Women's river's lake---"Women's martial arts" analysis
Abstract
"Women's martial arts" is an important literary phenomenon in modern and contemporary history of popular literature and even the entire history of literature . "Women's martial arts" is mainly refers to women martial art works of this literature phenomenon. Becau of its distinctive gender directivity made controversial since producing, But its still has the important meaning of literary history.Female writing very late in the popular literature, the original is on behalf of zhang ailing, mei niang, etc., but they are not completely in the n of popular literature writer, they are still have an air of elite literature writer, elegant literature and literature to a certain extent. But the women writers to focus too much on the novel romance novels, family ethics, there is no female writers involved in martial arts creation. "Women's martial arts" works originally produced in the network, especially the tianya "classical gang" in the creation of women writers had caud a nsation, as many readers. Later, more and more women writers. Journal "this ancient legend, martial arts version have long noticed this new literary phenomenon, and actively promote, it takes the strategy of consumer marketing campaign will be" women's martial arts "and the development of the journal itlf to the union, u advertising, network, tting up as" women's martial arts ", writer has cultivated a large number of star, such as inst
allation, shen Ying Ying, etc. And "women's martial arts" the name of the first and earliest "this ancient legend, martial arts edition published articles.
It to a certain degree of swordsmen literature for male dominated for a long time in our country was broken on control of the situation，For martial arts into the tender feelings wen wan's blood, At the same time satisfy the women daydream to martial arts, Let women writers from the female perspective to look at martial arts, martial arts, river's lake, chivalrous, etc, Another meaning to construct the level of the world. Although the "women's martial arts" uphold the concept of feminist literature, is different from general feminist literature, Not only focusing on women's psychology, love consciousness, body writing to reveal women's subject status, But from the unconscious of women, with tender feelings yet car-scrapping martial arts, martial arts, martial arts to explore the relationship
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between men and women,to form the distinctive characteristics,frist is Magic resistance to reveal the gender discour,cond is in a unique love express through martial arts text, third is role assignment, pay attention to women's subjectivity ,forth is make women completely get rid of dependent in the marriage and family. "Women's martial arts" mainly has two forms, one is network s
wordsmen literature, is a kind of swordsmen literature periodicals. Many "women's martial arts" writers active in the initial network, was later to "this ancient legends, martial arts version" reprented by the mining of the martial arts magazine, and to build, periodicals as the main position step by step.Shen Yingying,Bu Feiyan both like this. In numerous "women's martial arts" the author, Cang yu Bu Feiyan and shen Ying's creative achievements, as a reprentative of "women's martial arts" three important writer.Cang yue is tinged with heroism, can portray emotion is exquisite, also can control the historical discour, and make full u of cartoons, games and other factors,Bu Feiyan with its extraordinary cultural imagination of martial arts creation, it's martial arts legendary, Shen Ying Ying works with no martial arts in heart attitude, blend in world factually martial arts creation, form a good and evil is not a binary opposition, flexible runescape can convert each other.
Key words：Women's martial arts；witchcraft resistance；Love nature；Marriage and family；Role assignment
Written by:Wang Weiwei
Supervid by:Tang Zhesheng
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目录鲜艳拼音
绪论 (1)
第一章“女子武侠”的一条经线 (4)
1.1节性别呐喊：通俗文学中的女性崛起 (4)
一、近现代通俗文学中的“倩影” (4)
二、武侠世界中的女性崛起 (6)
1.2节消费性视阈:《今古传奇.武侠版》对“女子武侠”的推介 (10)
一、性别反抗的快感 (10)
团结的词语
二、明星与迷 (12)
三、消费性与文学性的制掣 (14)
手机被缴检讨书
1.3节喧嚣与安静：“女子武侠”的接受与研究 (15)
一、喧嚣的舆论环境 (16)
形格势禁
二、相对安静的学术成果 (18)
第二章“女子武侠”的四个纬度 (21)
2.1节巫术反抗：“女子武侠”的性别话语 (21)
一、社会心理：反抗 (22)
二、行为心理：拒绝形体欣赏 (23)
三、情感心理：感性核心 (25)
2.2节情爱抒写：“女子武侠”“以己之长”战略 (26)
一、我就是你那一瓢 (27)性格不合
二、爱情---女性的天性 (29)
三、扬长却避不了短 (30)
2.3节婚姻家庭：与依附性决裂 (32)
一、消灭家中的天使 (32)
二、杀死守护神 (35)
2.4节角色分配：主体性的获得 (38)
一、形象胜于武功 (39)
二、性别角色地位的置换 (41)
第三章“ 女子武侠”的三个坐标 (45)
3.1节沧月：兼容并包的江南女子 (45)
一、柔情 (45)
二、铁血 (47)炒素菜
三、兼容并包 (49)
两半合一
3.2节沈璎璎：打碎镣铐的觉醒者 (51)
一、打碎镣铐，突破武侠桎梏 (51)
禁用usb二、性别意识的觉醒者 (54)
3.3节步非烟：以文化想象为突破口的中性写作者 (57)
一、想象的文化 (58)
二、中性写作 (61)
结语 (65)
参考文献 (67)
攻读硕士学位期间的科研成果 (71)
致谢 (73)
绪论
女性主义（feminism）来源于拉丁语femina=woman，其最开始的含义是具有女性品质。而在1980年法国开始的女权主义运动中被用于指称女性争取权力的运动和性别平等理论。后来这一理论传入英美，一度成为风靡全球的理论与运动，“五四”时期传入中国，这一时期大量的西方女性主义理论和西方女性主义作家作品的译介，有效地满足了中国女性作家逐渐显露出来的女性意识，并成为她们创作和评论的重要思想来源与指导。综观文学史，我国女性主义文学兴起于80年代初，发展于90年代，丁伊莎将这一发展过程归纳为三个阶段：第一阶段为女性意识初显，以张洁、戴厚英等人为代表，她们将文本描绘的重心放在以两性关系上，是对现实生活中女性处境与生存价值的深刻再现；第二阶段为女性自主意识强化期，以残雪、王安忆为代表，她们将笔触延伸到潜意识层面，宣扬女性意识的自主性，颠覆男性中心主义；第三阶段为女性个人化话语时期，以林白、陈染等人为代表，通过“身体写作”、“个人化写作”展示女性个体的情感体验、性经验和生存体验来实现女性主义文学创作的私人化、个人化，消解男性霸权。近年来，则又出现了一种更为开放式的观点，即建立一种“双性文化”1，即：男性与女性没有优劣之分，而是各有优点，男女两性应当和平共处，并将男女两性的优点结合互补，从而共同促进社会的进步发展。正是女性主义文学这一文化大背景，给予了“女子武侠”兴起和发展的理论源泉与动力。
作为“国粹”的武侠文学，从其产生时起就一直为男性作家所垄断。直到大陆新武侠的出现，才涌现了
一大批创作成绩显著的女性作家，这一群体的出现最终形成了一个很热闹的文学现象----“女子武侠”。“女子武侠”名称的开始是和“大陆新武侠”同源而生的，它最初是在网络上出现，而后为众多学者关注，并在她们的推动下而被真正定名。所谓“女子武侠”即是指女性武侠作者创作的武侠作品。1983年前后，中国大陆开始勃兴西方女性主义文学批评，因而女性主义也不时的成为一种时尚，越来越多的女性开始创作充满女性主义色彩的作品。再加上世纪末的网络时代风气的熏陶，让一些女性从爱好武侠小说的读者转为武侠小说网络写手而后成长为武侠作家。这一现象很快被杂志《今古传奇·武侠版》所关注并重视，其从试刊号起，就设立了
1丁伊莎：《中国女性主义文学的兴起与发展》，载《中国文学研究》2003年第2期，63-66页。
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