HUMA 6001G ( Fall 2012
晚清文學與視像現代性
Late Qing Literary and Visual Modernities
（Mon 19:00-21:50pm, Room 3301）
Instructor: CHEN Jianhua
Office hrs: Mon 1:30-3:00PM
appointment
by
Or
Room 3335; Tel: 2358 8909
阴道炎的原因
E-mail: hmjjchen
Cour Objective
This cour will help the students explore in depth the formation of modern Chine literary culture and engage them with an interdisciplinary area newly developed by international scholars of Chine studies and other humanities disciplines.
The students will be familiar with general issues of word and image in Chine literary history and provided with Western theories of visual modernity. Through ca studies the students will grasp new ways of eing and interpreting literary and visual works in the age of mechanical reproduction.
重本抑末Expected Learning Outcomes
By the end of the cour, students will: 1) have a broad view of visual culture in global perspective; 2) deal with late Qing literary and visual issues in interdisciplinary approach; 3) know how to practice a clo reading of literary or visual texts; 4) know how to write a term paper bad on good rearch.
Evaluation Method
Attendance, discussion, and prentation: 30%; term paper: 70%
Class Schedule
Week 1 (10/9) Introduction: Stories of Eye’s
Texts: John Berger, Ways of Seeing. (中譯: 約翰․伯格著，戴行鉞譯：《觀看
之道》)；蒲松齡:〈瞳人語〉、〈畫壁〉; Roland Barthes, “The Face of Garbo”
Ca Study：張愛玲〈《傳奇》封面〉；《對照記》
參考：李歐梵：〈不了情〉；陳建華：〈質疑理性，反諷自我：張愛玲《傳奇》
與奇幻小說現代性〉
Week 2 (17/9) Debates on Visual Modernities
Texts: Chris Jenks, “The Centrality of the Eye in Western Culture”; Martin Jay,
“Scopic Regimes of Modernity”; Michel Foucault, “Panopticism” (有中譯:〈全景敞視主義〉), “The Eye of Power”; Norman Bryson, “The Gaze and the Glance”
Ca Study:李漁：《夏宜樓》
參考：陳建華:〈凝視與窺視──李漁《夏宜樓》與明清視覺文化〉; James Cahill, “Chang Hung and the Limits of Reprentation” (有中譯)；莫小也:〈利瑪竇與基督教藝術的入華〉
big怎么读
五瓣花Week 3 (24/9) How to Read Images
Texts: Roland Barthes, “Rhetoric of the Image”, “The Photographic Message”; James Monaco, “The Language of Film: Signs and Syntax”; Guy Debord, “Separation Perfected”, “The Commodity as Spectacle”（有中譯〈景觀社會〉）
Ca Study: Michel Foucault, “Las Meninas” (有中譯「宮中侍女」)
參考: 宇文所安：〈「一見」：讀《漢書‧李夫人傳》〉
Week 4 (1/10), Holiday
Week 5 (8/10) Illustrations in Popular Literature in Late Ming
Texts: Craig Clunas, “Practice of Vision”, “Fears of the Image”; Lynn Hunt, “Pornography and the French Revolution”; Hegel, Robert E. Reading Illustrated Fiction in Late Imperial China; Susan Sontag, “The Pornographic Imagination”
Ca Study:《西廂記》、《金瓶梅》插圖
參考: 周心慧編：《新編中國版畫史圖錄》；馬孟晶:〈耳目之玩──從《西廂記》版畫插圖論晚明出版文化對視覺性之關注〉; Yao Dajuin, “The Pleasure of Reading Drama: Illustrations to the Hongzhi Edition of the Story of Western Wing＂
Week 6 (15/10) Under the Imperial Eye
Texts: Samuel Y. Edgerton, Jr., “Geometry and Jesuits in the Far East”; Homi K. Bhabha, “The Other Question: The Stereotype and Colonial Discour” (附中譯); Timothy Mitchell, “Orientalism and the Exhibitionary Order”;
Ca Study: John Thomson, China the Land and Its People
參考: 王正華：〈傳統中國繪畫與政治權力──一個研究角度的思考〉
Week 7 (22/10) Photography: The Empire Reborn through the Lens Texts: Walter Benjamin, “Little History of Photography” (有中譯); Rosaline R. Krauss, “The Optical Unconscious” (有中譯〈視覺潛意識〉) ; Susan Sontag, “In Plato’s Cave”; Jonathan Hay, “Notes on Chine Photography and Advertising in Late Nineteenth-Century Shanghai”；Roberta Wue: Esntially Chine: The Chine
Portrait Subject in Nineteenth-Century Photography”
Ca Study:魯迅：〈論照相之類〉杀死一只知更鸟读后感
參考：張歷君、許綺玲、張慧瑜等文章;
Week 8 (29/10) Lithographic Pictorial Enlightenment
Texts: Walter Benjamin, “The Work of Art in the Age of Mechanical Reproduction” (有中譯); Susan Buck Morss, “Dream World of Mass Culture: Walter Benjamin’s Theory of Modernity and the Dialectics of Seeing”; 魯道夫․瓦格納:〈進入全球想像圖景：上海的《點石齋畫報》〉
Ca Study:《飛影閣畫報》、《圖畫日報》
參考: 陳平原、夏曉虹：《點石齋畫報――圖像晚清》; 全國圖書館縮微複製中心編:《清末民初報刊圖畫集成》、《清末民初報刊圖畫集成續編》、《清代報刊圖畫集成》
Week 9 (5/11) The Gaze, the Nude, and Female Body
成都教育安全平台
Texts: Jacques Lacan, “The Split between the Eye and the Gaze”, (有中譯); Laura Mulvey, “Visual Culture and Narrative Cinema”; E. Ann Kaplan, “Is the Gaze Male?”
Ca Study: 慈禧太后照相
參考: 劉北汜、徐啟憲編：《故宮珍藏人物照片薈萃》; 陳申等編：《中國攝影史，1940-1983》
Week 10 (12/11) The Spaces of Femininity
Texts: Grilda Pollock, “Modernity and the Spaces of Femininity” (附中譯); Marshall McLuhan, “Woman in a Mirror”; Linda Nochlin, “Women, Art, and Power”; Carrie Waara, “The Bare Truth: Nudes, Sex, and the Modernization Project in Shanghai Pictorials”
Ca Study：包天笑：〈愛神之模型〉;
參考: 張恨水：《藝術之宮》; 吳方正：〈裸的理由――二十世紀初期中國人體寫生問題的討論〉
Week 11 (19/11) “Butterfly” Literature and Early Chine Cinema Texts: Mariam Bratu Hann, “Fallen Women, Rising Stars, New Horizons”（有中譯）；
Ca Study: 周瘦鵑:〈畫裡真真〉、〈對鄰的小樓〉
參考:李歐梵:〈現代中國電影初探〉、范伯群：〈「電戲」的最初輸入與中國早期影壇〉；陳建華:〈文人從影──周瘦鵑與中國早期電影〉
Week 12 (26/11) Students Report
Week 13 (3/12) Students Report
References on Rerve
Berger, John. Ways of Seeing. New York: Penguin Books, 1977.
Evans, Jessica and Stuart Hall, eds. Visual Culture: The Reader. London: Sage and Open University, 1999.
公司基本管理制度
Levin, David Michael, ed. Modernity and the Hegemony of Vision. Berkeley: University of California Press, 1993.
Clunas, Craig. Pictures and Visuality in Early Modern China. Princeton: Princeton University Press, 1997.
土豆培根披萨Hegel, Robert E. Reading Illustrated Fiction in Late Imperial China. Stanford: Stanford University Press, 1998.
Chow, Rey. Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chine Cinema. New York: Columbia University Press, 1995.
Ye Xiaoqing. The Dianshizhai Pictorial: Shanghai Urban Life, 1884-1898. Ann Arbor: The University of Michigan, 2003.
