考研英语阅读历年真题练习
含颜色的成语2017考研英语阅读历年真题练习
考研英语真题一定要好好研究，对于阅读这个重头戏，要拿高分，真题更是要研究透了，下面是店铺为大家整理的英语阅读整体，其中规律在近5年里考得非常凶猛，希望大家多总结!
英语一真题Text 1
Of all the changes that have taken place in English-language newspapers during the past quarter-century, perhaps the most far-reaching has been the inexorable decline in the scope and riousness of their arts coverage.
It is difficult to the point of impossibility for the average reader under the age of forty to imagine a time when high-quality arts criticism could be found in most big-city newspapers. Yet a considerable number of the most significant collections of criticism published in the 20th century consisted in large part of newspaper reviews. To read such books today is to marvel at the fact that their learned contents were once deemed suitable for publication in g
eneral-circulation dailies.
We are even farther removed from the unfocud newspaper reviews published in England between the turn of the 20th century and the eve of World War II, at a time when newsprint was dirt-cheap and stylish arts criticism was considered an ornament to the publications in which it appeared. In tho far-off days, it was taken for granted that the critics of major papers would write in detail and at length about the events they covered. Theirs was a rious business, and even tho reviewers who wore their learning lightly, like George Bernard Shaw and Ernest Newman, could be trusted to know what they were about. The men believed in journalism as a calling, and were proud to be published in the daily press. “So few authors have brains enough or literary gift enough to keep their own end up in journalism,” Newman wrote, “that I am tempted to define ‘journalism’ as ‘a term of contempt applied by writers who are not read to writers who are.’”
Unfortunately, the critics are virtually forgotten. Neville Cardus, who wrote for the Manchester Guardian from 1917 until shortly before his death in 1975, is now known sole
ly as a writer of essays on the game of cricket. During his lifetime, though, he was also one of England’s foremost classical-music critics, a stylist so widely admired that his Autobiography (1947) became a best-ller. He was knighted in 1967, the first music critic to be so honored. Yet only one of his books is now in print, and his vast body of writings on music is unknown save to specialists.
Is there any chance that Cardus’s criticism will enjoy a revival? The prospect ems remote. Journalistic tastes had changed long before his death, and postmodern readers have little u for the richly upholstered Vicwardian pro in which he specialized. Moreover, the amateur tradition in music criticism has been in headlong retreat.
21. It is indicated in Paragraphs 1 and 2 that
竹子拼音怎么写[A] arts criticism has disappeared from big-city newspapers.
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[B] English-language newspapers ud to carry more arts reviews.
[C] high-quality newspapers retain a large body of readers.
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[D] young readers doubt the suitability of criticism on dailies.
22. Newspaper reviews in England before World War II were characterized by
[A] free themes. [B] casual style. [C] elaborate layout. [D] radical viewpoints.
23. Which of the following would Shaw and Newman most probably agree on?
扫毒片尾曲[A] It is writers' duty to fulfill journalistic goals
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[B] It is contemptible for writers to be journalists.
[C] Writers are likely to be tempted into journalism.
[D] Not all writers are capable of journalistic writing.
24. What can be learned about Cardus according to the last two paragraphs?
[A] His music criticism may not appeal to readers today.
[B] His reputation as a music critic has long been in dispute.
[C] His style caters largely to modern specialists.
规划修编[D] His writings fail to follow the amateur tradition.
壮阳功法25. What would be the best title for the text?
[A] Newspapers of the Good Old Days [B] The Lost Horizon in Newspapers
[C] Mournful Decline of Journalism [D] Prominent Critics in Memory
英语一真题Text 4
Bankers have been blaming themlves for their troubles in public. Behind the scenes, they have been taking aim at someone el: the accounting standard-tters. Their rules, moan the banks, have forced them to report enormous loss, and it's just not fair. The rules say they must value some asts at the price a third party would pay, not the price managers and regulators would like them to fetch.
