族群记忆与历史叙事——《大越史记全书·外纪》神话传说
研究
摘要
随着“一带一路”战略实施，中越两国的关系得到新的巩固和发展，中国和越南在政治、经济以及文化上的交流合作达到空前的和谐发展时期，为此，国内需要加强对包括越南在内的东南亚国家文化的研究。近年来，在文化的交流上国内开始注重与越南的交流，关注越南汉文化圈的研究，国内对越南文学的研究日渐深入，但是对越南史传文学的关注不够。
昨日重现歌词本论文以《大越史记全书·外纪》卷为研究材料。史书中的神话传说故事、英雄事迹的编撰都彰显着编撰者的民族身份和政治立场。通过《大越史记全书·外纪》卷的研究，探寻越南“民族记忆”中越南文化对中国文化的认同，从史官吴士连在史书中的“历史叙事”来阐释吴士连的身份立场和政治身份。
本论文由绪论和五个正文部分以及结论组成：
绪论部分主要是论述本论文的选题背景和研究现状以及本论文的研究意义和研究方法。
第一部分主要是阐述《大越史记全书》的内容以及成书的历史背景。从作者的生平以及《大越史记全书·外纪》卷的编撰目的和成书的时代文化背景三个角度进行论述。
第二部分主要探讨《大越史记全书·外纪》卷中的神话与中越民族的族群记忆，本章节以史书中的神话故事为研究材料，从中越历史典籍中寻求中越民族的族群记忆，从“龙子仙孙”和“雄王”以及神龟传说三个故事进行论述。
第三部分主要是从史书中的神话传说追寻越南民族的历史叙事，
英文短诗这一部分主要通过对“百越始母”、“雄王传说”以及安阳王的故事去追溯越南民族的历史叙事，通过神话故事的荒诞性，展现越南民族的历史想象。
第四部分主要是探讨了史书中的历史群像与越南的国家图像。论文从地方割据、“起义”和地方循吏三个视角展现越南史家构建的国家图像。
第五部分论文通过《大越史记全书·外纪》卷中所体现的文化来阐释越南对中国儒家文化的认同和变异，从史书内容中去挖掘越南对中国文化的认同，并通过史书在编撰时史官的身份立场的角度探讨越南对中国文化的变异。
结语部分进行总结说明，并得出结论：越南为巩固封建王朝统治而修撰本国历史；史书中渗透着中国文化表明越南文化深受中国文化的影响；史官在编撰史书时，出于自身的民族身份和国家立场，篡改了部分历史。
关键词：大越史记全书；吴士连；族群记忆；历史叙事
ETHNIC MEMORY AND HISTORICAL NARRATIVE:A STUDY OF MYTHS AND LEGENDS OF THEĐại Việt sửký
toàn thư·Ngoại kỷ
ABSTRACT
With the implementation of the"Belt and Road Initiative"strategy, the relations between China and Vietnam have been consolidated and developed,and the exchanges and cooperation between China and Vietnam in politics,economy and culture have reached an unprecedented period of harmonious development.There is a need to strengthen rearch on the culture of Southeast Asian countries,including Vietnam.In recent years,in the cultural exchange,China began to pay attention to the exchange with Vietnam,pay attention to the study of Vietname cultural circle,the domestic study of Vietname literature is getting deeper,but not enough attention to Vietname historical literature.专科生考研条件
This thesis takes theĐại Việt sửkýtoàn thưas the rearch material. The myths and legends in the hi
story books and the compilation of heroic deeds all show the national identity and political stand of the writers.In this paper,the author explores the recognition of Vietname culture to Chine culture in Vietnam's"National memory",and explains Wu Shilian's position of identity and political identity from the historical narrative of Wu Shilian in his historical books through the study of the Đại Việt sửkýtoàn thư·Ngoại kỷ.
This paper is compod of the introduction and five main parts as well as the conclusion.
The introduction mainly discuss the background and rearch status of this paper,as well as the significance and rearch methods of this paper.
The first part mainly expounds the contents and the historical background of the book.This paper discuss the author's life,the purpo of compiling theĐại Việt sửkýtoàn thư·Ngoại kỷ,and the cultural background of the age of the book.
The cond part mainly discuss the mythology and the ethnic's memory of the Sino-Vietname nation in theĐại Việt sửkýtoàn thư·Ngoại kỷ.This chapter takes the mythological stories in the historical books as the rearch materials,and eks the ethnic's memory of the Sino-Vietname nationality in the historical books of China and Vietnam. This paper discuss the three stories of"Th
e son of the Dragon,the fairy's grandson",Xiong Wang and legend of tortoi.
The third part is to trace the historical narration of Vietname nation from the myths and legends in the history books.This part mainly traces the historical narrative of Vietname nation through the stories of "The mother of the Baiyue","Xiong Wang legend"and the king of Anyang.Through the absurdity of mythological stories,the historical imagination of the Vietname nation is displayed.
The fourth part mainly discuss the historical group's image in the history books and the national image of Vietnam.This paper prents the national image constructed by Vietname historians from the perspectives of local paratism,uprising and local officials.
The fifth part of the thesis explains Vietnam's identity and variation to Chine Confucian culture through the culture embodied in theĐại Việt sửkýtoàn thư·Ngoại kỷ,and excavates Vietnam's identity to Chine culture from the contents of historical books.At the same time, the author discuss the variation of Vietname culture from the point of view of the official's identity in the compilation of historical books.
The concluding part summarizes and concludes:Vietnam built its own history in order to consolidation the feudal dynasty,and Chine culture permeated the historical books,and the Vietna
impunity
me culture has deep influenced by Chine culture,and the history of Vietnam was influenced by Chine culture,and the history of Vietnam was influenced by Chine culture.When compiling historical books,historians tampered with a part of history becau of their national identity and national position.
KEYWORDS：Đại Việt sửkýtoàn thư;Wu Shilian;Ethnic memory; Historical narrative
目录
绪论 (1)
第一节选题背景 (3)
第二节《大越史记全书》神话传说研究现状及其方法意义 (4)
一、国内研究现状 (4)
二、国外研究现状 (7)
三、研究方法和意义 (8)
第一章《大越史记全书》的内容及成书的历史背景 (10)
第一节《大越史记全书》的作者及内容简介 (10)
shabby是什么意思>magnotta
第二节《大越史记全书》诞生的时代文化背景 (12)
4级考试成绩查询
第三节《大越史记全书》“外纪”部分的编撰及目的 (14)
第二章《大越史记全书.外纪》神话传说与中越共同的族群记忆..17第一节越南神话中的“龙子仙孙”故事中的中国文化因素 (17)
第二节《外纪》中的“雄王”与中国的史籍记载 (20)
第三节传说中的“金龟”故事与中国典籍中的民间传说 (23)
第三章《大越史记全书.外纪》神话传说与越南民族历史叙事 (26)
goaltting第一节关于《大越史记全书》的历史叙事及其基本内涵 (26)
兴味第二节《外纪》中百越民族始母与越南民族的历史想象 (28)
第三节雄王传说故事与越南民族的历史构建 (30)
第四节《外纪》中安阳王传说故事与越南民族部落联盟的历史记忆 (33)
nancy grace第四章《大越史记全书.外纪》历史群像传说与越南的国家图象..36第一节地方割据形像与构建越南民族国家的历史图景 (37)
第二节“起义”群像与建国称王的越南民族国家的英雄形象 (39)
第三节中国地方循吏群像与越南文明的国家栋梁影像 (41)
第四节地方叛乱群像与越南民族国家的法外之王景象 (43)
第五章《大越史记全书.外纪》神话传说的文化认同与变异 (46)
第一节儒家文化：越南民族共同的文化认同 (46)
第二节族群记忆：演变成为越南单一民族起源的素材 (48)
第三节传说群像：演变成为越南的民族英雄 (49)
