爱丽丝·沃克小说创作中的“非洲中心主义”
摘要
“非洲中心主义”思想代表着一种“非洲意识”的苏醒，尝试站在非洲人的位置并使用他们的视角看待和解决问题，它的出现是对原有“欧洲中心主义”思想的绝对统治地位的一次有力冲击。非裔女性作家爱丽丝·沃克致力于描写非裔群体生活的悲欢离合。其创作与“非洲中心主义”有深刻的联系：“非洲中心主义”是爱丽丝表达政治理念的重要概念，而她的创作也进一步丰富了美国非裔“非洲中心主义”理论话语体系。学术界对于爱丽丝·沃克的讨论多集中在女性主义角度，但在对沃克作品的梳理过程中，我们可以清晰地看见“非洲中心主义”理论的痕迹。本文在对爱丽丝·沃克与“非洲中心主义”相遇与接受进行考察的基础上，阐述其作品对“非洲中心主义”的文学表达。
论文包含绪论、正文与结语三个部分。绪论介绍爱丽丝·沃克的文学创作情况、国内外研究现状以及研究思路。其次，正文共分为四个章节，第一章关注“非洲中心主义”理论的诞生及特征，梳理其在非洲形成的详细过程以及后期在美国的发展情况，并结合沃克的访谈和文章探究沃克思考下的“非洲中心主义”的内涵。沃克借“妇女主义”思想呼吁：以黑人在非洲大陆的根为骄傲，不能忘记民族的历史。她建议艺术家们将优秀的非洲传统文化遗产同各式的艺术结合并将其传承下去，并肯定了具有生命力和惊人创造力的“黑人美”。第二章分析沃克的“民俗性”与“黑人美”题材实践，分别阐述了民间口述故事、黑人医药与手
工艺术的特色民俗价值，点明了黑人女性“生活艺术家”与“民权抗争者”的身份，也歌颂了老一辈黑人善良勤劳的本性。第三章着重于讲述如何用“非洲中心主义”思想这一良方，救治遭受白人信仰精神毒害的非裔群体。沃克用源于非洲传统的“泛灵论”改革了基督教思想，并重铸经典以此帮助非裔群体重拾信心。她通过实践将上帝形象归于自然与母亲，还关注了独具黑人文化特色的伏都教法术。最后一章从蓝调这一黑人叙事形式角度出发，阐述沃克作品中的布鲁斯特征。沃克
安排重复的情节与人物，尝试使用相同的诗句反映人物遭遇的相似。除此之外，沃克通过叙事者们的和声变调以及人物之间的快速对话使作品像布鲁斯音乐一样，拥有呼与答的特征。结语部分对沃克的文学实践的价值和局限进行评价。
订单英文关键词：爱丽丝·沃克；非洲中心主义；非洲民俗；黑人宗教；蓝调叙事
THE TENDENCY OF AFROCENTRISM IN THE CREATION IN ALICE WALKER'S NOVELS
ABSTRACT
"Afocentrism"reprents the awakening of an"African consciousness",trying to stand in the position of Africans and u their perspective to e and solve problems,its appearance is a powerful impact on the absolute dominance of the original"Eurocentrism"thought.Alice Walker,an African American w
初中一年级英语单词
oman writer, focus on the vicissitudes of African American Life.Her creation is deeply connected with"Afocentrism":"Afocentrism"is an important concept for Alice to express her political ideas,and her writing has further enriched the african-american "Afocentrism"theory discour system.The academic discussion of the Alice Walker focus on the feminist perspective,but in the process of combing Walker's works,we can clearly e the traces of the theory of"Afocentrism".Bad on the study of the meeting and acceptance of Alice Walker and"Afocentrism",this paper expounds the literary expression of"Afocentrism"in her works.
The thesis consists of three parts:Introduction,text and conclusion.The introduction gives a brief introduction to Alice Walker's literary creation and the current rearch situation at home and abroad.Secondly,the text is divided into four chapters.The first chapter focus on the birth and characteristics of the theory of "Afocentrism",combing the detailed process of its formation in Africa and its later development in the United States Bad on Walker's interviews and articles,this paper explores the connotation of"Afocentrism"under Walker's consideration.Through her"womanism",Walker took pride in the black roots on the African continent and emphasized that the nation's history should not be forgotten. At the same time,Walker suggested that artists combine and pass on the outstanding African traditional cultural heritage with various kinds of art,and affirmed the"black beauty"with vitality and amazing creativity.The cond chapter analyzes Walker's
"folklore"and"black beauty"theme practice,respectively elaborated the folk oral story,Black Medicine and handicraft characteristic folk values It points out the identity of black women as"life artists"and"civil rights protesters",and also prais the kindness and hard-working nature of the older generation.The third chapter focus on how to u the"Afocentrism"thought as a remedy for the spiritual poisoning of White People's belief in the african-american community. Using animism derived from African traditions,Walker refuted the legitimacy of Christianity and the church,and helped the afro-american community regain confidence by recasting the scriptures.She attributed the image of God to nature and mother through practice,but also focud on the unique black culture of V oodoo magic.The last chapter discuss the Blues in Walker's works from the perspective of the Blues as a black narrative form.Walker makes specific repetitions of the plot and the characters and tries to u poetic repetition to reflect the similarity of the characters'experiences.In addition,Walker us the harmonic inflections of the narrators and the rapid conversations between the characters to make the work,like Bruce's music,have the characteristics of and answer.The conclusion evaluates the value and limitation of Walker's literary practice.
KEY WORDS：Alice Walker；Afocentrism；African Folklore；African-american religion；Blues Narrative
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目录
摘要.........................................................................................................................III 目录.......................................................................................................................V 绪论 (1)
ted博客（一）爱丽丝.沃克文学创作概论 (1)
（二）国内外研究现状 (3)
阅读短文回答问题（三）研究思路与论文框架 (6)
一、爱丽丝.沃克与“非洲中心主义” (8)
（一）“非洲中心主义”概念及其发展 (8)
（二）爱丽丝.沃克的“非洲中心主义” (15)
二、“非洲性”——“非洲中心主义”思想实践 (21)
（一）重拾“民俗性”文化财富 (21)
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（二）唤醒“黑人美”群体意识 (26)
三、泛灵论——“非洲中心主义”宗教实践 (31)
（一）批判基督教信仰 (31)
（二）泛灵论下的新宗教观念 (36)
四、布鲁斯式——“非洲中心主义”叙事实践 (40)
（一）“重复”的结构 (41)
我的梦中国梦演讲稿（二）呼——答的模式 (47)
结语 (51)
英语手抄报图片简单又漂亮参考文献 (54)wpp
致谢 (58)
浙江师范大学学位论文独创性声明 (59)
学位论文使用授权声明 (59)
