我们俩的故事梵高向鸢尾花英文作文
This is a very beautiful work. Van Gogh ems to like to paint this kind of plant as much as he likes sunflowers. The brilliant blue and purple iris in the picture is very prominent， and its flower shape is just like a group of dancing butterflies；
The author skillfully made a low-key treatment of its lush pink green leaves and t off the vivid and spiritual iris with the flowers and plants in the distance；
In addition， the red earth on the ground breaks the tone of the cold color of the picture， making the color contrast strong and harmonious， full of rhythm， and the tone is extremely bright， which just reflects his "brighter， brighter！" The whole picture is full of vitality and fresh breath.
各种各样的汽车
Iris is a very ordinary plant， but Van Gogh endows it with wonderful images and colors and eternal vitality. This is the prai of the painter who spent his life in pain and helplessness to nature and his yearning for a better life.
The iris flowers he painted are so lovely that some people even think they are more beautiful and real than real flowers.
The active area of iris is placed in a large area gradually inclined from the top right to the bottom. Flowers do not have a regular growth direction， and each flower has its own posture - but it is a posture similar to struggle， and it ems to want to break away from some invisible bondage.
我爱上你了The flowers moving in all directions occupy most of the picture against the backdrop of the not bright green flowers and leaves.
无法复制The most striking thing in iris is the large white iris on the left side of the picture. Instead of being surrounded by the stars and the moon， he cho to be like an outsider， alone and quietly.猪肉炖粉条的做法
It is a long distance from the blue and purple iris flower that is important in the blooming picture and the marigold that is t off behind it - loneliness and a little deliberate clusio
n. This is an obvious Gauguin style of composition， which is particularly eye-catching.
Some critics wrote： "such brilliant white flowers， t off by other colors， appear particularly vivid and playful， and add a trace of vitality to the whole painting."
In iris flower， the flowers on the screen em strange. However， when you taste them carefully， the strong smell wafts through your no. It ems that the faint， intermittent and legendary "smell" is engraved on your painting plate and your heart， and then dances lightly. Just like people's hearts， silent expectations and shallow memories of blue and purple. It is also very much like the youth that people will bloom， flying and burning in the fiery years， although it will be exhausted.
But the beauty， the light and the vitality are like volcanoes in the freshness of your eyes. It is showing off and joy， catharsis and willfulness， that kind of memory， that unforgettable. Perhaps people in the replay of history， in the chain of biological evolution， em to have forgotten the lonely corner， gloomy attic and deep world in the past.
But only with the eyes of admiration， I can feel Van Gogh and his loneliness， loneliness and death.
Only by the fixed frame of this paper painting， we have abandoned Van Gogh's blue and purple melancholy and greyish brown sadness， and also abandoned people's soul and guilt for their heartache， again and again， day after day， forever and ever.
大鲨鱼简笔画Among Van Gogh's flower works， which either have a rising brush technique or a simple layout， the iris， which is not the most famous but has a rather outstanding overall picture n， has a claustrophobic composition， thick colors， flexible and full strokes， and a delicate and nsitive painting perspective.
The rich blue and purple petals， the large green pointed long leaves， the scattered yellow stamens， the marigold that grows luxuriantly with them， and the brick red soil under the flowers are all different and integrated.
When watching Van Gogh's works， careful people will notice that the composition metho
3岁孩子
d of "forward contraction" is to highlight the main painted object but control it in a certain area， and then make a big contribution on the background， so that the picture looks more longitudinal and spatial.
Moreover， the St. Remy period was the most absolute period of Van Gogh's requirements for coloring. The so-called "absolute" means absolutely bright and bright. If you want to express red， it is definitely the red with the strongest color n. If you want to express green， it is the most verdant and rich green.
