVID PHILLIPS: (flusters) I, uh, I just want to say I-I ... well, I really
admire the gusto with which you approach your job.
(DAVID walks around and stands in front of SARA. He smiles.)
SARA: (glances from the monitor to DAVID) Are you hitting on me, David?
DAVID PHILLIPS: Uh ...
(DAVID smiles and looks down at his shoes bashfully. SARA is flattered.)
SARA: Let me give you some friendly advice. If you want to pull chicks, you've
got to get aggressive. You've gotta drop the glass, lo the coat grow some
scruff.
(DAVID appears quietly dejected at the advice.)
SARA: (smiles) You do get a "C" for cute, though.
(DAVID glances back up at SARA, es her smile and smiles back at her.)
(SARA turns back to the computer. The ID information appears on the monitor.)
SARA: (reading) "Stephanie Reyes was laid to rest at Dert Haven Funeral
Home." Her funeral was last week.
CUT TO:
[EXT. VERBUM DEI CHARTER SCHOOL - NIGHT]
SCENE #10:
[INT. VERBUM DEI CHARTER SCHOOL - DEAN'S OFFICE - NIGHT]
(CATHERINE and NICK enter into DEAN VERNON WOOD'S office. DET. KANE stands
inside the room taking notes.)
CATHERINE: Hi.
DET. KANE: Hey.
CATHERINE: What do you got?
(DET. KANE looks at his notes.)
DET. KANE: Vernon Woods, Dean of the school. Forty-nine, single. Multiple
blunt-force trauma wounds to the head.
CATHERINE: With that, probably.
(Next to the body is a bloodied object.)
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NICK: I got it. Man, check out all that blood spatter.
(Camera pans around the room to show the bloodied walls. The camera also
lingers on the blood spatter across a Teacher's award.)
CATHERINE: Yeah. Blows to the head, up clo and personal. A lot of passion
around this one. (to the DETECTIVE) How about the suspect?
DET. KANE: Kate Armstrong. Founded the school. She called 9-1-1 herlf. She
says he attacked her. She's out in the hallway.
(CATHERINE steps out of the room. NICK continues to take pictures.)
CUT TO:
SCENE #11:
[INT. VERBUM DEI CHARTER SCHOOL - HALLWAY - NIGHT - CONTINUOUS]
(CATHERINE interviews KATE ARMSTRONG.)
KATE ARMSTRONG: He wouldn't let go of me. He kept pawing. I can still smell
his aftershave. (sobbing) I mean ... it's all a blur. I grabbed the clost
thing I could and I hit him with it.
CATHERINE: A rock?
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KATE ARMSTRONG: I don't know what it was. I didn't care. I just wanted him
off of me.
CATHERINE: How many times did you hit him?
KATE ARMSTRONG: Once.
(Quick flashback to: Inside Dean VERNON WOODS' office, he has KATE ARMSTRONG in
his arms. She struggles against him.)
VERNON WOODS: What's the matter? Come on. No one's going to hear. Everyone's
in class. Where's the harm?
(KATE looks down on the desk and grabs the rock.)
KATE ARMSTRONG: I said get off of me!
(She hits him on the forehead and he lets her go.)
(End of flashback. Resume to prent.)
CATHERINE: Miss Armstrong ... were you and the Dean having a personal
relationship?
KATE ARMSTRONG: No. No. Vernon's a pig.
CATHEIRNE: Then why did you hire him? You founded the school. It's your
integrity on the line.
KATE
ARMSTRONG: He's great at raising money. His donor list is huge. I didn't
mean to kill him. (sniffling) I just wanted him to leave me alone.
CATHERINE: But you hit him more than once.
KATE ARMSTRONG: Who knows. I ...
CATHERINE: Well, you hit a man once, there's no blood. The first hit's free.
You hit him more than that ... (clears throat) The walls in his office look
like the Dean went a couple rounds with Mike Tyson.
KATE ARMSTRONG: Then I hit him more than once. Like I said, I just ... I
wanted him off me.
CATHERINE: Will you excu me? Officer. Thanks.
(CATHERINE steps away and motions for the OFFICER. She meets up with NICK at
the end of the hallway.)
NICK: What did you find out?
CATHERINE: Heavy on B.S., zippo on truth.
NICK: You don't em too bummed about it.
CATHERINE: Hell, no. I'm stoked. (sotto voce) We drew the best ca, Nicky.
I can feel it.
NICK: Mm-hmm. Then there's only one thing left to do.
CATHERINE: String it.
NICK: String it.
CUT TO:
SCENE #12:
[INT. CSI - GRISSOM'S OFFICE - NIGHT]
(BOBBY TAYLOR looks from BRASS to GRISSOM.)
BOBBY TAYLOR: I've never filed a missing person's report before but I'm getting
concerned about Eric.
BRASS: Where was the last place you saw your friend?
BOBBY TAYLOR: After work, we went out.
(BOBBY abntly scratches his right arm near the elbow and through his shirt.)
BRASS: You two work together?
BOBBY TAYLOR: No. A few blocks apart. I'm over at Voosh's, you know? Voosh's
fireworks. And he's at Element Sound, the music store.
BRASS: You guys go into the dert?
BOBBY TAYLOR: Yeah. A party out near red rock. How did you know?
BRASS: You just told us.
(BOBBY'S impresd. He chuckles.)
BRASS: So spill it.
(BOBBY abntly scratches his arm and tries to remember what they did.)
BOBBY TAYLOR: We, uh, drank a couple beers hung out, and ... then I just lost
track of him around midnight and I haven't en him since.
GRISSOM: Did you guys drop anything that night? Ecstasy, crystal, "G"?
BOBBY TAYLOR: No. No way. Look, do you ... do you know where Eric is or not?
GRISSOM: Bobby, we found a body that matches your description of Eric. Would
you be willing to identify him?
CUT TO:白豆腐怎么做好吃
SCENE #13:
[INT. MORGUE - NIGHT]
(GRISSOM lifts the sheet off of ERIC BERKELEY'S body)
GRISSOM: Is this your friend?
(Standing quite a distance away, BOBBY glances up, recognizes his friend and
starts to cry.)
BOBBY TAYLOR: (sniffs) Oh, god ... what happened to you, Eric? Oh, god ...
(GRISSOM watches, not unaffected by the young man.)
(There's a light knock at the door. WARRICK pushes the door open and signals
GRISSOM with a file folder in his hand.)
WARRICK: Hey, boss, I got something for you.
(GRISSOM walks over to the door, leaving BOBBY with ERIC.)
WARRICK: (sotto voce) I did the whole tox-the-maggots thing like you said.
Found jimsonweed in their blood.
(GRISSOM nods.)
GRISSOM: Which means?
WARRICK: Jimsonw
