Moby-Dick, Herman Melville's sixth book, was published in 1851. It was a work in which, as the novelist Walker Percy has written, Melville first fully felt "the happiness of the artist discovering, breaking through into the freedom of his art." Moby-Dick began as yet another young-man-goes-to-a story, but it grew into an encyclopedic work in which the first-person voice of the narrator, Ishmael, fractures into multiple voices. The highly digressive narrative about the whaleship Pequod incorporates meticulous descriptions of the whaling business (from its wage structure to its inventory of weapons and tools), bawdy sailor songs, lyric celebrations of afaring life, as well as flights of speculation about human destiny. This wonderfully multifarious book, however, is eventually taken over by the "monomaniac" Captain Ahab, who turns the Pequod into an instrument for achieving his singular and focud purpo: to hunt and kill the great white whale that, on a previous voyage, had dashed his boat to splinters and ripped him half to death.ldm是什么意思
英文书写体Although a few critics recognized the imaginative power of Moby-Dick, most recoiled from what one reviewer called its strange "horrors and … heroics." Melville's reputation continued to decline until the 1920s, when Moby-Dick was rediscovered as a protomodernist work. Readers in the 1930s and 1940s, shocked by the ri of totalitarian dictators in their own time, felt an eerie prescience in Melville's story of how a demagogue fus his personal need for vengeance with the popular will. More recently, scholtubecup
ars have noticed that Moby-Dick is not only a book that touches with prophetic insight on timeless themes of human cruelty, but that it was also a careful political allegory tied to the ominous events of its own time—a meditation on the American ship of state heading for doom.
Today, Moby-Dick is probably the most discusd work in American literary history. It probes many themes that remain salient in our time—religious, philosophical, environmental, and xual, as when Melville celebrates the love between an American boy (Ishmael) and a tattooed cannibal (the harpooner Queequeg). The scholar Harry Levin remarked that "the investigation of Moby-Dick might almost be said to have taken the place of whaling among the industries" of the United States.status是什么意思
Moby-Dick: It is a mixture of fantasy and realism bad upon the South Pacific whaling industry and a spiritual exploration into man’s deep reality and psychology. Different people on board the ship are reprentations of different ideas and different social and ethnic groups; facts become symbols and incidents acquire universal meanings; the Pequod is the microcosm of human society and the voyage becomes a arch for truth. The white whale, Moby Dick, symbolizes nature for Melville and the evil for Ahab. Ishmael (character and narrator); Ahab (captain of the Pequod, a monomaniac, who single purpo is to capture the fierce, cunning white whale英语四级准考证号忘了怎么办
); other characters--Starbuck, Stubb, Flask, Fedallah, Tashtego, Daggoo, Pip.
Although “Moby Dick” isn’t an adaptation of the Herman Melville classic, but a Korean conspiracy thriller, the film does share a few themes with the whale chasing novel, primarily the all consuming pursuit of an obssion, in this ca the hunting down of a mysterious all-powerful group who em to be manipulating the country and government. Marking the debut of director Park In Je, the film follows the time honoured genre narrative by having as its protagonists a trio of investigative journalists, headed by popular star Hwang Jung Min (“Private Eye”), Kim Min Hee (“The Actress”), and Kim Sang Ho (“Moss”).baby daddy
The film is t back in 1984, and kicks off with a huge explosion that destroys the Balam Bridge just outside of Seoul. Although the official explanation suggests North Koreans or terrorists, reporter Bang Woo (Hwang Jung Min) has a hunch that there is something more to the story, a suspicion confirmed when his old friend and informant Yoon Hyuk (Jin Goo, “Mother”) turns up with some obscure documents that he claims are proof of a conspiracy. Teaming with colleagues Hyo Kwan (Kim Min Hee) and Jin Ki (Kim Sang Ho), Bang Woo ts about trying to find the truth behind the explosion, and soon realis that it’s just the tip of the iceberg and that solving the enigma may cost him more than just his career.
topdogOpening with a quote from the Melville novel and featuring veral quences of Bang Woo imaginin
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g himlf in the depths of the ocean with a gargantuan whale, “Moby Dick” very appropriately focus on the idea of power as a huge, murky beast that lurks in the shadows, controlling everything from behind the scenes. This fits very well with the plot, which was apparently bad upon a real life story, and the tting, the film taking place during a crucial time in modern Korean history, not long after the country had become fully democratic. Director Park does a great and subtle job of using this to ground the film, and successfully brings the period to evocative life, with an authentic depiction of the newly unshackled media.
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This adds a definite depth to the proceedings, and although the conspiracy itlf is fanciful, it’s believable in the context of the film, and is well handled in terms of the timing of revelations, with an intelligent script that never spoon feeds the viewer easy answers. The film definitely benefits from Park’s controlled handling, being complex and thoughtfully structured, without any sudden unmaskings or twists, building towards a conclusion which is not only rewarding, but more importantly nsible and in-keeping with its themes.first blood什么意思
At the same time, the film is pretty action packed for a conspiracy mystery, and doesn’t get dragged down by long stretches of dialogue or exposition. Park keeps the tension high throughout, with lots of car chas and sinister scenes of the shady villains trying to a
rrange fake accidents. Thankfully, although the film does have the feel of a Hollywood style blockbuster in places, it generally avoids gratuitous or explosive t pieces, and the action quences are all well judged and effective. A few light touches along the way also help to keep things moving at a good pace, as does the chemistry and banter between the leads, with Hwang Jung Min in particular turning in an impressive performance as the dogged Bang Woo. Also in its favour is the fact that the film eschews the kind of needless subplots that might have been expected, with no romance between Bang Woo and Hyo Kwan, and very little of the usual Korean last act melodrama. The film looks good too, with a professional feel and some slick direction from Park, giving a gritty feel though still working in some very cinematic visuals and showing a deft u of pale colours.
All of this combines to make “Moby Dick” a very accomplished and involving film, and proof that Korea is every bit as capable as Hollywood when it comes to conspiracy thrillers. Gripping and requiring a fair bit of concentration from the viewer, it’s a well written and well made film that should more than satisfy fans of the form.
