radiofrequency关于摄影的英语文章阅读
俯看世界原来这么美!
It’s the new frontier of photography that is taking pictures to a whole new level – literally, Dronestagram is a new social media app hailed as 'Instagram for drones' and, now with over
effortlessly 30,000 urs, the site held a photography competition earlier this month in association with the likes of National Geographic, Kodak, Go Pro, Adobe and some other sponsors, with a panel of
judges going through over 5,000 entries to pick a lection of winners.
如今正是摄影的局限将照片拍摄提升至一个全新的水准。Dronestagram是一个新的社交媒体应用软件。如字面意思所示，它被称作“无人机的Instagram”，现有超过3万名用户。这个网站在这个月月初举办了一项摄影大赛，由《国家地理》杂志、柯达、Go Pro相机品牌、Adobe等类似其他机构资助。专家评委将在5000多份作品中挑选出获奖者。
Founder of the app, Eric Dupin, said that despite the controversy that hangs over drones - specifically in terms of military operations and surveillance - there is no denying the incredible
new angle the technology has allowed photographers.
功夫熊猫2台词 这个应用软件的创始人埃里克·杜邦表示尽管无人机因被运用于军事演练和侦查而存在争议，无法质疑的是，这项科技给摄影师们提供了一个全新的角度，拍出震撼人的壮丽照片。
'Some people are scared about the flying machines becau they don't know them very well and they just repeat what they hear from other people or the media,’ Dupin told CNN.
杜邦在接受CNN记者的采访时称：“一些人因为对无人机知之甚少，便害怕这些飞翔的机器。他们只是在重复从其他人或媒体那听到的内容。”
'But most people I know and meet are fascinated by drones - particularly if they e a demo of what we can do in terms of photography.'
“但我所结交与遇见的大多数人都被无人机吸引，尤其是在看到我们展示的无人机拍摄照片时。“
Incredible: First prize in the 'nature' category went to this portrait calledSnorkeling with Sharks, taken on an island off Tahiti.
精妙绝伦：在“自然”类别上夺得桂冠的是这张称为“与鲨共潜”的照片。它摄于塔希提岛旁。
摄影与自然环境
公共英语培训班stop的用法 Nature photography appeals to our nostalgiafor a time when we were more in harmony with the planet.
The old adage"a picture is worth a thousand words" needs to be rethought. More importantly, a picture can have the power to move a thousand hearts and change a thousand minds. Often,
photographs bring to our eyes what we may have en many times before, but not no
ticed. They can shed new light on the everyday and the ordinary. They can redirectthe cour of our vision, so英译汉词典下载
that we e, think, imagine and even, perhaps, act differently.
No doubt, one of the most pressing campaigns of our times is that for sustainabilityand environmental awareness. In the ruthless cour of modernity, our approach to nature has been one of
extractionand u. We urgently need to alter how we relate to the world around us and to re-educate ourlves in terms of the larger planetary scheme, hung, as it is, on a delicate ecological
mym balance that is being dangerously disturbed by our many modern machinations in the name of science, technology, development and progress – and, dare I say it, capital.
Nature photography has become a potenttool in this struggle. Through it, we learn of the many others – the wondrousdiversity of flora and fauna – with whom we cohabiton this planet. It is
also, as the Guardian's nature photography project reveals, a medium taken up by professionals and amateurs alike. So, what role does photography play in defining our relationship with nature?
What do images of nature and wildlife tell us and why do we feel compelled to view them? Who among us has never been moved to snap a sunt on the horizon, a flowing river, a blossom in spring?
Our zealfor visually reprenting nature has a long and complex history. The adventof photography was celebrated as a milestone in the modernist quest to capture nature better. For early
photography was largely devoted to documentary purpos and, in the apparent fidelityof its reprentations, the camera in the 19th century exceeded the naturalist drives of painters who,
during the Renaissance and early modern period, tried to explore, and so tame, nature by rendering it into art.
离弦走板
Photography, however, is poid on a fine borderline between documentary and art. Never just one or the other, photographs can exceed the t frame. Moreover, the photographic frame can
reveal the unttling ability to extend and include us in its space. Photography is inclusive in its mediatoryrole. It extends covenants.
Often, nature photography calls on modern humanity's n of nostalgia for a harmony between man and the environment. As John Berger has rightly stated, the way we e is conditioned by our
history, and so it is that we may look at nature in terms of loss. As with the many images of the recent oil spilloff the coast of Florida, this can be founded in fact and so provoke a n of绿帘石
culpability, a sudden awareness or questioning of our precepts and actions. Photographs lead us to rethink, to realignthe frame of our understanding.
