美国⽂学选段分析题
美国⽂学选段分析题
Passage 1
I celebrate mylf, and sing mylf,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.
I loafe and invite my soul,
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I learn and loa, fe at my ea obrving a spear of summer grass. Questions:
1.The are the first two stanzas in the first ction of a long poem entitled
2.The name of the poet is___________ .
3.Who is the poet celebrating? Whom do lines 2 ~ 3 also include in the celebration?
4.What is the ver structure?
5.Take the fifth line as a hint, can you write out the name of the poet' s completed collections of poems? Passage 2
Becau I could not stop for Death—
He kindly stopped for me—内存插槽
The Carriage held but just Ourlves—Questions:
1.Who is the writer of the lines?
樱花歌曲日语2.In which category would you place this poem?
A. narrative
B. dramatic
C. lyric
3.Emily Dickinson is noted for her u of_____________ to
achieve special effects.
A. perfect rhyme
B. exact rhyme
C. slant rhyme
Passage 3
It is impossible to conceive of a human creature more wholly desolate and forlorn than Eliza, when she turned her footsteps from Uncle Tom' s cabin.
Questions:
1.This is taken from a famous novel. What is the name of
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the novel?
2.What is the name of the writer?
3.Who is Uncle Tom?
Passage 4
Tom Sawyer stepped forward with conceited confidence and soared into the unquenchable and indestructible "Give me
liberty or give me death" speech, with fine fury and frantic gesticulation, and broke down in the middle of it. A ghastly stage fright ized him, his legs quaked under him, and he was like to choke. True, he had the manifest sympathy of the hou----------- but he had the hou' s silence, too, which was even wor than its sympathy. The master frowned, and this completed the disaster. Tom struggled awhile and then retired, defeated.
Questions:
1.Which novel is this passage taken from?
2.Who is the author?
Passage 5
I took the sack of corn meal and took it to where the canoe was hid, and shoved t, he vines and bran
ches apart and put it in; then I done the same with the side of bacon; then the whisky-jug. I took all the coffee and suga, r there was, and all the ammunition; I took the wadding; I took the bucket and gourd; took a dipper and a tin cup, and my old saw and two blankets, and the skillet and the coffee-pot. I took fish-lines and matches and other things—everything that was worth a cent. I cleaned out the place. I
wanted an ax, but there wasn' t any, only the one out at the woodpile, and 1 knew why I was going to leave that. I fetched out the gun, and now I was done.
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Questions:
1.Which novel is this passage taken from?
2.Analy the language style of this passage.
Passage 6
On his bench in Madison Square, Soapy moved uneasily. When wild gee honk high of nights, and when women without alskin coats grow kind to their husbands, and when Soapy moves uneasily on his bench in the park, you may know that winter is near at hand.
Questions:
1.This passage is taken from a short story
entitled____________ .
2.The author's name is William Sidney Porter. What is his pen name?
Passage 7
Isabel always felt an impul to pull out the pins; not that she imagined they inflicted any damage on the tough old parchment, but becau it emed to her her aunt might make better u of her sharpness. She was very critical herlf-it was incidental to her x, and her nationality but she was very ntimental as well, and there was something in Mrs. Touchett' s dryness that t her own moral fountains flowing.
"Now what' s your point of view?" she asked of her aunt. "When you criticize everything here you should have a point of view. Yours doesn' t em to be American you thought everything over there so disagreeable. When I have mine; it' s thoroughly American!"
历史上最长的朝代
"My dear young lady", said Mrs. Touchett, "there are as many points of view in the world as there are people of n to take them. You may say that doesn't make them very numerous. American? Never in the world; that' s shockingly narrow. My point of view, thank God, is personal!" Isabel thought this a better answer than she admitted; it was a tolerable description of her own manner of judging, but it would not have sounded well for her to say so.
Questions:
1.This passage is taken from a well-known novel. What is the name of the novel?
2.Who is the author of this novel?
3.Make a brief comment on the heroine Isabel Archer.
4.What is Jamesian theme?
Passage 8
He went back to the text and lost himlf. He did not notice that a young woman had entered the room. The first he knew was when he heard Arthur' s voice saying:
"Ruth, this is Mr. Eden."
The book was clod on his forefinger, and before he turned he was thrilling to the first new impression, which was not of the girl, but of her brother' s words. Under that muscled body of his he was a mass of quivering nsibilities. At the slightest impact of the outside world upon his consciousness, his thoughts, sympa-thies, and emotions leapt and played like lambent flame. He was extraordinarily receptive and responsive, while his imagination, pitched high, was ever at work establishing relations of likeness
and difference. "Mr. Eden," was what he had thrilled to—he who had been called "Eden" or "Martin Eden" or just "Martin" all his life. And "Mister!" It was certainly going some, was his internal comment. His mind emed to turn, on the instant, into a vast camera obscure.
Questions:
1.What is the name of the novel from which this passage is taken?
2.Whom does the first word "He" refer to?
3.Who is the author of this novel?
Passage 9
When a girl leaves her home at eighteen, she does one of two things. Either she falls into saving hands and becomes better, or she rapidly assumes the cosmopolitan standard of virtue and becomes wor. Of an intermediate balance, under the circumstances, there is no possibility. The city has its cunning wiles, no less than the infinitely smaller and more human tempter. There are large forces which allure with all the soulfulness of expression possible in the most cultured human. The gleam of a
thousand lights is often as effective as the persuasive light in a
wooing and fascinating eye. Half the undoing of the
unsophisticated and natural mind is accomplished by forces wholly superhuman. A blare of sound, a roar of life, a vast array of human hives, appeal to the astonished ns in equivocal terms. Without
a counllor at hand to whisper cautious interpretations, what
falhoods may not the things breathe into the unguarded ear!
Unrecognid for what they are, their beauty, like music, too often relaxes, then weakens then perverts the simpler human perceptions.
浅谈Questions:
1.From which novel is this paragraph taken?
2.Who is the author of this novel?
3.How do you understand "the cosmopolitan standard of
virtue"?
4.Is there any naturalist tendency in this passage?
Passage 10
At length as the craft was cast to one side, and ran ranging along with the White Whale’s flank, he emed strangely oblivious of its advance—as the whale sometimes will---and Ahab was fairly
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within the smoky mountain mist, which, thrown off from the whale’s spout, curled round his great Mo
nadnock hump; he was even thus clo to him; when, with body arched back, and both arms lengthwi high-lifted to the poi, he darted his fierce iron, and his far fiercer cur into the hated whale.
Question:
1.From which novel is this paragraph taken?
2.What is the name of the novelist?
3.What is the theme of the novel?
