Stylistics
题 目： Analysis on 干部管理条例Ode to the West Wind
From the Stylistic Perspective
班 级：
学 号：
起名大全姓 名：
时 间：___ ____________ ____ _
Analysis on Ode to the West Wind from the Stylistic Perspective
用字母表示数教学设计Abstract: Ode to the West Wind is masterpiece of Shelley恶龙海贼团 and it is world-renowned especially the last line. From the stylistic perspective, this paper discuss this poem from t
he three aspects: image, sound and figures of speech to better understand Shelley’ idea to reform just like the west wind.
雪莱的代表作《西风颂》世界著名，尤其是最后一句，“当冬天来的时候，春天还会远吗？”脍炙人口。而本文旨在从文体学角度讨论了该诗的意境，音律和修辞三方面来充分了解雪莱的这首《西风颂》。
Key Words：image，sound，figures of speech, west wind.
І Introduction to the General Poem Analysis
Ⅱ海澜之家加盟Introduction to Ode to the West Wind
Ode to the West Wind
O wild West Wind, thou breath of Autumn's being,
Thou, from who unen prence the leaves dead
Are driven, like ghosts from an enchanter fleeing,
Yellow, and black, and pale, and hectic red,
Pestilence-stricken multitudes: O thou,
Who chariotest to their dark wintry bed
The winged eds, where they lie cold and low,
Each like a corp within its grave, until
Thine azure sister of the Spring shall blow
Her clarion o'er the dreaming earth, and fill
(Driving sweet buds like flocks to feed in air)
With living hues and odours plain and hill:
Wild Spirit, which art moving everywhere;
范喜Destroyer and prerver; hear, oh hear!
Thou on who stream, mid the steep sky's commotion,
Loo clouds like earth's decaying leaves are shed,
Shook from the tangled boughs of Heaven and Ocean,
Angels of rain and lightning: there are spread
On the blue surface of thine aery surge,
Like the bright hair uplifted from the head
Of some fierce Maenad, even from the dim verge
Of the horizon to the zenith's height,
The locks of the approaching storm. Thou dirge
Of the dying year, to which this closing night
Will be the dome of a vast pulchre,
Vaulted with all thy congregated might
Of vapours, from who solid atmosphere
Black rain, and fire, and hail will burst: oh hear!
Thou who didst waken from his summer dreams
The blue Mediterranean, where he lay,
Lull'd by the coil of his crystalline streams,
Beside a pumice isle in Baiae's bay,
And saw in sleep old palaces and towers
Quivering within the wave's intenr day,测量实习
All overgrown with azure moss and flowers
So sweet, the n faints picturing them! Thou
For who path the Atlantic's level powers
Cleave themlves into chasms, while far below
The a-blooms and the oozy woods which wear
The sapless foliage of the ocean, know
Thy voice, and suddenly grow gray with fear,
And tremble and despoil themlves: oh hear!
If I were a dead leaf thou mightest bear;
If I were a swift cloud to fly with thee;
A wave to pant beneath thy power, and share
The impul of thy strength, only less free
Than thou, O uncontrollable! If even
I were as in my boyhood, and could be
The comrade of thy wanderings over Heaven,
As then, when to outstrip thy skiey speed
Scarce em'd a vision; I would ne'er have striven
As thus with thee in prayer in my sore need.
Oh, lift me as a wave, a leaf, a cloud!
I fall upon the thorns of life! I bleed!
A heavy weight of hours has chain'd and bow'd
One too like thee: tameless, and swift, and proud.
Make me thy lyre, even as the forest is:
What if my leaves are falling like its own!
The tumult of thy mighty harmonies
Will take from both a deep, autumnal tone,
Sweet though in sadness. Be thou, Spirit fierce,
My spirit! Be thou me, impetuous one!
Drive my dead thoughts over the univer
Like wither'd leaves to quicken a new birth!
And, by the incantation of this ver,
Scatter, as from an unextinguish'd hearth
Ashes and sparks, my words among mankind!
Be through my lips to unawaken'd earth
The trumpet of a prophecy! Oh Wind,
If Winter comes, can Spring be far behind?
Ш Analysis on Ode to the West Wind
1 Image
In the first canto, the main image was the wild west wind and the leaves dead. The canto mainly portrayed the scene that the wind west wind swept the dead leaves in the forest and brought the ed of life. The dead leaves were blown like ghost from an enchanter 户外广告制作fleeing and the winged eds were nt by the wind to their dark wintry bed. In cond canto, the poet ud the images like clouds, vapour, rain, black rain, lighting, fair and hail to display the strong momentum of the west wind. Especially this line “black rain and fire and hail will burst” fully reflected that how destructive the force of west wind was and the west wind made the lightening and rains. In third canto, the images, the blue Mediterranean, waves and old palaces and towers and west wind, were combined to create the atmosphere that the west wind would blew everything down and it indicated the coming of the groundbreaking reform. Then, everything belongs to the old world woul
d suddenly grow grey with fear and trembled and despoiled themlves. Thus, the west wind became the maker of all the commotion. The first three cantos created the three levels: sky, land and a, but the main purpo was to prai that the west wind removed all the wired and bad things and to encourage the strong power of the new-born. After the portray of the sky, land and a, the poet put himlf into the main image—west wind in fourth canto and hoped that he could face the coming of the reform just like the deaf leaves, swift clouds and waves. Now, the poet openly gave his idea—eager to struggle and reform. In the last canto, he hoped that he could be with the west wind to reform and struggle just like the line “be through my lips to unawakened earth”. The last line “if winter comes, can spring be far behind?” is world-renowned. It declared that the ending of the reform made by the west wind was that the dark age would become the past and the hope was ahead.
