2023届高考英语总复习每日拔高练 第5练
【阅读理解】
At least since the appearance of Napster(一个文件共享平台), in 1999, the Internet's potential effect on music listeners has often been portrayed as dramatic. Music bloggers, the iPod's massive storage capabilities, and most recently, the virtually unlimited browsing potential afforded by streaming — put together, they would surely pave the way for a generation to whom eclecticism老式收音机>天宫庄园(折衷主义) was normal. Human curiosity could finally win, and the super-listener would ri.
Little in the modern music landscape suggests that this has come to pass. Quite the contrary, which is an important assumption of the New York Times music critic Ben Ratliff's Every Song Ever: 20 Ways to Listen in an Age of Musical Plenty. In the past decade or so, traditional radio stations have cut down the number of songs they played and incread the frequency of repetition, becau listeners are less likely to switch away from tunes they recognize. Successful online playlist makers such as Pandora continually fine-tune algorith
ms(算法) to figure out what individual urs want to hear bad on what they've liked before. And music journalists working online have come to understand that defending little-known artists commands far less traffic—and therefore less job curity—than does promotion of the latest Taylor Swift video or Beatles anniversary.
Ratliff wily diagnos the psychology underlying this state of affairs. "In many cas, having rapidly acquired a new kind of listening brain—a brain with unlimited access—we dig very deeply and very narrowly, creating bottomless comfort zones in what we have decided we like and trust," he writes. "Or we shut down, threatened by the endless choice. The riches remain dumb unless we have an engaged relationship with them."
An "engaged relationship"—what's that? Well, you know: Active listening. Open listening. The kind of listening that happened more often when switching from an unfamiliar song back to an old favorite wasn't so frictionless—when the unfamiliar song had cost you $16.99 and a trip to Tower Records to acquire, and the old CD was gathering dust somewhere under your bed. Ratliff has 20 suggestions, mostly good ones, for how to ach
ieve this level of engagement in a world overflowing with new and strange, and instantaneously available, sounds. He reminds us, as he proceeds, of how urgently we need adventurous critics like him at a time when the idea of musical discovery has been appropriated by tech companies and sidelines in the cha for clicks.
1.卡通头像可爱What effect is the Internet suppod to have on listeners?
A. They would have a better taste for music.
B. They would prefer more powerful players.
音乐启蒙C. They would be willing to try different types of music.
D. They would be more curious about the quality of music.
2.According to Ben Ratliff, which statement best describes the modern music landscape?
A. Online playlist makers don't take individual urs' preference into account.
三伏贴配方B. People don't have as much chance to listen to unfamiliar music as expected.
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C. Music journalists are ready to help tho unknown artists promote their music
D. Algorithms are upgraded frequently to satisfy music lovers' needs for new music.
3.The word "frictionless" (in the last paragraph) is clost in meaning to "________".
A. sudden B. expensive C. obvious D. easy
4.It can be inferred from the passage that music critics should take the responsibility of ________.
A. reducing the impact of technology on us
B. engaging us in more cha for clicks
C. helping us find our comfort zones
D. brining old classics back to life
I remember that it was a fall morning when the orchestra(管弦乐队) teachers came into M
iss Newell's third-grade classroom. "You have hands for the viola(中提琴)," Miss Ciano told me. I was excited becau my hands were finally good for something. I told my parents I wanted to play, and naturally, they agreed.
笔记本价格Since I first touched the viola, I haven't been able to put it down. Ignoring the difficulty, I am pulled clor to it each day.
Classical music is truly my best friend. It is the trusted friend of every man, woman and child. Various feelings are expresd in classical music. I discovered that when I was eleven and played a cello concerto(大提琴协奏曲) of Bach in a competition, the first movement was joyful, but the cond movement was mysterious and full of pain. From the piece, I learned that music express not only feelings, but also sudden mood changes. By listening to classical music, I know that someone el shares the feelings. Since I am lucky enough to be able to play classical music, I am comforted by it when I am upt. It gives me a way to escape from my problems for a short period. Classical music can express my joy, sadness and anger.
Now look back at that fall day in the third grade and think how gullible I was for believing that anyone, even music teachers, could tell whether hands were perfect for a certain instrument. I'm certain they told me I had "viola hands" not becau they were fortune-tellers(算命师), but becau there was a lack of violists in our district. Classical music is one of the best things that ever happened to mankind. If you get introduced to it in the right way, it will become your friend for life.
防水材料品牌5.What's the author's purpo in writing the first and cond paragraphs?
A. To introduce an interesting musical class.
B. To offer the evidence of her gift for music.
C. To show the importance of proper guide.
D. To tell the power of support from parents.
6.According to the passage, in what way does classical music help the author?
