The design inspiration here derives from Chine tea culture and Chine classical life esthetics. In terms of cloth-ing structure, the designer has mainly adopted the traditional cross collar with a right l
apel and the cross collar with raglan sleeves. The fabrics ud are mainly natural raw materials which have long been upheld by ChuheTingxiang, including innovative and jacquard weaving of cotton, hemp, silk and wool. Patterns are taken from elements in tea vesls and the Dunhuang murals from the Tang Dynasty, mainly featuring
water, flames and lotus flowers.The launch show opened with a scene t to be a mag-
nificent royal tea party as would have been held in the Tang Dynasty. Replicas of royal golden and sil
英语作文万能开头ver tea ts unearthed in the underground palace at Famen Temple were ud in the show. The show also featured two tea tables at each side of the platform, with one for making tea and the other for tea tast-ing, vividly reproducing the scene of a royal tea party from the Tang Dynasty. The great magnificence of the Tang em-pire was perfectly balanced with the natural elegance of the refined scholars. The twelve Chine colors embodied during the show were inspired by Chine tea culture and elegant life esthetics: tea steam, jade ink, golden tea, morning fog, plum blue, etc. The colors are warm, fresh, simple and elegant.
Chu Yan’s Creation
occurred
reprents the idea of “con-
nection”, implying mutual
warmth between people and
making progress together.
四级阅读理解技巧This ason, designer Yang
Ziqi incorporated the cultural
element of “Chine knots”
into modern fashion designs
and added lacing and knot-
ting details to the garments,
should的用法which combined tradi-
tional beauty with modern
fashions. The colors of the
designs mainly included
black, white and gray, giv-
ing people a comfortable
visible experience.
Comunque Yang by Ziqi Yang
The inspiration behind the design theme
derives from the year 713 AD. This ason’s
designs feature traditional fabrics and colorings
and the Chine philosophy of inclusiveness.
The Tang-style clothes have new structures and伤害的英文
colors, with the suits showcasing the new Chi-
ne style, including Hanfu featuring modern
elements and new patterns, and a style of of
denim weaving with a Chine flavor. The fab-
rics mainly include leather, metal, silk, cotton
and linen; the colors also range from black and
white to deepest black in a testimony to the ups
and downs of ancient dynasties.
your laws
The designs can also be combined with
asonal clothes in consumers’ wardrobes, in
order to allow Chine style into the daily lives
of every person. The design transcend cen-
fly walkingturies, respecting the wisdom of more than a
thousand years. The clothes inherit tradition,
television怎么读while reshapes the Chine style with a forward
thinking outlook. Although the inspiration de-
rives from classic books, the garments act as
informal classics.
La brocart by Owen材料成型及控制工程考研
fine怎么读
ing also makes the fashions wearable in daily life.In terms of fabrics, in addition to various silk and metal silk brocades with retro patterns, the designers have also mixed in design woolen linens and wool fabrics to add a n of lively atmosphere. The texture is exquisite, but is not exaggerated, instead adding an air of aimless wandering to the design. The simple and neat cutting is perfectly tailored to the theme “a night-time stroll in gorgeous dress”.The collection gives the impression of being akin to nightwear for martial warriors, with the mask, hat decora-tion, waist girdle and wristband becoming unique visual symbols, arousing the audience’s imagination of the bravery and mysteriousness of the martial warriors and assassins. The details, including stacked collars, simple and powerful shoulder lines, swinging ropes at the waist and swinging hems emphasize the magnificence of the after dark theme.
The inspiration for the theme of this show come from an exploration of the charms of the new oriental world in a fantasy journey, tracing its origins, and expressing respect for tradition The designer Sheng Yarong us white, gray and nude pinks and blushes as the main colors, supplementing with splashes of orange. The soft colors bring together the structural cutting with modern esthetics, exhibiting the charm of this new oriental world. In terms of technique, traditional Chine clothing’s in laying and scalding technologies have been combined with three-dimensional cutting. Through the changes in stitch sizes and thread thickness, freehand brushwork has been applied to this ason’s design. In terms of fabric, wool and silk fabrics are skill-fully combined to create a n of space through vertical cutting, pinch pleating and machine pleating. The designer has also us oblique fabric cutting and waist pulling technology to create a soft and beautiful silhouette. The charm of New Oriental not only lies in the craftsmanship, but also in the tailoring, style and design. The designer believes that it is only by integrating culture into ev-
artistic retro copywriting, and mysterious wild animal patterns with contemporary elements, such as a wide shoulder pad pro-file, wide straight sleeves, and hanging necknclosing the body with ties. This design invokes an image of an elegant, beautiful murals, and has ud geometric picture comp
osition to break away from the normal ideas surrounding the Dunhuang de-signs. The designer has also interpreted the elements of Dun-huang through the fashion design, perfectly combining fashion and the classics. Zi color, Tianshui Bi, Xuan black” to interpret their fashions. The reprentative colors of Dunhuang, including ochre and clothing modeling. A.1 FASHION CHANGES LIFE by Yunxia Liang
