Lesson 21 William S. Hart and the early 'Western' film 威廉.S. 哈特和早期的‘西部’影片
William S. hart was, perhaps, the greatest of all Western stars, 状语unlike Gary Cooper and John Wayne ,he appeared in nothing but Westerns. From 1914 to 1924 he was supreme and unchallenged.强调句 It was Hart who created the basic formula of the Western film, and devid the protagonist 定语要字草书he played in every film 定语股权证书>太阳升起时间he made, the good-had man, the accidental-noble outlaw, or the honest-but-framed cowboy, or the sheriff 定语made suspect by vicious gossip; in short, the individual 定语in conflict with himlf and his frontier environment.
状语Unlike most of his contemporaries in Hollywood, Hart actually knew something of the old West. He had lived in it 状语as a child when it was already disappearing, and his hero was firmly rooted 状语in his memories and experiences, and in both the history and the mythology of the vanished frontier. And although 主语no period or place in American history has been more absurdly romanticized, myth and reality did join hands in at least one arena, 同位语the conflict between the individual and encroaching civilization.
一年四季在于春
Men 定语accustomed to struggling for survival against the elements and Indians were bewildered by politicians, bankers and businessmen, and unhord by fences, laws and alien taboos. Hart's good-bad man was always an outsider, always one of the disinherited, and if he found it necessary 宾语to shoot a sheriff or rob a bank along the way, his early audiences found it easy to understand and forgive, especially when 强调句it was Hart who, in the end, overcame the attacking Indians.
Audiences 定语in the cond decade of the twentieth century found it pleasant to escape to a time 定语when life, though hard, was relatively simple. We still do; living in a world 定语in which undeclared aggression, war, hypocrisy, chicanery, anarchy and impending immolation are part of our daily lives, we all want a code to live by定语.
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